The Complete Memoirs of Jacques Casanova de Seingalt by Giacomo Casanova (list of e readers .txt) 📕

I had called two or three times on the painter Mengs, who had been painter in ordinary to his Catholic majesty for six years, and had an excellent salary. He gave me some good dinners. His wife and family were at Rome, while he basked in the royal favours at Madrid, enjoying the unusual privilege of being able to speak to the king whenever he would. At Mengs's house I trade the acquaintance of the architect Sabatini, an extremely able man whom the king had summoned from Naples to cleanse Madrid, which was formerly the dirtiest and most stinking town in Europe, or, for the matter of that, in the world. Sabatini had become a rich man by constructing drains, sewers, and closets for a city of fourteen thousand houses. He had married by proxy the daughter of Vanvitelli, who was also an architect at Naples, but he had never seen her. She came to Madrid about the same time as myself. She was a beauty of eighteen, and no sooner did she see her husband than she declared she would never be his wife. Sabatini was neither a young man nor a handsome one, but he was kind-hearted and distinguished; and when he told his young wife that she would have to choose between him and a nunnery, she determined to make the best of what she thought a bad bargain. However, she had no reason to repent of her choice; her husband was rich, affectionate, and easygoing, and gave her everything she wanted. I sighed and burned for her in silence, not daring to declare my love, for while the wound of the death of Charlotte was still bleeding I also began to find that women were beginning to give me the cold shoulder.

By way of amusing myself I began to go to the theatre, and the masked balls to which the Count of Aranda had established. They were held in a room built for the purpose, and named 'Los Scannos del Peral'. A Spanish play is full of absurdities, but I rather relished the representations. The 'Autos Sacramentales' were still represented; they were afterwards prohibited. I could not help remarking the strange way in which the boxes are constructed by order of the wretched police. Instead of being boarded in front they are perfectly open, being kept up by small pillars. A devotee once said to me at the theatre that this was a very wise regulation, and he was surprised that it was not carried into force in Italy.

"Why so?"

"Because lovers, who feel sure that no one in the pit can see them, may commit improprieties."

I only answered with a shrug of the shoulders.

In a large box opposite to the stage sat 'los padres' of the Holy Inquisition to watch over the morals of actors and audience. I was gazing on them when of a sudden the sentinel at the door of the pit called out "Dios!" and at this cry all the actors and all the audience, men and women, fell down on their knees, and remained kneeling till the sound of a bell in the street ceased to be heard. This bell betokened that a priest was passing by carrying the viaticum to some sick man. I felt very much inclined to laugh, but I had seen enough of Spanish manners to refrain. All the religion of the Spaniard is in outward show and ceremony. A profligate woman before yielding to the desires of her lover covers the picture of Christ, or the Virgin, with a veil. If the lover laughed at this absurdity he would run a risk of being denounced as an Atheist, and most probably by the wretched woman who had sold him her charms.

In Madrid, and possibly all over Spain, a gentleman who takes a lady to a private room in an inn must expect to have a servant in the room the whole of the time, that he may be able to swear that the couple took no indecent liberties with each other. In spite of all, profligacy is rampant at Madrid, and also the most dreadful hypocrisy, which is more offensive to true piety than open sin. Men and women seemed to have come to an agreement to set the whole system of surveillance utterly at nought. However, commerce with women is not without its dangers; whether it be endemic or a result of dirty habits, one has often good reason to repent the favours one has obtained.

The masked ball quite captivated me. The first time I went to see what it was like and it only cost me a doubloon (about eleven francs), but ever after it cost me four doubloons, for the following reason:

An elderly gentleman, who sat next me at supper, guessed I was a foreigner by my difficulty in making myself understood by the waiter, and asked me where, I had left my lady friend.

"I have not got one; I came by myself to enjoy this delightful and excellently-managed entertainment."

"Yes, but you ought to come with a companion; then you could dance. At present you cannot do so, as every lady has her partner, who will not allow her to dance with anyone else."

"Then I must be content not to dance, for, being a stranger, I do not know any lady whom I can ask to come with me."

"As a stranger you would have much less difficulty in securing a partner than a citizen of Madrid. Under the new fashion, introduced by the Count of Aranda, the masked ball has become the rage of all the women in the capital. You see there are about two hundred of them on the floor to- night; well, I think there are at least four thousand girls in Madrid who are sighing for someone to take them to the ball, for, as you may know, no woman is allowed to come by herself. You would only have to go to any respectable people, give your name and address, and ask to have the pleasure of taking their daughter to the ball. You would have to send her a domino, mask, and gloves; and you would take her and bring her back in your carriage."

"And if the father and mother refused?"

"Then you would make your bow and go, leaving them to repent of their folly, for the girl would sigh, and weep, and moan, bewail parental tyranny, call Heaven to witness the innocency of going to a ball, and finally go into convulsions."

This oration, which was uttered in the most persuasive style, made me quite gay, for I scented an intrigue from afar. I thanked the masked (who spoke Italian very well) and promised to follow his advice and to let him know the results.

"I shall be delighted to hear of your success, and you will find me in the box, where I shall be glad if you will follow me now, to be introduced to the lady who is my constant companion."

I was astonished at so much politeness, and told him my name and followed him. He took me into a box where there were two ladies and an elderly man. They were talking about the ball, so I put in a remark or two on the same topic, which seemed to meet with approval. One of the two ladies, who retained some traces of her former beauty, asked me, in excellent French, what circles I moved in.

"I have only been a short time in Madrid, and not having been presented at Court I really know no one."

"Really! I quite pity you. Come and see me, you will be welcome. My name is Pichona, and anybody will tell you where I live."

"I shall be delighted to pay my respects to you, madam."

What I liked best about the spectacle was a wonderful and fantastic dance which was struck up at midnight. It was the famous fandango, of which I had often heard, but of which I had absolutely no idea. I had seen it danced on the stage in France and Italy, but the actors were careful not to use those voluptuous gestures which make it the most seductive in the world. It cannot be described. Each couple only dances three steps, but the gestures and the attitudes are the most lascivious imaginable. Everything is represented, from the sigh of desire to the final ecstasy; it is a very history of love. I could not conceive a woman refusing her partner anything after this dance, for it seemed made to stir up the senses. I was so excited at this Bacchanalian spectacle that I burst out into cries of delight. The masker who had taken me to his box told me that I should see the fandango danced by the Gitanas with good partners.

"But," I remarked, "does not the Inquisition object to this dance?"

Madame Pichona told me that it was absolutely forbidden, and would not be danced unless the Count of Aranda had given permission.

I heard afterwards that, on the count forbidding the fandango, the ball- room was deserted with bitter complaints, and on the prohibition being withdrawn everyone was loud in his praise.

The next day I told my infamous page to get me a Spaniard who would teach me the fandango. He brought me an actor, who also gave me Spanish lessons, for he pronounced the language admirably. In the course of three days the young actor taught me all the steps so well that, by the confession of the Spaniards themselves, I danced it to perfection.

For the next ball I determined to carry the masker's advice into effect, but I did not want to take a courtesan or a married woman with me, and I could not reasonably expect that any young lady of family would accompany me.

It was St. Anthony's Day, and passing the Church of the Soledad I went in, with the double motive of hearing mass and of procuring a partner for the next day's ball.

I noticed a fine-looking girl coming out of the confessional, with contrite face and lowered eyes, and I noted where she went. She knelt down in the middle of the church, and I was so attracted by her appearance that I registered a mental vow to the effect that she should be my first partner. She did not look like a person of condition, nor, so far as I could see, was she rich, and nothing about her indicated the courtesan, though women of that class go to confession in Madrid like everybody else. When mass was ended, the priest distributed the Eucharist, and I saw her rise and approach humbly to the holy table, and there receive the communion. She then returned to the church to finish her devotions, and I was patient enough to wait till they were over.

At last she left, in company with another girl, and I followed her at a distance. At the end of a street her companion left her to go into her house, and she, retracing her steps, turned into another street and entered