The Man in the Iron Mask by Alexandre Dumas (the beginning after the end novel read txt) 📕

Cordilleras. Now Percerin had been a clever man all his life, and by way of keeping up his reputation beyond the grave, took very good care not to make a bad death of it, and so contrived to die very skillfully; and that at the very moment he felt his powers of invention declining. He left a son and a daughter, both worthy of the name they were called upon to bear; the son, a cutter as unerring and exact as the square rule; the daughter, apt at embroidery, and at designing ornaments. The marriage of Henry IV. and Marie de Medici, and the exquisite court-mourning for the afore-mentioned queen, together with a few words let fall by M. de Bassompiere, king of the beaux of the period, made the fortune of the second generation of Percerins. M. Concino Concini, and his wife Galligai, who subsequently shone at the French court, sought to Italianize the fashion, and introduced some Florentine tailors; but Percerin, touched to the quick in his patriotism and his self-esteem, entirely defeated these foreigners, and that so well that Concino was the first to give up his compatriots, and held the French tailor in such esteem that he would never employ any other, and thus wore a doublet of his on the very day that Vitry blew out his brains with a pistol at the Pont du Louvre.

And so it was a doublet issuing from M. Percerin’s workshop, which the Parisians rejoiced in hacking into so many pieces with the living human body it contained. Notwithstanding the favor Concino Concini had shown Percerin, the king, Louis XIII., had the generosity to bear no malice to his tailor, and to retain him in his service. At the time that Louis the Just afforded this great example of equity, Percerin had brought up two sons, one of whom made his debut at the marriage of Anne of Austria, invented that admirable Spanish costume, in which Richelieu danced a saraband, made the costumes for the tragedy of “Mirame,” and stitched on to Buckingham’s mantle those famous pearls which were destined to be scattered about the pavements of the Louvre. A man becomes easily notable who has made the dresses of a Duke of Buckingham, a M. de Cinq-Mars, a Mademoiselle Ninon, a M. de Beaufort, and a Marion de Lorme. And thus Percerin the third had attained the summit of his glory when his father died. This same Percerin III., old, famous and wealthy, yet further dressed Louis XIV.; and having no son, which was a great cause of sorrow to him, seeing that with himself his dynasty would end, he had brought up several hopeful pupils. He possessed a carriage, a country house, men-servants the tallest in Paris; and by special authority from Louis XIV., a pack of hounds. He worked for MM. de Lyonne and Letellier, under a sort of patronage; but politic man as he was, and versed in state secrets, he never succeeded in fitting M. Colbert. This is beyond explanation; it is a matter for guessing or for intuition. Great geniuses of every kind live on unseen, intangible ideas; they act without themselves knowing why. The great Percerin (for, contrary to the rule of dynasties, it was, above all, the last of the Percerins who deserved the name of Great), the great Percerin was inspired when he cut a robe for the queen, or a coat for the king; he could mount a mantle for Monsieur, the clock of a stocking for Madame; but, in spite of his supreme talent, he could never hit off anything approaching a creditable fit for M. Colbert. “That man,” he used often to say, “is beyond my art; my needle can never dot him down.” We need scarcely say that Percerin was M. Fouquet’s tailor, and that the superintendent highly esteemed him. M. Percerin was nearly eighty years old, nevertheless still fresh, and at the same time so dry, the courtiers used to say, that he was positively brittle. His renown and his fortune were great enough for M. le Prince, that king of fops, to take his arm when talking over the fashions; and for those least eager to pay never to dare to leave their accounts in arrear with him; for Master Percerin would for the first time make clothes upon credit, but the second never, unless paid for the former order.

It is easy to see at once that a tailor of such renown, instead of running after customers, made difficulties about obliging any fresh ones. And so Percerin declined to fit bourgeois, or those who had but recently obtained patents of nobility. A story used to circulate that even M. de Mazarin, in exchange for Percerin supplying him with a full suit of ceremonial vestments as cardinal, one fine day slipped letters of nobility into his pocket.

It was to the house of this grand llama of tailors that D’Artagnan took the despairing Porthos; who, as they were going along, said to his friend, “Take care, my good D’Artagnan, not to compromise the dignity of a man such as I am with the arrogance of this Percerin, who will, I expect, be very impertinent; for I give you notice, my friend, that if he is wanting in respect I will infallibly chastise him.”

“Presented by me,” replied D’Artagnan, “you have nothing to fear, even though you were what you are not.”

“Ah! ‘tis because—”

“What? Have you anything against Percerin, Porthos?”

“I think that I once sent Mouston to a fellow of that name.”

“And then?”

“The fellow refused to supply me.”

“Oh, a misunderstanding, no doubt, which it will be now exceedingly easy to set right. Mouston must have made a mistake.”

“Perhaps.”

“He has confused the names.”

“Possibly. That rascal Mouston never can remember names.”

“I will take it all upon myself.”

“Very good.”

“Stop the carriage, Porthos; here we are.”

“Here! how here? We are at the Halles; and you told me the house was at the corner of the Rue de l’Arbre Sec.”

“‘Tis true, but look.”

“Well, I do look, and I see—”

“What?”

“Pardieu! that we are at the Halles!”

“You do not, I suppose, want our horses to clamber up on the roof of the carriage in front of us?”

“No.”

“Nor the carriage in front of us to mount on top of the one in front of it. Nor that the second should be driven over the roofs of the thirty or forty others which have arrived before us.”

“No, you are right, indeed. What a number of people! And what are they all about?”

“‘Tis very simple. They are waiting their turn.”

“Bah! Have the comedians of the Hotel de Bourgogne shifted their quarters?”

“No; their turn to obtain an entrance to M. Percerin’s house.”

“And we are going to wait too?”

“Oh, we shall show ourselves prompter and not so proud.”

“What are we to do, then?”

“Get down, pass through the footmen and lackeys, and enter the tailor’s