Book of Revelation HIDEN TRUTH by JACOB GEORGE (spanish books to read txt) 📕

the apocalyptic, and the prophetic. It begins with John, on the island of Patmos (an island in the Aegean), addressing a letter to the "seven churches of Asia" (meaning Asia Minor). He then describes a series of prophetic visions, including figures such as the Whore of Babylon and the Beast, culminating in the Second Coming of Jesus Christ.

 

The obscure and extravagant imagery has led to a wide variety of interpretations: historicist interpretations see in Revelation a broad view of history; preterist interpretations treat Revelation as mostly referring to the events of the apostolic era (1st century), or, at the latest, the fall of the Roman Empire; futurists believe that Revelation describes future events; and idealist or symbolic interpretations consider that Revelation does not refer to actual people or events, but is an allegory of the spiritual path and the ongoing struggle between good and evil.

 

Scholars also talk about "apocalyptic" or "apocalyptic environment," or "apocalyptic outlook." In this sense the word "apocalyptic" has a slightly broader meaning, and it refers to the spirit of the age that especially became prominent roughly between the years 300 B.C. and 200 C.E., the very years in which Judaism itself went through some cataclysmic changes, when the Temple was destroyed once again and importantly when the Christian movement itself was born and Jesus was executed.

 

 

Historical background

 

Canonical history

 

Main article: Development of the New Testament canon

Revelation was the last of book to be accepted into the Christian biblical canon, and even at the present day some Nestorian churches reject it. It was tainted because the heretical sect of the Montanists relied on it and doubts were raised over its Jewishness and authorship, and it was not until 419 that it was included in the canon. Doubts resurfaced during the Protestant Reformation, Martin Luther calling it "neither apostolic nor prophetic", while it was the only New Testament book on which John Calvin did not write a commentary. Even today, it is the only New Testament work not read in the Divine Liturgy of the Eastern Orthodox Church, though it is included in Catholic and Protestant liturgies.

 

Texts and manuscripts

 

There are approximately 230 Greek manuscripts of Revelation. The major manuscripts are the Codex Sinaiticus (4th century), Codex Alexandrinus (5th century), and Codex Ephraemi (5th century). In addition, there are numerous papyri, especially that of (3rd century); the minuscules (8th to 10th century), plus fragmentary quotations in the Church fathers of the 2nd to 5th centuries) and the 6th century Greek commentary on Revelation by Andreas.

 

Alternate titles: Apocalypse of John; Book of Revelation

 

Revelation to John also called Book of Revelation or Apocalypse of John, last book of the New Testament. It is the only book of the New Testament classified as apocalyptic literature rather than didactic or historical, indicating thereby its extensive use of visions, symbols, and allegory, especially in connection with future events. Revelation to John appears to be a collection of separate units composed by unknown authors who lived during the last quarter of the 1st century, though it purports to have been written by an individual named John—who calls himself “the servant” of Jesus—at Patmos, in the Aegean Sea. The text includes no indication that John of Patmos and John the Apostle is the same person.

 

 

 

 

 

Historical background

 

 

The book comprises two main parts, the first of which (chapters 2–3) contains moral admonitions (but no visions or symbolism) in individual letters addressed to the seven Christian churches of Asia Minor. In the second part (chapters 4–22:5), visions, allegories, and symbols (to a great extent unexplained) so pervade the text that exegetes necessarily differ in their interpretations. Many scholars, however, agree that Revelation is not simply an abstract spiritual allegory divorced from historical events, nor merely a prophecy concerning the final upheaval at the end of the world, couched in obscure language. Rather, it deals with a contemporary crisis of faith, probably brought on by Roman persecutions. Christians are consequently exhorted to remain steadfast in their faith and to hold firmly to the hope that God will ultimately be victorious over his (and their) enemies. Because such a view presents current problems in an eschatological context, the message of Revelation also becomes relevant to future generations of Christians who, Christ forewarned, would likewise suffer persecution. The victory of God over Satan (in this case, the perseverance of Christians in the face of Roman persecution) typifies similar victories over evil in ages still to come and God’s final victory at the end of time.

 

 

Although Christ is clearly the central figure of Revelation, an understanding of the text presupposes familiarity with Old Testament language and concepts, especially those taken from the books of Daniel and Ezekiel. The author uses the number seven, for example, in a symbolic sense to signify “totality” or “perfection.” References to “a thousand years” (chapter 20) have led some to expect that the final victory over evil will come after the completion of some millennium.

 

 

 

 

Historical background

 

These previous profiles of current New Testament scholarship on Revelation show what is the dominant view of how to interpret the work in its historical context. This approach is sometimes called the "preterist" (or "past history") view, meaning that the events described in Revelation all took place in the past and the work must be read in that ancient historical context. It is almost universally followed in both New Testament scholarship and by scholars of Christian history. It is also the view taken within many Christian denominations, although it is often amended to suggest that all the historical events are past and that Revelation was describing a situation in the Roman empire, but that the final judgment in some literal sense is still to come as a future event.

 

On the other hand, religious interpretations of Revelation throughout Christian history have not always followed this approach. We shall here profile some other ways that the book has been read by those who want to apply it to their own times. In each case, the difference is how the "historical content" of Revelation is understood.

 

b. The "Symbolic History" View.

 

This view holds that while the precise historical circumstances of Revelation pertained to the Roman world at the end of the Ist century CE, that it nonetheless has a kind of universal and timeless message for God's dealing with humanity in all generations. Thus it looks for symbolic elements that may apply across the ages. This symbolic or allegorical view is what lay behind St. Augustine's reading of Revelation, in which he argued that the 1,000-year reign was not a literal number at all but a figurative way of describing the "age of the church" on earth. This view has been the dominant one in most mainstream Christian interpretation, especially in Catholic tradition. It has also been influential in some philosophical appropriations of Revelation in western thinking.

 

 

 

 

 

 

 

 

 

Historical background

 

Structure and content

The Apocalypse of St. Sever, circa 1150.

The Angel Appears to John. 13th-century manuscript. British Library, London.

 

The angel gives John the letter to the churches of Asia, Beatus Escorial, circa 950.

 

 

 

Historical background

 

 

Literary structure

 

Divisions in the book seem to be marked by the repetition of key phrases, by the arrangement of subject matter into blocks, and around its Christological passages, and much use is made of significant numbers, especially the number seven, which represented perfection according to ancient numerology. Nevertheless, there is a "rather complete lack of consensus" among scholars about the structure of Revelation. The following is therefore an outline of the book's contents rather than of its structure.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Theme

 

The introduction of Revelation names the author, John, and explains the immediacy of the message, the end of days is at hand. John extends a greeting to the Christian communities in seven major Near East cities in the name of the God of history. On the Sabbath, John falls into a prophetic ecstasy. He sees a vision of a shining Jesus, surrounded by seven stars and seven lamp-stands; these represent the seven churches of Asia. In 2:1–3:22, John is given orders to deliver a message to each of the churches, addressing specific strengths and failings of each church, providing encouragement to some and driving others to repent before Judgment Day. Jesus reminds them that his coming is imminent. The first half of John’s revelatory experience begins with the opening of the heavenly door: “Come up here,” a voice calls to him, “I will show you what is to take place in the future” (4:1). John sees God enthroned and surrounded by twenty-four elders.

 

Lightning flashes and thunder sounds. Old Testament angels with six wings and many eyes sing praises to the Lord. God holds a scroll sealed with seven seals, and nobody is worthy of breaking the seals except Jesus, by virtue of his sacrifice. Jesus appears here as “a Lamb standing as if it had been slaughtered,” but also as “the Lion of the tribe of Judah” (5:5–6). Breaking the first four seals, Jesus releases the Four Horsemen of the Apocalypse; victory, war, famine, and pestilence. When the fifth seal is broken, the souls of martyrs cry out for justice, but they are urged to have patience until the appointed number of people have been martyred. The breaking of the sixth seal unleashes a massive cosmic upheaval that devastates the world.

 

Before the breaking of the seventh seal, an angel marks 144,000 people—12,000 from each of the tribes of Israel—with the seal of God to protect them from the coming devastation. Other righteous people, too, are to be saved; a “great multitude . . . [of people] from all the tribes and peoples and languages” have cleansed themselves and they, too, will be protected (7:9). Finally, it is time to open the seventh seal (8:1). But the opening of the seal is anticlimactic; when it is opened, it is revealed that there are seven trumpets that need to be blown. Four of the trumpets blow, each bringing with it disaster and destruction, with fire falling from the sky (8:6–12). With the fifth trumpet, the chimney leading out of the Abyss is unlocked, and bizarre locusts emerge in the smoke, stinging anyone unmarked by God’s seal. The sixth trumpet unleashes a vast troop of cavalry who kill “a third of humankind” (9:18). However, the survivors nevertheless refuse to stop worshipping idols and behaving immorally. An angel descends from heaven, announcing the imminent fulfillment of “the mystery of God” with the blowing of the seventh trumpet (10:7).

 

Theme

 

The prophet is ordered to consume a scroll, which will taste sweet but be bitter in his stomach (8:10). He is told that two prophets will arise to preach the word of God in Jerusalem, but will be killed after 1,260 days by “the beast that comes up from the bottomless pit” (11:7). God will revive these prophets, and will strike Jerusalem with a powerful earthquake. Finally, the seventh trumpet blows, and John hears voices shouting, “The kingdom of the world has become the kingdom of our Lord and of his Messiah, and he will reign forever and ever” (11:15). The moment for justice, punishment, and triumph has arrived, with lighting, thunder, earthquakes, and hail.

 

The second half of Revelation begins with the opening of God’s sanctuary in heaven. A woman “clothed with the sun, with the moon under her feet,” gives birth to a child who is almost eaten by a huge red dragon with seven heads and ten horns (12:1). The child is saved from the dragon and brought to heaven. The archangel Michael makes war on the dragon, who is Satan, defeats him, and drives him from heaven. The dragon continues to pursue the woman, who yet again escapes him. Instead, he makes war on her children. The dragon delegates his power to a fantastical creature identified only as “the beast,” who makes war on the saints and curses God (13:4). A false prophet, “another beast,” arises