The Complete Memoirs of Jacques Casanova de Seingalt by Giacomo Casanova (list of e readers .txt) π
"To-day is the fourth; well, then, in four days."
"That will be the eighth?"
"Exactly so. We will go to your casino after the second ballet. Give me all necessary particulars to enable us to find the house without enquiring from anyone."
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My dear M---- M---- had expressed a wish to have my portrait, something like the one I had given to C---- C----, only larger, to wear it as a locket. The outside was to represent some saint, and an invisible spring was to remove the sainted picture and expose my likeness. I called upon the artist who had painted the other miniature for me, and in three sittings I had what I wanted. He afterwards made me an Annunciation, in which the angel Gabriel was transformed into a dark-haired saint, and the Holy Virgin into a beautiful, light-complexioned woman holding her arms towards the angel. The celebrated painter Mengs imitated that idea in the picture of the Annunciation which he painted in Madrid twelve years afterwards, but I do not know whether he had the same reasons for it as my painter. That allegory was exactly of the same size as my portrait, and the jeweller who made the locket arranged it in such a manner that no one could suppose the sacred image to be there only for the sake of hiding a profane likeness.
The end of January, 1754, before going to the casino, I called upon Laura to give her a letter for C---- C----, and she handed me one from her which amused me. My beautiful nun had initiated that young girl, not only into the mysteries of Sappho, but also in high metaphysics, and C---- C---- had consequently become a Freethinker. She wrote to me that, objecting to give an account of her affairs to her confessor, and yet not wishing to tell him falsehoods, she had made up her mind to tell him nothing.
"He has remarked," she added, "that perhaps I do not confess anything to him because I did not examine my conscience sufficiently, and I answered him that I had nothing to say, but that if he liked I would commit a few sins for the purpose of having something to tell him in confession."
I thought this reply worthy of a thorough sophist, and laughed heartily.
On the same day I received the following letter from my adorable nun "I write to you from my bed, dearest browny, because I cannot remain standing on my feet. I am almost dead. But I am not anxious about it; a little rest will make me all right, for I eat well and sleep soundly. You have made me very happy by writing to me that your bleeding has not had any evil consequences, and I give you fair notice that I shall have the proof of it on Twelfth Night, at least if you like; that is understood, and you will let me know. In case you should feel disposed to grant me that favour, my darling, I wish to go to the opera. At all events, recollect that I positively forbid the whites of eggs for the future, for I would rather have a little less enjoyment and more security respecting your health. In future, when you go to the casino of Muran, please to enquire whether there is anybody there, and if you receive an affirmative answer, go away. My friend will do the same. In that manner you will not run the risk of meeting one another, but you need not observe these precautions for long, if you wish, for my friend is extremely fond of you, and has a great desire to make your acquaintance. He has told me that, if he had not seen it with his own eyes, he never would have believed that a man could run the race that you ran so splendidly the other night, but he says that, by making love in that manner, you bid defiance to death, for he is certain that the blood you lost comes from the brain. But what will he say when he hears that you only laugh at the occurrence? I am going to make you very merry: he wants to eat the salad of whites of eggs, and he wants me to ask you for some of your vinegar, because there is none in Venice. He said that he spent a delightful night, in spite of his fear of the evil consequences of our amorous sport, and he has found my own efforts superior to the usual weakness of my sex. That may be the case, dearest browny, but I am delighted to have done such wonders, and to have made such trial of my strength. Without you, darling of my heart, I should have lived without knowing myself, and I wonder whether it is possible for nature to create a woman who could remain insensible in your arms, or rather one who would not receive new life by your side. It is more than love that I feel for you, it is idolatry; and my mouth, longing to meet yours, sends forth thousands of kisses which are wasted in the air. I am panting for your divine portrait, so as to quench by a sweet illusion the fire which devours my amorous lips. I trust my likeness will prove equally dear to you, for it seems to me that nature has created us for one another, and I curse the fatal instant in which I raised an invincible barrier between us. You will find enclosed the key of my bureau. Open it, and take a parcel on which you will see written, 'For my darling.' It is a small present which my friend wishes me to offer you in exchange for the beautiful night-cap that you gave me. Adieu."
The small key enclosed in the letter belonged to a bureau in the boudoir. Anxious to know the nature of the present that she could offer me at the instance of her friend, I opened the bureau, and found a parcel containing a letter and a morocco-leather case.
The letter was as follows:
"That which will, I hope, render this present dear to you is the portrait of a woman who adores you. Our friend had two of them, but the great friendship he entertains towards you has given him the happy idea of disposing of one in your favour. This box contains two portraits of me, which are to be seen in two different ways: if you take off the bottom part, of the case in its length, you will see me as a nun; and if you press on the corner, the top will open and expose me to your sight in a state of nature. It is not possible, dearest, that a woman can ever have loved you as I do. Our friend excites my passion by the flattering opinion that he entertains of you. I cannot decide whether I am more fortunate in my friend or in my lover, for I could not imagine any being superior to either one or the other."
The case contained a gold snuff-box, and a small quantity of Spanish snuff which had been left in it proved that it had been used. I followed the instructions given in the letter, and I first saw my mistress in the costume of a nun, standing and in half profile. The second secret spring brought her before my eyes, entirely naked, lying on a mattress of black satin, in the position of the Madeleine of Coreggio. She was looking at Love, who had the quiver at his feet, and was gracefully sitting on the nun's robes. It was such a beautiful present that I did not think myself worthy of it. I wrote to M---- M---- a letter in which the deepest gratitude was blended with the most exalted love. The drawers of the bureau contained all her diamonds and four purses full of sequins. I admired her noble confidence in me. I locked the bureau, leaving everything undisturbed, and returned to Venice. If I had been able to escape out of the capricious clutches of fortune by giving up gambling, my happiness would have been complete.
My own portrait was set with rare perfection, and as it was arranged to be worn round the neck I attached it to six yards of Venetian chain, which made it a very handsome present. The secret was in the ring to which it was suspended, and it was very difficult to discover it. To make the spring work and expose my likeness it was necessary to pull the ring with some force and in a peculiar manner. Otherwise, nothing could be seen but the Annunciation; and it was then a beautiful ornament for a nun.
On Twelfth Night, having the locket and chain in my pocket, I went early in the evening to watch near the fine statue erected to the hero Colleoni after he had been poisoned, if history does not deceive us. 'Sit divus, modo non vivus', is a sentence from the enlightened monarch, which will last as long as there are monarchs on earth.
At six o'clock precisely my mistress alighted from the gondola, well dressed and well masked, but this time in the garb of a woman. We went to the Saint Samuel opera, and after the second ballet we repaired to the 'ridotto', where she amused herself by looking at all the ladies of the nobility who alone had the right to walk about without masks. After rambling about for half an hour, we entered the hall where the bank was held. She stopped before the table of M. Mocenigo, who at that time was the best amongst all the noble gamblers. As nobody was playing, he was carelessly whispering to a masked lady, whom I recognized as Madame Marina Pitani, whose adorer he was.
M---- M---- enquired whether I wanted to play, and as I answered in the negative she said to me,
"I take you for my partner."
And without waiting for my answer she took a purse, and placed a pile of gold on a card. The banker without disturbing himself shuffled the cards, turned them up, and my friend won the paroli. The banker paid, took another pack of cards, and continued his conversation with his lady, shewing complete indifference for four hundred sequins which my friend had already placed on the same card. The banker continuing his conversations, M---- M---- said to me, in excellent French,
"Our stakes are not high enough to interest this gentleman; let us go."
I took up the gold, which I put in my pocket, without answering M. de Mocenigo, who said to me:
"Your mask is too exacting."
I rejoined my lovely gambler, who was surrounded. We stopped soon afterwards before the bank of M. Pierre Marcello, a charming young man, who had near him Madame Venier, sister of the patrician Momolo. My mistress began to play, and lost five rouleaux of gold one after the other. Having no more money, she took handfuls of gold from my pocket, and in four or five deals she broke the bank. She went away, and the noble banker, bowing, complimented her upon her good fortune. After I had taken care of all the gold she had won, I gave her my arm, and we left the 'ridotto', but remarking that a few inquisitive persons were following us, I took a gondola which landed us according to my instructions. One can always escape prying eyes in this way in Venice.
After supper I counted our winnings, and I found myself in possession of one thousand sequins
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