In Château Land by Anne Hollingsworth Wharton (new ebook reader .TXT) 📕

or not the young lover wore his heart upon his sleeve to the end of his days, it is quite evident that M. de Bragelongne was speedily forgotten by Louise amid the pleasures and distractions of the gayest court in Europe. As maid of honor to the English princess, Henriette, Louise was plunged into all the festivities of Fontainebleau, Versailles, and the Palais Royal, of which the King was always the soul and centre.

You will think that my pen has run away with me in following the fortunes of Louise de La Valliere from Blois to Paris and from Paris to Versailles; but Lydia and I have been reading a book about Blois which M. La Tour had sent to us from Paris. This book, which dwells particularly upon the story of Louise de La Valliere and her association with the Chateau of Blois, has brought the life of that time before us so vividly that we feel as if we had some part and lot in the pathetic tale. The festivities and intrigues of Fontainebleau and Versailles may seem a far cry from the old Chateau of Blois, and yet the court life of that older time, dramatic and picturesque as it was, was curiously limited. The characters were always the same, the pageant alone shifted from palace to chateau, and from one chateau of the Loire to another. Now the court is at Amboise, again at Chenonceaux, and again at the stately palace of Chambord. The King is always surrounded by the same courtiers and the same favorites, whether he is riding through the forest of Fontainebleau or hunting at Chambord, in which princely domain Louis boasted that he had shot fourteen of his Uncle Gaston's cherished pheasants in one afternoon. The distances are short, and even in the days of slow-going coaches the court could breakfast at Chambord and sup at Blois.

Through the influence of a distant relative Louise de La Valliere was given a place at court in the service of the English princess, the beautiful, captivating and capricious Henriette, daughter of Charles I and wife of the King's young brother, Philippe d'Orleans. Chroniclers of the time all agree in attributing to her rare charm of manner, a lively wit and a keen intellect. A patron of the great writers of the day, she encouraged Corneille and the older poets and emboldened the younger by her appreciation. Henriette wept over the _Andromaque_ when Racine read it to her, until the happy youth's head was well-nigh turned by what he considered the most fortunate beginning of its destiny. This combination of beauty, charm, and intellect, found more frequently, perhaps, in France than in any other country, rendered Madame the most irresistible of women, and as Saint-Beuve says, the most touching of princesses. The King, who at sixteen had refused to dance with the thin and not especially attractive child of eleven, because, as he explained to his mamma, he did not care for little girls, took himself to task later for not realizing before she became his brother's fiancee that Henriette was the most beautiful woman in the world.

At the time that Louise de La Valliere entered her household Madame Henriette was enjoying her hour of triumph. The King, who had been slow in discovering her charms, was at her feet. The death of Mazarin, the miserly, had given Louis a freedom in his own kingdom that he had never before known. Entertainment followed entertainment, all given in honor of the English bride, his own Spanish bride having been relegated to the background of this gay court, from which she was never destined to emerge. "It seemed," wrote Madame de Lafayette, "as if the King had no interest in these _fetes_ except through the gratifications they gave to Madame." It was in the summer time, and the royalties were at Fontainebleau, which delightful palace of pleasure, with its extensive grounds, made a charming background for the succession of _fetes_ and dances that Louis planned for his sister-in-law. There were expeditions on land by day, water parties on the lake by the light of the moon, and promenades in the woods by night. Madame delighted to bathe in the Seine; accordingly parties were arranged for her pleasure, the ladies driving to the river and returning on horseback, in elaborate costumes with wonderful plumes in their hats, to an _al fresco_ breakfast in the park.

A theatre was erected in the grounds and Lulli was installed as superintendent of the royal music. Among other entertainments a Ballet des Saisons was given, in which the King, in a gorgeous costume representing Spring, danced with his usual grace and skill, while Madame, in a gown of shining tissue, delicate as a butterfly's wing, led her troupe of Bacchantes, Louise de La Valliere among them.

It was after one of these entertainments, which were sometimes followed by rambles in the park lasting until two or three o'clock in the morning, that the scene under the Royal Oak took place which Dumas has so ingeniously woven into his romance of La Valliere. You remember that the three maids of honor of Madame,--Montelais, Athenais, and Louise,--were grouped together under the famous oak in the forest of Fontainebleau, which had witnessed the sighs for love or glory of the great Henry and many another monarch. The conversation of the three girls on life and love sounds trite and commonplace as we read the story, and yet in the light of the events that followed in quick succession the sentimental platitudes of the innocent child, La Valliere, and the worldly aphorisms of the ambitious Athenais, afterwards Madame de Montespan, gain both dignity and pathos. That Louise, the timid and gentle, should express herself so warmly upon her admiration for the King reveals the fact that the handsome young sovereign had already made an impression upon her sensitive heart. For her it seemed that there had been no one worthy of notice at the dance except the King, the living embodiment of the springtime he personified. When she exclaimed with fervor, "Have you ever seen any one to be compared with the King?" even the bold Athenais was surprised at the frankness of the little Blesoise. A still greater surprise was in store for the Three Graces under the Royal Oak when a rustling was heard in the undergrowth of the adjoining quincunx, and with cries of "A wolf! or a wild boar!" they all scampered away as fast as their feet could carry them to the safe and sure shelter of Madame's apartments, to learn later to their dismay that the rustling in the bushes had been caused, not by a wolf or a wild boar, but by the King himself, who was sauntering through the park with M. de Saint-Aignan.

Whether or not Louise ever thus openly expressed her admiration for the King, one may readily believe that even a slight impression made upon the girl's imagination would be inevitably deepened and strengthened in these days when the court life at Fontainebleau is described as a delirium of ambition, pleasure and love. The merry-making and feasting continued, the _fetes_ still being given in Madame's honor, and "the modest violet" might have remained hidden beneath its leaves had not Madame Henriette's schemes involved Louise. It appears that the Queen Mother, having in common with others observed the King's growing admiration for his beautiful sister-in-law, expostulated with him, entreating him, in the name of dignity and decorum, to discontinue his attentions to her. The King, angry and disconcerted that his actions should be criticised, formed with the aid of the quick-witted Madame, who cared little for Louis but greatly enjoyed her position as queen of the hour, a plot which involved several of the maids of honor. So infamous was this plot of Madame's that one wonders that a woman, to whom kindness of heart has been attributed, could have countenanced a scheme so cruel. "In order to hide their own game," said Saint-Beuve, "the King was to pay make-believe attention to several of Madame's maids of honor." The three selected were Mademoiselle de Pons, Mademoiselle de Chimerault, and Mademoiselle de La Valliere. It soon appeared that the latter was the one whom the King preferred to seem to be in love with. The plot soon thickened quite beyond Madame's anticipations, the make-believe attentions became real, the other maids of honor were quite neglected, Madame herself was forgotten, and while trying to dazzle the eyes of the public Louis himself was bewildered, and soon found himself seriously in love with La Valliere, at least as seriously in love as it was in his nature to be. And Louise was then and ever after deeply, hopelessly in love with the King.

Is it strange that this innocent girl, little more than a child in years and experience, with many to flatter and criticise, but none to counsel or protect, should have fallen into the trap that was laid for her unwary feet? From her quiet village home she was suddenly, as Madame's dame d'honneur, introduced to a new world, in which the King, young, handsome, and possessed of all the graces and accomplishments of his age, was the central figure. Before she had time to become accustomed to the life around her, the greatest temptation that could be offered to a Frenchwoman of that day was presented to her. This monarch, the Roi Soleil to his adoring satellites, was at her feet, telling her that he loved her, and her only, little Louise de La Valliere, whom the haughty court dames had looked down upon as insignificant, lacking in grace and even beauty. It was only a few short days since water parties, ballets, and _fetes_ had been given in Madame's honor; the gayety continued, but Henriette was no longer the inspiration of these festivities, which were planned for other _beaux yeux_, whose she does not know. Louise was so modest and retiring, so anxious to spare the Queen sorrow and pain, that it was some time before it transpired that the little Blesoise, whom Madame would not have condescended to look upon as a possible rival, was the reigning favorite.

In the midst of the scheming, love making, jealousy, and carousing, the King's second child--the little Princess Anne Elizabeth--opened her eyes to the light of the world, only to close them again before the rejoicings at her birth were well over, even before the foreign ambassadors who came to welcome her had reached Paris. The Queen was deeply grieved at the loss of her child, Louis wept copiously over the family affliction, but being in greater need of distraction than before we find him a few weeks later dancing gayly in a Ballet des Arts in company with Mademoiselle de Mortmart, _la belle Athenais_, Mademoiselle de Sevigne, whom her fond mother called the "prettiest girl in France," and Mademoiselle de La Valliere, who, despite her slight lameness, danced to perfection, her slim figure, of the lissome slenderness that belongs to early youth, showing to great advantage in the figures of the cotillon.

You know the sad story far better than I do. The few short years of enchantment when Louise lived in the delirium of love's young dream, yet was never really happy, never enjoying her honors as Duchesse de La Valliere, the royal favorite, because her conscience was ever awake and her tender heart filled with remorse for the sorrow she had caused the Queen. The brief years of enchantment were soon over, to be followed by disillusionment, when it was revealed to Louise that the fickle heart of Louis had succumbed to other charms; the final flight from court and the long years of repentance at the Carmelites.

Twice before Louise had taken refuge in a convent. The first time she sought to fly from her passion and herself, to be brought