Where the Halling Valley River Lies by Carl Halling (read a book .TXT) š
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A truly panoramic book consisting of five books of overt or subtle autobiographical origin, featuring culture, history, art, verse, despair, addiction, humour, redemption, faith, love and so much more besides; a truly incredible experience, chockful of fascinating facts and tales; and all with a Christian basis. But thatās not to say āWhere the Halling Valley River Liesā has attained its definitive state, because by its very nature, it can be added to ad infinitum. So that it remain perpetually fluid and perpetually inchoate. And in perpetual evolution.
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at this terrible afternoon from the vantage point of late middle age, it pained him deeply to think of her suffering.
But he never ran away again, and in later years, when he looked back at his time as a public schoolboy, heād insist if he possessed a single quality that might be termed nobleā¦such as patience, or self-mastery, or consideration of the needs of other people, then he owed it to his education, and not least the four years he spent at public school.
Yet, looking at the facts after his eventual exit, youād be forgiven for thinking heād simply picked up from where he left off before he collapsed in that muddy field in the heart of the English countryside and started drifting in circles againā¦leaving so many tasks unfinished he effectively wrecked his gilded destiny. But in fact this was far from the truth, for he was never without purpose; but simplyā¦he lacked the go-getterās ability to turn his dreams to good account.
From the time he was about seventeen, he was desperate to succeed as actor, musician or writer, yet the evidence suggests that despite an enchanting and extrovert personality he was under-equipped for the task heād set himself.
For instance, he refused to apply himself to developing as a musician, even when being taught by a true virtuoso, as was the case towards the end of the ā70sā¦when a future member of a super group struggled manfully to motivate him. And he was incapable of finishing a single cohesive piece of writing due to his tendency to allow his teeming imagination to take him from one unending digression to another.
As to his professional life, if you can call it thatā¦it was marked by a similar desultory quality. And in the summer of ā77, he worked briefly for a sailing school on the Costa Brava, but lost his job after a matter of weeks; and ended up drifting along the sea front and elsewhere in all his Disco Punk finery.
And later that year, he spent a short period of time at Merchant Navy School, before serving as a salesman in a long-vanished jewellery store in suburban Kingston, and after calling in sick while working as a filing clerk early in ā78, lost that job too. Stillā¦heād made a good friend on his day off in the shape of a pretty young Punk covered in safety pins whoād spied him wandering aimlessly around Kingston with spiky blond hair like his doppelgƤnger Billy Idol.
But by this time, heād been accepted as a student at a prestigious drama school in the centre of London. Although when it came to his actual studies, he failed to convince the authorities he had what it took to succeed as a professional, so departed in the summer of ā79.
What a hopeless caseā¦ but then what kind of person decamps on the last day of term without purpose or aim, only to finish up collapsed by the side of a muddy field in the heart of the English countryside?
For that it was he did; and he never forgot it, for those four years he spent at boarding school were his rosebud years, when everything was heightened in terms of its effects on his temperament which was at once happy go lucky and high strung, an unusual combination perhaps.
And one that saw him at once almost universally popular, and yet beset by tics and twitches. Such as the head-shaking habit he thought heād never kick. But which vanished soon after he quit college at the early age of 16, at which point he which he mutated by degrees from a round-shouldered youth with a Chaplin-esque walk into a full-blown narcissus. But what an inefficient Adonis he wasā¦he couldnāt even cut it at acting school.
Although the ā80s were a time of relative stability for him, and he worked as an actor for a time, before completing a degree in French and Drama.
But then he resumed his maundering ways. And perhaps itās significant that one of his favourite songs while at college had been āRamble Onā by Led Zeppelin, a band revered by many of contemporaries. But then the vast majority of these wasted little time in settling into conventional occupations. So why not Runacles?
Why did he ramble on way beyond his college days despite the philosophy of stability the latter afforded him? Itās impossible to say for certain of course, but it may be that like self-styled poor boy and rover Nick Drake, heād been blessed ā or cursed ā with the sensitivity of litmus paper. The upshot being that the messages being relayed by the counterculture penetrated more profoundly into his psyche than those of most of his contemporaries.
But thatās not to say he was alone in this respect, and when allās said and done, he got off lightly.
But among those messages was a clear exhortation to drift, to wander, to rove, to ramble, which was one of the great leitmotifs of Rock from the outset. But, there being nothing new under the sun, its origins lay deep in the history of the avant-garde, which produced wanderers from life and art alike from the outset.
And its first stirrings could be said to have reached an apogee in the shape of the Byronic hero, who went on to exert such a powerful influence on French Romanticism. Which while the last, was surely the most powerful of the three great waves of Romanticism, for it was the true forefather of the avant-garde.
And Runacles became an acolyte of the latter from his late teens, falling in love with one of its icons after the otherā¦Baudelaire, Rimbaud, Cocteau, Genet; and in time, he developed a taste for avant-garde nihilism, and its repudiation of all of the so-called bourgeois values, including sanity and healthā¦even life itself.
He came to adore the idea of early death, and to resign himself to dying young himself, in fact not so much resign as commit himself. And it may be this refusal to settle into any kind of conventional existence was rooted in a desire to be one of Jack Kerouacās āmad onesā, and so to āburn, burn, burn, like fabulous yellow roman candles exploding like spiders across the skyā.
And by the time he quit university in 1985, heād been a devotee of this dark ethos for several years, so that his art was more important to him than his life; and he welcomed every experience, no matter how ruinous to his health, if it could serve as fuel to his creativity. And the art that fascinated him most was literature, and he longed to be a published writer, but most of what heād attempted to write since his late teens remained unfinished
But at university heād evolved into a magnetically intense stage actor. And he inspired many with his performances; as well as his larger than life personality, so he was likened by one friend to Hesseās Goldmund; by another to Don Juan; by still another to Buchnerās Lenz. While one of his tutors informed him he had the makings of a heroic figure, if not as actor, then as academicā¦and even writer.
But Runacles would not have been true to himself had he not failed to justify their faith in him, and so following his eventual departure, he sought work as a deliverer of novelty telegrams. But not for the money, which was excellent, so much as for the sheer joy of showing off, which points to something awry at the base of his soul.
And by the time he did, he was well on the way to developing an alcohol problem, which in later years heād at least partly blame on what he termed a negative identity. Which is not to say he was negative in his attitude to others, for contrary to what may be believed given the evidence so far, the effect he exerted on others was almost overwhelmingly positive.
Yet he deliberately chose such an identity as a means of making himself more interesting than he would otherwise have beenā¦to shock, in other words. And his motives in doing so werenāt entirely frivolous, for his attraction to the avant-garde was authentic, and rooted in a deep-rooted raging intelligence that also fuelled his constant, frenetic defiance of respectable society.
And looking back from the vantage point of late middle age, heād muse that having foisted this nihilism onto himself for as long as he had, his litmus-paper mind had finally started to turn on him by the middle of the ā80s.
To begin with, his empathetic powers started to recede, which caused him enormous distress, because heād always found great comfort in his compassionate and affectionate nature.
And he started to drink as a means of restoring them. But what right did he have to them, when his negative identity included a corrosive cynicism of the type he so admired in his avant-garde idols? Itās as if he wanted it both waysā¦to be loved for his personal sweetnessā¦and yet reserve the right to rage like Rimbaud whenever he felt like it.
Yet, his inner turmoil proved an asset when it came to his acting career, and he provided some extraordinary performances in the second half of the ā80s.
The first of these took place at the University of Cambridge, where he studied for a term in the winter of ā86 as part of their teacher training unit, before typically taking off in the early part of the new year. While the second was at Notting Hillās famous Gate Theatre, where he received some fair reviews for his acting from various periodicals including the London Times.
But no sooner had he done so than our boy was on the drift again, taking a job as a teacher of English as a Foreign Language in one of several TEFL schools situated on Londonās teeming Oxford Street. But to be fair, he needed the work, for the acting profession provides little by way of remuneration for all but a small minority.
And by the time he did, his drinking was under control, but long-term tendencies had developed into full-blown Obsessive Compulsive Disorder so that his day was marked by an endless series of rituals:
Heād part his hair so that it went from his crown to a specific point above one of his eyebrows, and carry a tiny mirror on his person for the purpose of checking on it throughout the dayā¦iron his shirts inside out with the seams inclining to the right, and touch every item of clothing including his belt with said ironā¦ arrange the items in his jacket pockets so that they went from left to right in terms of importanceā¦constantly wipe the insides of his boots before dousing them with waterā¦and hold an intimate part of his anatomy for a set number of beatsā¦
But if the physical rituals were tormenting, the mental ones were even more so. And every time he met someone, he became beset by a need to compare them to someone else, so that some kind of card index set to work in his mind, proffering faces until to his horror it stopped at one resembling the person in question. And heād not rest until heād calculated the significance of their names.
It was as if his mind had assumed a life all of its own and started producing thoughts independently of his will. But he came to view it with a certain morbid fascination; and if he drank enough at night, he was able to sedate it. It was a wonderful feeling.
And yet for all
But he never ran away again, and in later years, when he looked back at his time as a public schoolboy, heād insist if he possessed a single quality that might be termed nobleā¦such as patience, or self-mastery, or consideration of the needs of other people, then he owed it to his education, and not least the four years he spent at public school.
Yet, looking at the facts after his eventual exit, youād be forgiven for thinking heād simply picked up from where he left off before he collapsed in that muddy field in the heart of the English countryside and started drifting in circles againā¦leaving so many tasks unfinished he effectively wrecked his gilded destiny. But in fact this was far from the truth, for he was never without purpose; but simplyā¦he lacked the go-getterās ability to turn his dreams to good account.
From the time he was about seventeen, he was desperate to succeed as actor, musician or writer, yet the evidence suggests that despite an enchanting and extrovert personality he was under-equipped for the task heād set himself.
For instance, he refused to apply himself to developing as a musician, even when being taught by a true virtuoso, as was the case towards the end of the ā70sā¦when a future member of a super group struggled manfully to motivate him. And he was incapable of finishing a single cohesive piece of writing due to his tendency to allow his teeming imagination to take him from one unending digression to another.
As to his professional life, if you can call it thatā¦it was marked by a similar desultory quality. And in the summer of ā77, he worked briefly for a sailing school on the Costa Brava, but lost his job after a matter of weeks; and ended up drifting along the sea front and elsewhere in all his Disco Punk finery.
And later that year, he spent a short period of time at Merchant Navy School, before serving as a salesman in a long-vanished jewellery store in suburban Kingston, and after calling in sick while working as a filing clerk early in ā78, lost that job too. Stillā¦heād made a good friend on his day off in the shape of a pretty young Punk covered in safety pins whoād spied him wandering aimlessly around Kingston with spiky blond hair like his doppelgƤnger Billy Idol.
But by this time, heād been accepted as a student at a prestigious drama school in the centre of London. Although when it came to his actual studies, he failed to convince the authorities he had what it took to succeed as a professional, so departed in the summer of ā79.
What a hopeless caseā¦ but then what kind of person decamps on the last day of term without purpose or aim, only to finish up collapsed by the side of a muddy field in the heart of the English countryside?
For that it was he did; and he never forgot it, for those four years he spent at boarding school were his rosebud years, when everything was heightened in terms of its effects on his temperament which was at once happy go lucky and high strung, an unusual combination perhaps.
And one that saw him at once almost universally popular, and yet beset by tics and twitches. Such as the head-shaking habit he thought heād never kick. But which vanished soon after he quit college at the early age of 16, at which point he which he mutated by degrees from a round-shouldered youth with a Chaplin-esque walk into a full-blown narcissus. But what an inefficient Adonis he wasā¦he couldnāt even cut it at acting school.
Although the ā80s were a time of relative stability for him, and he worked as an actor for a time, before completing a degree in French and Drama.
But then he resumed his maundering ways. And perhaps itās significant that one of his favourite songs while at college had been āRamble Onā by Led Zeppelin, a band revered by many of contemporaries. But then the vast majority of these wasted little time in settling into conventional occupations. So why not Runacles?
Why did he ramble on way beyond his college days despite the philosophy of stability the latter afforded him? Itās impossible to say for certain of course, but it may be that like self-styled poor boy and rover Nick Drake, heād been blessed ā or cursed ā with the sensitivity of litmus paper. The upshot being that the messages being relayed by the counterculture penetrated more profoundly into his psyche than those of most of his contemporaries.
But thatās not to say he was alone in this respect, and when allās said and done, he got off lightly.
But among those messages was a clear exhortation to drift, to wander, to rove, to ramble, which was one of the great leitmotifs of Rock from the outset. But, there being nothing new under the sun, its origins lay deep in the history of the avant-garde, which produced wanderers from life and art alike from the outset.
And its first stirrings could be said to have reached an apogee in the shape of the Byronic hero, who went on to exert such a powerful influence on French Romanticism. Which while the last, was surely the most powerful of the three great waves of Romanticism, for it was the true forefather of the avant-garde.
And Runacles became an acolyte of the latter from his late teens, falling in love with one of its icons after the otherā¦Baudelaire, Rimbaud, Cocteau, Genet; and in time, he developed a taste for avant-garde nihilism, and its repudiation of all of the so-called bourgeois values, including sanity and healthā¦even life itself.
He came to adore the idea of early death, and to resign himself to dying young himself, in fact not so much resign as commit himself. And it may be this refusal to settle into any kind of conventional existence was rooted in a desire to be one of Jack Kerouacās āmad onesā, and so to āburn, burn, burn, like fabulous yellow roman candles exploding like spiders across the skyā.
And by the time he quit university in 1985, heād been a devotee of this dark ethos for several years, so that his art was more important to him than his life; and he welcomed every experience, no matter how ruinous to his health, if it could serve as fuel to his creativity. And the art that fascinated him most was literature, and he longed to be a published writer, but most of what heād attempted to write since his late teens remained unfinished
But at university heād evolved into a magnetically intense stage actor. And he inspired many with his performances; as well as his larger than life personality, so he was likened by one friend to Hesseās Goldmund; by another to Don Juan; by still another to Buchnerās Lenz. While one of his tutors informed him he had the makings of a heroic figure, if not as actor, then as academicā¦and even writer.
But Runacles would not have been true to himself had he not failed to justify their faith in him, and so following his eventual departure, he sought work as a deliverer of novelty telegrams. But not for the money, which was excellent, so much as for the sheer joy of showing off, which points to something awry at the base of his soul.
And by the time he did, he was well on the way to developing an alcohol problem, which in later years heād at least partly blame on what he termed a negative identity. Which is not to say he was negative in his attitude to others, for contrary to what may be believed given the evidence so far, the effect he exerted on others was almost overwhelmingly positive.
Yet he deliberately chose such an identity as a means of making himself more interesting than he would otherwise have beenā¦to shock, in other words. And his motives in doing so werenāt entirely frivolous, for his attraction to the avant-garde was authentic, and rooted in a deep-rooted raging intelligence that also fuelled his constant, frenetic defiance of respectable society.
And looking back from the vantage point of late middle age, heād muse that having foisted this nihilism onto himself for as long as he had, his litmus-paper mind had finally started to turn on him by the middle of the ā80s.
To begin with, his empathetic powers started to recede, which caused him enormous distress, because heād always found great comfort in his compassionate and affectionate nature.
And he started to drink as a means of restoring them. But what right did he have to them, when his negative identity included a corrosive cynicism of the type he so admired in his avant-garde idols? Itās as if he wanted it both waysā¦to be loved for his personal sweetnessā¦and yet reserve the right to rage like Rimbaud whenever he felt like it.
Yet, his inner turmoil proved an asset when it came to his acting career, and he provided some extraordinary performances in the second half of the ā80s.
The first of these took place at the University of Cambridge, where he studied for a term in the winter of ā86 as part of their teacher training unit, before typically taking off in the early part of the new year. While the second was at Notting Hillās famous Gate Theatre, where he received some fair reviews for his acting from various periodicals including the London Times.
But no sooner had he done so than our boy was on the drift again, taking a job as a teacher of English as a Foreign Language in one of several TEFL schools situated on Londonās teeming Oxford Street. But to be fair, he needed the work, for the acting profession provides little by way of remuneration for all but a small minority.
And by the time he did, his drinking was under control, but long-term tendencies had developed into full-blown Obsessive Compulsive Disorder so that his day was marked by an endless series of rituals:
Heād part his hair so that it went from his crown to a specific point above one of his eyebrows, and carry a tiny mirror on his person for the purpose of checking on it throughout the dayā¦iron his shirts inside out with the seams inclining to the right, and touch every item of clothing including his belt with said ironā¦ arrange the items in his jacket pockets so that they went from left to right in terms of importanceā¦constantly wipe the insides of his boots before dousing them with waterā¦and hold an intimate part of his anatomy for a set number of beatsā¦
But if the physical rituals were tormenting, the mental ones were even more so. And every time he met someone, he became beset by a need to compare them to someone else, so that some kind of card index set to work in his mind, proffering faces until to his horror it stopped at one resembling the person in question. And heād not rest until heād calculated the significance of their names.
It was as if his mind had assumed a life all of its own and started producing thoughts independently of his will. But he came to view it with a certain morbid fascination; and if he drank enough at night, he was able to sedate it. It was a wonderful feeling.
And yet for all
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