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notebook, from which he extracted an unmounted photograph. The superintendent looked into the pictured face of a full-cheeked, wide-mouthed, square-jawed man with a slightly blasé expression and a half-cynical smile. After studying it a minute he nodded and handed it back.

"As you say, senhor, a man who never has had to work."

"Exactly. For five years this man has been regarded as dead. It was his habit to start off suddenly for any place where his whims drew him, notifying nobody of his departure. But a few days later he would always write, cable, or telegraph his relatives, so that his general whereabouts would soon become known. On his last trip he sent a radio message from a steamer, out at sea, saying he was bound for Rio Janeiro. That was the last ever heard from him."

"Rio is far from here," suggested the Brazilian.

"Just so. We look for Rand at the headwaters of the Amazon, instead of in Rio, because Rio yields no clew and because of one other thing which I shall speak of presently.

"It has been learned that he reached Rio safely, but there his trail ended. As he had several thousand dollars on his person, it was concluded that he was murdered for his money and his body disposed of. This belief has been held until quite recently, when a new book of travel was published—The Mother of Waters, by Dwight Dexter, an explorer of considerable reputation."

The Brazilian's brows lifted.

"Senhor Dexter? I remember Senhor Dexter. He stopped here for a short time, ill with fever. So he has published a book?"

"Yes. It deals mainly with his travels and observations in Peru, along the Marañon, Huallaga, and Ucayali. But it includes a short chapter regarding the Javary, and in that chapter occurs the following, which I have copied verbatim."

From the notebook he read:

"'It falls to the lot of the explorer at times to meet not only hitherto unclassified species of fauna and flora, but also strange specimens of the genus homo. Such a creature came suddenly upon my camp one day just before a serious and well-nigh fatal attack of fever compelled me to relinquish my intention to proceed farther up the Javary.

"'While my Indian cook was preparing the afternoon meal, out from the dense jungle strode a bearded, shaggy-haired, painted white man, totally nude save for a narrow breechclout and a quiver containing several long hunting arrows. In one hand he carried a strong bow of really excellent workmanship. This was his only weapon. He wore no ornament, unless streaks of brilliant red paint be considered ornaments. He was wild and savage in appearance and manner as any cannibal Indian. Yet he was indubitably white.

"'To my somewhat startled greeting he made no response. Neither did he speak at any time during his unceremonious visit. Bolt upright, he stood beside my crude table until the Indian stolidly brought in my food. Then, without a by-your-leave, the wild man rapidly wolfed down the entire meal, feeding himself with one hand and holding his bow ready in the other. Though I questioned him and sought to draw him into conversation, he honored me with not so much as a grunt or a gesture. When the table was bare he stalked out again and vanished into the dim forest.

"'After he had gone my Indian urged that we leave the place at once. The man, he said, was "The Raposa"—a word which denotes a species of wild dog sometimes found on the upper Amazon. He knew nothing of this "Raposa" except that he apparently belonged to a wild tribe living far back in the forest, perhaps allied with the cannibal Mayorunas, who were very fierce; and that he appeared sometimes at Indian settlements, where, without ever speaking, he would help himself to the best food and then leave. My man seemed to fear that now some great misfortune would come to us unless we shifted our base. When the fever came upon me soon afterward, the superstitious fellow was convinced that the illness was attributable directly to the visit of the human "wild dog."

"'Aside from the nudity and barbarism of the mysterious stranger, certain personal peculiarities struck me. One was that his eyes were green. Another was a streak of snow-white hair above one ear. Furthermore, the red paint on his body outlined his skeleton. His ribs, spine, arm- and leg-bones all were portrayed on his tanned skin by those brilliant red streaks. In this connection my Indian asserted that in the tribe to which "The Raposa" probably belonged it was the custom to preserve the bones of the dead and to paint them with this same red dye, after which the bones were hung up in the huts of the deceased instead of being given burial. Beyond this my informant knew nothing of the "Red Bone" people, except that to enter their country was death.'"

Knowlton returned the book to his pocket and carefully buttoned the flap.

"When that appeared," he continued, "efforts were made to get hold of Dexter, with the idea of showing him the photograph of the missing man and learning any additional details. Unfortunately, by the time the book was published Dexter had gone to Africa to seek a race of dwarfs said to exist in the Igidi Desert, and thus was totally out of reach. Then we were called upon to follow up this clew and find the Raposa if possible. Men with green eyes and patches of white hair above one ear are not common. So, though our knowledge of this strange wild man is confined to those few words of Dexter's, we are here to learn more of him and to get him if we can."

He looked expectantly at the official. The latter, after staring out through the doorway for a time, shook his head slightly.

"Something of this Raposa and of those red-streaked people has come to my ears, senhores, but only as rumors," he said, slowly. "And one does not place great faith in rumors. Yet I have repeatedly been surprised to learn, after dismissing a story as an empty Indian tale, that the tale was true.

"Of the Mayorunas more is known. They are eaters of human flesh, inhabiting both sides of the Javary, deadly when angered, and very easily angered. Their country is not many days distant from here, but as they never attack us we do not attack them. It is an armed neutrality, as you senhores would say. True, we have to be careful in drinking water, for they sometimes poison the streams against real or imaginary enemies, and the poisoned waters flow down to us, causing those who drink it to die of a fever like the typhoid. Yet," and he smiled, "there is a saying, is there not, that water is made not to drink, but to bathe in?"

Knowlton laughed. McKay's eyes twinkled.

"I'm sorry to say that water's about all a fellow can get to drink in the States now," the blond man said, ruefully. "That is, of course, unless a man knows where to go."

"Si. It is a pity. But here in Brazil one need not drink water unless he wishes, and often it is better not to. Of the Mayorunas, senhor—you do not intend to go among them, seeking this wild man of the red bones? If you should do so it would be a matter of regret to me."

"Meaning that we should not come out again? That's a risk we have to face. We go wherever it is necessary."

"I am sorry. I regret also that I can give you no definite information. Yet I wish you all success, senhores, and a safe return. This much I can do and gladly will do: I can send word to another white man who now is in the town and who knows much of the upper river. He may be able to assist you, and without doubt will be eager to do so. He is staying at the hotel, just below here—Senhor Schwandorf."

The eyes of the two Americans narrowed. The official coughed.

"Senhor McKay has been a soldier. And Senhor Knowlton—"

"I was a lieutenant."

"Ah! But the war has passed, senhores. Senhor Schwandorf was not a soldier of Germany—he has been in Brazil for more than six years."

"War's over. That's right," McKay agreed. "But don't bother to send word. We'll find him if he's at the hotel. Going there ourselves. Glad to have met you, sir. Good luck!"

"And to you also luck, Capitao and Tenente," smiled the official. McKay and Knowlton strode out.

"Guess this is the hotel," hazarded McKay, glancing at a house which rose slightly above the others. "I'll go in and charter rooms. You get Tim and have somebody rustle our impedimenta up here."

He turned aside. Knowlton trudged on through the glare of sunset to the river bank where Tim and the army of Remate de Males still loafed up and down, the admired of all beholders.

"All right, Tim. We're moving to the hotel. No more war, I see."

"Lord love ye, no," grinned Tim. "Me and this feller are gittin' on fine. He's Joey—I forgit the rest of his names; he's got about a dozen more and they sound like stones rattlin' around inside a can. But Joey's a right guy. After me tour o' duty ends he's goin' to buy me a drink and maybe introjuce me to a lady friend o' his. Want to join the party, Looey?"

"Not unless the ladies are better looking than these," laughed the ex-lieutenant, moving his head toward the pipe-smoking females.

"Faith, I was thinkin' that same meself. Unless he can dig up somethin' fancier 'n what I see so far, I'd as soon have Mademoiselle."

"Who?"

"Mademoiselle of Armentières. Sure, ye know that one, Looey. Goes to the tune o' 'Parley-Voo.'"

Wherewith he lifted up a foghorn voice and, much to the edification of "Joey" (whose name really was Joao) and the rest of Remate de Males, burst into song:

"Mademoiselle of Armenteers,
Pa-a-arley-voo!
She smoked our butts and bummed our beers,
Pa-a-arley-voo!
She had cockeyes and jackass ears
And she hadn't been kissed for forty years,
Rinkydinky-parley-voo!"

As his musical effort ended, out from the dense jungle hemming in the town burst a hideous roaring howl. Again and again it sounded in a horrible crash of noise.

"Holy Saint Pat!" gasped Tim, throwing his rifle to port and bracing his feet. "Now look what I went and done! Is that the echo, or a couple dozen jaggers all fightin' to oncet?"

"Guariba, Senhor Ree-ann," snickered Joao. "Not jaguars—no. Only one little guariba monkey. The howler."

"G'wan! Ye're kiddin'!"

"But no, amigo. It is as I tell you. One monkey. It is sunset, and the jungle awakes."

"My gosh! I'll say it does. Sounds like a Sat'day night row in a Second Av'noo saloon, except there ain't no shootin'. Guess you boys have some night life, too, even if ye are away back in the bush."

"Time for us to move, Tim," laughed Knowlton. "It'll be dark in no time. Joao, will you have our baggage moved to the hotel?"

"Si, senhor. Immediatamente. Antonio—Jorge—Rosario! And you, too, Meldo—vem cà! Carry the bundles of the gentlemen to the hotel, presto! Proceed, senhores. I, Joao d'Almeida Magalhaes Nabuco Pestana da Fonseca, will remain here on guard until all your possessions have been transported. Proceed without fear."

CHAPTER III. THE VOICE OF THE WILDS

McKay, eyes twinkling again, awaited them at the top of the hotel's street ladder.

"Rooms any good, Rod?" hailed Knowlton.

"Best in the house, Merry."

"See any insects in the beds?"

"Nary a bug—in the beds." The twinkle grew. "Didn't look in the bureaus or behind the mirrors. Come look 'em over."

Entering a sizable room evidently used for dining—for its chief articles of furniture were two tables made from planed palm trunks—McKay waved a hand toward a row of four doorways on the right.

"First three are ours," he explained. "Only vacancies here. Eight rooms in this hotel—the other four over there." He pointed across the room, on the other side of which opened four similar doors. "They're occupied by two sick men, one drunk—hear him snore?—and one she-goat which is kidding."

"Huh?" Tim snorted, suspiciously. "I think ye're the one that's kiddin', Cap."

"Not a bit. I looked. The last room on this side is the Dutchman's, and these are ours. Take your pick. They're all alike."

Knowlton stepped to the nearest and looked in. For a moment he said no word. Then he softly muttered:

"Well, I'll be spread-eagled!"

"Me, too," seconded Tim, who had been craning his neck.

The room was absolutely empty. No bed, no chair, no bureau, no rug—nothing at all was in it except two iron hooks. Its floor consisted of split palm logs, round side up, between which opened inch-wide spaces. Its walls were rusty corrugated iron, guiltless of mirrors or pictures, which did not reach to the

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