Greatheart by Ethel May Dell (best books to read for beginners TXT) ๐
The neck and shoulders below the laughing face were bare and a bare armwaved in a propitiatory fashion ere it vanished.
"Looks as if the fancy dress is a minus quantity," observed Billy to hiscompanion with a grin. "I didn't see any of it, did you?"
Scott tried not to laugh. "Your sister?" he asked.
Billy nodded affirmation. "She ain't a bad urchin," he observed, "assisters go. We're staying here along with the de Vignes. Ever met 'em?Lady Grace is a holy terror. Her husband is a horrible stuck-up bore ofan Anglo-Indian,--thinks himself everybody, and tells the most awfulhowlers. Rose--that's the daughter--is by way of being very beautiful.There she goes now; see? That golden-haired girl in red! She's another ofyour beastly star skaters. I'll bet she'll have that big bounder cuttingcapers with her before the day's out."
"Think so?" said Scott.
Billy nodded again. "I suppose he's a prince at least. My
Read free book ยซGreatheart by Ethel May Dell (best books to read for beginners TXT) ๐ยป - read online or download for free at americanlibrarybooks.com
- Author: Ethel May Dell
- Performer: -
Read book online ยซGreatheart by Ethel May Dell (best books to read for beginners TXT) ๐ยป. Author - Ethel May Dell
It was well for her that she had Biddy to think of. The old woman was pathetically eager to serve her. She had in fact attached herself to Dinah in a fashion that went to her heart. It was Miss Isabel's wish that she should take care of her, she told her tremulously, and Dinah, knew that it had been equally her friend's wish that she should care for Biddy.
And Biddy was very good. Probably in accordance with Scott's desire, she made a great effort to throw off all gloom, and undoubtedly her own sense of loss and bereavement was greatly lessened by the consciousness of Dinah's need of her.
"Time enough to weep later," she told herself, as she lay down in the room adjoining Dinah's on that first night in the Dower House. "She'll not be wanting old Biddy when Master Scott comes to her."
The two days that followed were very fully occupied. There were curtains and pictures to hang, furniture to be arranged, and many things to be unpacked. Dinah went to the work with zest. She did not know when Scott would come. But it would be soon, she knew it would be soon; and she thrilled to the thought. Everything must be ready for him. She wanted him to feel that it was home from the moment he crossed the threshold.
So, with Biddy's help, she went about her preparations, enlisting the old nurse's sympathies till at last she succeeded in arousing her enthusiasm also. There was certainly no time to weep.
That second day after her arrival was the day of the funeral. It was a beautiful still day of summer, and in the afternoon Dinah and Biddy sat in the garden overlooking the winding river, and read the Burial Service together. It was Dinah's suggestion, somewhat shyly proffered, andโthough she knew it notโfrom that time forward Biddy's heart was at her feet. Whatever tears there might be yet to shed had lost all bitterness from that hour.
"I'll never be lonely so long as there's you to love, Miss Dinah darlint," Biddy murmured, when the young arms closed about her neck for a moment ere they went back to their work. "Ye've warmed and comforted me all through."
It was late in the evening when dusk was falling that there came the sound of an uneven tread on the gravel path before the Dower House.
Dinah was the first to hear it. Dinah wearing one of Biddy's voluminous aprons and mounted on a pair of steps, arranging china on a high shelf that ran round the old square hall.
The front-door was open, and the birds were singing in the gloaming. She had been listening to them while she worked, when suddenly this new sound came. Her heart gave a wild leap and stood still. She had not expected him to-night.
She sat down on the top of the steps with a swift, indescribable rush of feeling that seemed to deprive her of all her strength. She could not have said for the moment if she were glad or dismayed at the sound of that quiet footfall. But she was quite powerless to go and meet him. A great wave of shyness engulfed her, possessing her, overwhelming her.
He entered. He came straight to her. She wondered afterwards what he must have thought of her, sitting there on her perch in burning embarrassment with no word or sign of welcome. But whatever he thought, he dealt with the situation with unerring instinct.
He mounted a couple of steps with hands stretched up to hers. "Why, my
Dinah!" he said. "How busy you are! Let me help!"
Her heart throbbed on again, fast and hard. But still for a few seconds she could not speak. She stooped with a soft endearing sound and laid her face upon the hands that had clasped her own.
He suffered her for a moment or two in silence; she thought his hands trembled slightly. Then: "Let's get finished, little wife!" he said gently. "Isn't the day's work nearly over? Can't we take off our sandalsโand rest?"
"I have just done," she said, finding her voice. "Biddy and I have got through such a lot. Oh, Scott," as the light fell upon his face, "how tired you look!"
"It has been rather a tiring day," he made answer. "I didn't think I could get over here to-night; but Eustace insisted."
"How good of him!" she said, with quick gratitude.
"Yes, he is good," Scott's voice was tender. "I couldn't sleep last night, and he came into my room, and we had a long talk. He is one of the best, Dinah; one of the best. I'm afraid you've madeโrather a poor exchange."
Something in his tone banished the last of Dinah's shyness. She gave him her basket of china and prepared to descend. He stretched up a courteous hand to help her, but she would have none of it. "You are never to say thatโor anything like itโagain," she said severely. "Ifโif you weren't so dreadfully tired, I believe I'd be really angry. As it isโ" she reached the ground and stood there before him, a small, purposeful figure clad in the great apron that wrapped about her like a garment.
"As it isโ" he suggested meekly, setting the basket on a chair and turning back to face her.
Two quivering hands came out to him in the gloaming, and fastened resolutely on his coat. "Oh, Greatheart," whispered a tremulous voice, "I love you so muchโso muchโI wantโto kiss you!"
"My darling," answered Greatheart softly, "you can't want itโmore than I do."
His arms closed about her; he drew her to his breast.
* * * * *
"Arrah thin, what would I cry for at all?" said Biddy, as she lay down that night. "I've got herself and Master Scott to care for, and maybeโsome dayโthe Almighty will remember old Biddy for good, and give another little one into her care."
* * * * *
"And you left them quite happy?" smiled Rose to her lover two days later.
"It's a very suitable arrangement, isn't it? I always used to think that
Dinah and your brother should make a match."
"Oh, quite suitable," agreed Eustace lazily, an odd blend of irony and satisfaction in his tone. "They will be happy enough. Stumpy, you know, is just the sort of chivalrous ass that a child like Dinah can appreciate. They'll probably live in the seventh heaven, and fancy that no one else has ever been within a million miles of it."
"Poor little Dinah!" murmured Rose. "She will never know what she has missed."
And, "Just as well perhaps," said Sir Eustace, with his faintly cynical smile.
***END OF THE PROJECT GUTENBERG EBOOK GREATHEART***
******* This file should be named 13497-8.txt or 13497-8.zip *******
This and all associated files of various formats will be found in: http://www.gutenberg.net/1/3/4/9/13497
Updated editions will replace the previous oneโthe old editions will be renamed.
Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given awayโyou may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.
*** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORKTo protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.net/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear
Comments (0)