The Complete Memoirs of Jacques Casanova de Seingalt by Giacomo Casanova (list of e readers .txt) π
"To-day is the fourth; well, then, in four days."
"That will be the eighth?"
"Exactly so. We will go to your casino after the second ballet. Give me all necessary particulars to enable us to find the house without enquiring from anyone."
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This admission does not prove by any means that Italian literature is surpassed by that of any other country. Italy has little to envy in other literatures, and has numerous masterpieces, which are unequalled the whole world over. Where will you find a worthy companion to the Orlando Furioso? There is none, and this great work is incapable of transalation. The finest and truest panegyric of Ariosto was written by Voltaire when he was sixty. If he had not made this apology for the rash judgement of his youthful days, he would not have enjoyed, in Italy at all events, that immortality which is so justly his due. Thirty-six years ago I told him as much, and he took me at my word. He was afraid, and he acted wisely.
If I have any readers, I ask their pardon for these digressions. They must remember that these Memoirs were written in my old age, and the old are always garrulous. The time will come to them also, and then they will understand that if the aged repeat themselves, it is because they live in a world of memories, without a present and without a future.
I will now return to my narrative, which I have kept steadily in view.
Clementine gazed from me to the books, and from the books to me. She wondered and admired, and could scarcely believe this treasure belonged to her. At last she collected herself, and said in a tone full of gratitude,--
"You have come to St. Angelo to make me happy."
Such a saying makes a man into a god. He is sure that she who speaks thus will do all in her power to make a return for the happiness which she has been given.
There is something supremely lovely in the expression of gratefulness on the face of the being one loves. If you have not experienced the feelings I describe, dear reader, I pity you, and am forced to conclude that you must have been either awkward or miserly, and therefore unworthy of love.
Clementine ate scarcely anything at dinner, and afterwards retired to her room where I soon joined her. We amused ourselves by putting the books in order, and she sent for a carpenter to make a bookcase with a lock and key.
"It will be my pleasure to read these books," said she, "when you have left us."
In the evening she was lucky with the cards, and in delightful spirits. I asked them all to dine with me at Lodi, but as the dinner was for twelve the Countess Ambrose said she would be able to find the two guests who were wanted at Lodi, and the canon said he would take the lady friend with her two children.
The next day was one of happy quiet, and I spent it without leaving the castle, being engaged in instructing my Hebe on the nature of the sphere, and in preparing her for the beauties of Wolf. I presented her with my case of mathematical instruments, which seemed to her invaluable.
I burned with passion for this charming girl; but would I have done so in her taste for literature and science had not been backed up by her personal charms? I suspect not. I like a dish pleasing to the palate, but if it is not pleasing to the eye as well, I do not taste it but put down as bad. The surface is always the first to interest, close examination comes afterwards. The man who confines himself to superficial charms, is superficial himself, but with them all love begins, except that which rises in the realm of fancy, and this nearly always falls before the reality.
When I went to bed, still thinking of Clementine, I began to reflect seriously, and I was astonished to find that during all the hours we had spent together she had not caused the slightest sensual feeling to arise in me. Nevertheless, I could not assign the reason to fear, nor to shyness which is unknown to me, nor to false shame, nor to what is called a feeling of duty. It was certainly not virtue, for I do not carry virtue so far as that. Then what was it? I did not tire myself by pursuing the question. I felt quite sure that the Platonic stage must soon come to an end, and I was sorry, but my sorrow was virtue in extremis. The fine things we read together interested us so strongly that we did not think of love, nor of the pleasure we took in each other's company; but as the saying goes, the devil lost nothing by us. When intellect enters on the field, the heart has to yield; virtue triumphs, but the battle must not last for long. Our conquests made us too sure, but this feeling of security was a Colossus whose feet were of clay; we knew that we loved but were not sure that we were beloved. But when this became manifest the Colossus must fall to the ground.
This dangerous trust made me go to her room to tell her something about our journey to Lodi, the carriages were already waiting. She was still asleep, but my step on the floor made her awake with a start. I did not even think it necessary to apologize. She told me that Tasso's Aminta had interested her to such an extent that she had read it till she fell asleep.
"The Pastor Fido will please you still more."
"Is it more beautiful?"
"Not exactly."
"Then why do you say it will please me more?"
"Because it charms the heart. It appeals to our softest feelings, and seduces us--and we love seduction."
"It is a seducer, then?"
"No, not a seducer; but seductive, like you."
"That's a good distinction. I will read it this evening. Now I am going to dress."
She put on her clothes in seeming oblivion that I was a man, but without shewing any sights that could be called indecent. Nevertheless it struck me that if she had thought I was in love with her, she would have been more reserved, for as she put on her chemise, laced her corset, fastened her garters above her knee, and drew on her boots, I saw glimpses of beauty which affected me so strongly that I was obliged to go out before she was ready to quench the flames she had kindled in my senses.
I took the countess and Clementine in my carriage, and sat on the bracket seat holding the baby on my knee. My two fair companions laughed merrily, for I held the child as if to the manner born. When we had traversed half the distance the baby demanded nourishment, and the charming mother hastened to uncover a sphere over which my eyes roved with delight, not at all to her displeasure. The child left its mother's bosom satisfied, and at the sight of the liquor which flowed so abundantly I exclaimed,--
"It must not be lost, madam; allow me to sip nectar which will elevate me to the rank of the gods. Do not be afraid of my teeth." I had some teeth in those days.
The smiling countess made no opposition, and I proceeded to carry out my design, while the ladies laughed that magic laugh which not painter can portray. The divine Homer is the only poet who has succeeded in delineating it in those lines in which he describes Andromache with the young Astyanax in her arms, when Hector is leaving her to return to the battle.
I asked Clementine if she had the courage to grant me a similar favour.
"Certainly," said she, "if I had any milk."
"You have the source of the milk; I will see to the rest."
At this the girl's face suffused with such a violent blush that I was sorry I had spoken; however, I changed the conversation, and it soon passed away. Our spirits were so high that when the time came for us to get down at the inn at Lodi, we could scarcely believe it possible, so swiftly had the time gone by.
The countess sent a message to a lady friend of hers, begging her to dine with us, and to bring her sister; while I dispatched Clairmont to a stationer's, where he bought me a beautiful morocco case with lock and key, containing paper, pens, sealing-wax, ink- well, paper knife, seal, and in fact, everything necessary for writing. It was a present I meant to give Clementine before dinner. It was delightful to watch her surprise and pleasure, and to read gratitude so legibly written in her beautiful eyes. There is not a woman in the world who cannot be overcome by being made grateful. It is the best and surest way to get on, but it must be skilfully used. The countess's friend came and brought her sister, a girl who was dazzlingly beautiful. I was greatly struck with her, but just then Venus herself could not have dethroned Clementine from her place in my affections. After the friends had kissed each other, and expressed their joy at meeting, I was introduced, and in so complimentary a manner that I felt obliged to turn it off with a jest.
The dinner was sumptuous and delicious. At dessert two self- invited guests came in, the lady's husband and the sister's lover, but they were welcome, for it was a case of the more the merrier. After the meal, in accordance with the request of the company, I made a bank at faro, and after three hours' play I was delighted to find myself a loser to the extent of forty sequins. It was these little losses at the right time which gave me the reputation of being the finest gamester in Europe.
The lady's lover was named Vigi, and I asked him if he was descended from the author of the thirteenth book of the "AEneid." He said he was, and that in honour of his ancestor he had translated the poem into Italian verse. I expressed myself curious as to his version, and he promised to bring it me in two days' time. I complimented him on belonging to such a noble and ancient family; Maffeo Vigi flourished at the beginning of the fifteenth century.
We started in the evening, and less than two hours we got home. The moon which shone brightly upon us prevented me making any attempts on Clementine, who had put up her feet in order that she might be able to hold her little nephew with more ease. The pretty mother could not help thanking me warmly for the pleasure I had given them; I was a universal favourite with them all.
We did not feel inclined to eat any supper, and therefore retired to our apartments; and I accompanied Clementine, who told me that she was ashamed at not knowing anything about the "AEneid."
"Vigi will bring his translation of the thirteenth book, and I shall not know a word about it."
I comforted her by telling her that we would read the fine translation by Annibale Caro that very night. It was amongst her books, as also the version by Anguilara, Ovid's Metamorphoses, and Marchetti's Lucreece.
"But I wanted to read the Pastor Fido."
"We are in a hurry; we must read that another time."
"I will follow your advice in all things, my dear Iolas."
"That will make me happy, dearest Hebe."
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