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century. This we knew because, as we were standing by it, we heard a drop of water fall.

Sometimes the stalagmites took strange forms, presumably where the dropping of the water had not always been on the same spot. Thus, one huge mass, which must have weighed a hundred tons or so, was in the shape of a pulpit, beautifully fretted over outside with a design that looked like lace. Others resembled strange beasts, and on the sides of the cave were fanlike ivory tracings, such as the frost leaves upon a pane.

Out of the vast main aisle there opened here and there smaller caves, exactly, Sir Henry said, as chapels open out of great cathedrals. Some were large, but one or two—and this is a wonderful instance of how nature carries out her handiwork by the same unvarying laws, utterly irrespective of size—were tiny. One little nook, for instance, was no larger than an unusually big doll’s house, and yet it might have been a model for the whole place, for the water dropped, tiny icicles hung, and spar columns were forming in just the same way.

We had not, however, enough time to examine this beautiful cavern so thoroughly as we should have liked to do, since unfortunately, Gagool seemed to be indifferent as to stalactites, and only anxious to get her business over. This annoyed me the more, as I was particularly anxious to discover, if possible, by what system the light was admitted into the cave, and whether it was by the hand of man or by that of nature that this was done; also if the place had been used in any way in ancient times, as seemed probable. However, we consoled ourselves with the idea that we would investigate it thoroughly on our way back, and followed on at the heels of our uncanny guide.

On she led us, straight to the top of the vast and silent cave, where we found another doorway, not arched as the first was, but square at the top, something like the doorways of Egyptian temples.

“Are ye prepared to enter the Place of Death, white men?” asked Gagool, evidently with a view to making us feel uncomfortable.

“Lead on, Macduff,” said Good solemnly, trying to look as though he was not at all alarmed, as indeed we all did except Foulata, who caught Good by the arm for protection.

“This is getting rather ghastly,” said Sir Henry, peeping into the dark passageway. “Come on, Quatermain—seniores priores. We mustn’t keep the old lady waiting!” and he politely made way for me to lead the van, for which inwardly I did not bless him.

Tap, tap, went old Gagool’s stick down the passage, as she trotted along, chuckling hideously; and still overcome by some unaccountable presentiment of evil, I hung back.

“Come, get on, old fellow,” said Good, “or we shall lose our fair guide.”

Thus adjured, I started down the passage, and after about twenty paces found myself in a gloomy apartment some forty feet long, by thirty broad, and thirty high, which in some past age evidently had been hollowed, by hand-labour, out of the mountain. This apartment was not nearly so well lighted as the vast stalactite ante-cave, and at the first glance all I could discern was a massive stone table running down its length, with a colossal white figure at its head, and life-sized white figures all round it. Next I discovered a brown thing, seated on the table in the centre, and in another moment my eyes grew accustomed to the light, and I saw what all these things were, and was tailing out of the place as hard as my legs could carry me.

I am not a nervous man in a general way, and very little troubled with superstitions, of which I have lived to see the folly; but I am free to own that this sight quite upset me, and had it not been that Sir Henry caught me by the collar and held me, I do honestly believe that in another five minutes I should have been outside the stalactite cave, and that a promise of all the diamonds in Kimberley would not have induced me to enter it again. But he held me tight, so I stopped because I could not help myself. Next second, however, his eyes became accustomed to the light, and he let go of me, and began to mop the perspiration off his forehead. As for Good, he swore feebly, while Foulata threw her arms round his neck and shrieked.

Only Gagool chuckled loud and long.

It was a ghastly sight. There at the end of the long stone table, holding in his skeleton fingers a great white spear, sat Death himself, shaped in the form of a colossal human skeleton, fifteen feet or more in height. High above his head he held the spear, as though in the act to strike; one bony hand rested on the stone table before him, in the position a man assumes on rising from his seat, whilst his frame was bent forward so that the vertebræ of the neck and the grinning, gleaming skull projected towards us, and fixed its hollow eye-places upon us, the jaws a little open, as though it were about to speak.

“Great heavens!” said I faintly, at last, “what can it be?”

“And what are those things?” asked Good, pointing to the white company round the table.

“And what on earth is that thing?” said Sir Henry, pointing to the brown creature seated on the table.

“Hee! hee! hee!” laughed Gagool. “To those who enter the Hall of the Dead, evil comes. Hee! hee! hee! ha! ha!”

“Come, Incubu, brave in battle, come and see him thou slewest;” and the old creature caught Curtis’ coat in her skinny fingers, and led him away towards the table. We followed.

Presently she stopped and pointed at the brown object seated on the table. Sir Henry looked, and started back with an exclamation; and no wonder, for there, quite naked, the head which Curtis’ battle-axe had shorn from the body resting on its knees, was the gaunt corpse of Twala, the last king of the Kukuanas. Yes, there, the head perched upon the knees, it sat in all its ugliness, the vertebræ projecting a full inch above the level of the shrunken flesh of the neck, for all the world like a black double of Hamilton Tighe.[11] Over the surface of the corpse there was gathered a thin glassy film, that made its appearance yet more appalling, for which we were, at the moment, quite unable to account, till presently we observed that from the roof of the chamber the water fell steadily, drip! drop! drip! on to the neck of the corpse, whence it ran down over the entire surface, and finally escaped into the rock through a tiny hole in the table. Then I guessed what the film was—Twala’s body was being transformed into a stalactite.

[11] “Now haste ye, my handmaidens, haste and see
How he sits there and glowers with his head on his knee.”

A look at the white forms seated on the stone bench which ran round that ghastly board confirmed this view. They were human bodies indeed, or rather they had been human; now they were stalactites. This was the way in which the Kukuana people had from time immemorial preserved their royal dead. They petrified them. What the exact system might be, if there was any, beyond the placing of them for a long period of years under the drip, I never discovered, but there they sat, iced over and preserved for ever by the siliceous fluid.

Anything more awe-inspiring than the spectacle of this long line of departed royalties (there were twenty-seven of them, the last being Ignosi’s father), wrapped, each of them, in a shroud of ice-like spar, through which the features could be dimly discovered, and seated round that inhospitable board, with Death himself for a host, it is impossible to imagine. That the practice of thus preserving their kings must have been an ancient one is evident from the number, which, allowing for an average reign of fifteen years, supposing that every king who reigned was placed here—an improbable thing, as some are sure to have perished in battle far from home—would fix the date of its commencement at four and a quarter centuries back.

But the colossal Death, who sits at the head of the board, is far older than that, and, unless I am much mistaken, owes his origin to the same artist who designed the three Colossi. He is hewn out of a single stalactite, and, looked at as a work of art, is most admirably conceived and executed. Good, who understands such things, declared that, so far as he could see, the anatomical design of the skeleton is perfect down to the smallest bones.

My own idea is, that this terrific object was a freak of fancy on the part of some old-world sculptor, and that its presence had suggested to the Kukuanas the idea of placing their royal dead under its awful presidency. Or perhaps it was set there to frighten away any marauders who might have designs upon the treasure chamber beyond. I cannot say. All I can do is to describe it as it is, and the reader must form his own conclusion.

Such, at any rate, was the White Death and such were the White Dead!

CHAPTER XVII.
SOLOMON’S TREASURE CHAMBER

While we were engaged in recovering from our fright, and in examining the grisly wonders of the Place of Death, Gagool had been differently occupied. Somehow or other—for she was marvellously active when she chose—she had scrambled on to the great table, and made her way to where our departed friend Twala was placed, under the drip, to see, suggested Good, how he was “pickling,” or for some dark purpose of her own. Then, after bending down to kiss his icy lips as though in affectionate greeting, she hobbled back, stopping now and again to address the remark, the tenor of which I could not catch, to one or other of the shrouded forms, just as you or I might welcome an old acquaintance. Having gone through this mysterious and horrible ceremony, she squatted herself down on the table immediately under the White Death, and began, so far as I could make out, to offer up prayers. The spectacle of this wicked creature pouring out supplications, evil ones no doubt, to the arch enemy of mankind, was so uncanny that it caused us to hasten our inspection.

“Now, Gagool,” said I, in a low voice—somehow one did not dare to speak above a whisper in that place—“lead us to the chamber.”

The old witch promptly scrambled down from the table.

“My lords are not afraid?” she said, leering up into my face.

“Lead on.”

“Good, my lords;” and she hobbled round to the back of the great Death. “Here is the chamber; let my lords light the lamp, and enter,” and she placed the gourd full of oil upon the floor, and leaned herself against the side of the cave. I took out a match, of which we had still a few in a box, and lit a rush wick, and then looked for the doorway, but there was nothing before us except the solid rock. Gagool grinned. “The way is there, my lords. Ha! ha! ha!”

“Do not jest with us,” I said sternly.

“I jest not, my lords. See!” and she pointed at the rock.

As she did so, on holding up the lamp we perceived that a mass of stone was rising slowly from the floor and vanishing into the rock above, where doubtless there is a cavity prepared to receive it. The mass was of the width of a good-sized door, about ten feet high and not less than five feet thick. It must have weighed at least twenty or thirty tons, and was clearly moved upon some simple balance principle of counter-weights, probably the same as that by which the opening and shutting of an ordinary modern window is arranged. How the principle was set in motion, of course none of us saw; Gagool was careful to avoid this; but I have little doubt that there was some very simple lever, which was moved ever so little by pressure at a secret spot, thereby throwing additional weight on to the hidden counter-balances, and causing the monolith to be lifted from the ground.

Very slowly and gently the great stone raised itself, till at last it had vanished altogether, and a dark hole presented itself to us in the place which the door had filled.

Our excitement was so intense, as we saw the way to Solomon’s treasure chamber thrown open at last, that I for one began to tremble and shake. Would it prove a

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