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as tutor, librarian, or chamberlain. In one quarter only is he well received--namely, by the famous Duke of Weimar; but in a few days he becomes madly jealous of the duke's more famous protegees, Goethe and Wieland, and goes off declaiming against them and German literature generally--with which literature he was wholly unacquainted. From Weimar to Berlin; where there are Jews to whom he has introductions. Casanova thinks them ignorant, superstitious, and knavish; but they lend him money, and he gives bills on Count Wallenstein, which are paid. In six weeks the wanderer returns to Dux, and is welcomed with open arms; his journeys are over at last.

But not his troubles. A week after his return there are strawberries at dessert; everyone is served before himself, and when the plate comes round to him it is empty. Worse still: his portrait is missing from his room, and is discovered 'salement placarde a la porte des lieux d'aisance'!

Five more years of life remained to him. They were passed in such petty mortifications as we have narrated, in grieving over his 'afreuse vieillesse', and in laments over the conquest of his native land Venice, once so splendid and powerful. His appetite began to fail, and with it failed his last source of pleasure, so death came to him somewhat as a release. He received the sacraments with devotion, exclaimed,--

"Grand Dieu, et vous tous temoins de ma mort, j'ai vecu en philosophe, et je meurs en Chretien," and so died.

It was a quiet ending to a wonderfully brilliant and entirely useless career. It has been suggested that if the age in which Casanova lived had been less corrupt, he himself might have used his all but universal talents to some advantage, but to our mind Casanova would always have remained Casanova. He came of a family of adventurers, and the reader of his Memoirs will remark how he continually ruined his prospects by his ineradicable love for disreputable company. His "Bohemianism" was in his blood, and in his old age he regrets--not his past follies, but his inability to commit folly any longer. Now and again we are inclined to pronounce Casanova to be an amiable man; and if to his generosity and good nature he had added some elementary knowledge of the distinction between right and wrong, he might certainly have laid some claim to the character. The Prince de Ligne draws the following portrait of him under the name of Aventuros:

"He would be a handsome man if he were not ugly; he is tall and strongly built, but his dark complexion and his glittering eyes give him a fierce expression. He is easier to annoy than amuse; he laughs little but makes others laugh by the peculiar turn he gives to his conversation. He knows everything except those matters on the knowledge of which he chiefly prides himself, namely, dancing, the French language, good taste, and knowledge of the world. Everything about him is comic, except his comedies; and all his writings are philosophical, saving those which treat of philosophy. He is a perfect well of knowledge, but he quotes Homer and Horace ad nauseam."

SUPPLEMENT TO THE MEMOIRS OF JACQUES CASANOVA DE SEINGALT Containing an Outline of Casanova's career from the year 1774, when his own Memoirs abruptly end, until his death in 1798

PART THE FIRST

VENICE

1774-1782

CASANOVA'S RETURN TO VENICE

Thus Casanova ended his Memoirs, concluding his narrative with his sojourn at Trieste, in January 1774, where he had remained, except for a few excursions, since the 15th November 1772. He was forty-nine years of age. Since his unfortunate experiences in England, the loss of his fortune and the failure of his efforts to obtain congenial and remunerative employment in Germany or Russia, he had come to concentrate his efforts on a return to his native city.

Of his faithful friends, the nobles Bragadin, Barbaro and Dandolo, the first had died in 1767, having gone into debt "that I might have enough," sending Casanova, from his death-bed, a last gift of a thousand crowns. Barbaro who had died also, in 1771, left Casanova a life-income of six sequins a month. The survivor, Dandolo, was poor, but until his death, he also gave Casanova a monthly provision of six sequins. However, Casanova was not without influential friends who might not only obtain a pardon from the State Inquisitors but also assist him to employment; and, in fact, it was through such influence as that wielded by the Avogador Zaguri and the Procurator Morosini, that Casanova received his pardon, and later, a position as "Confidant," or Secret Agent, to the Inquisitors at Venice.

Casanova re-entered Venice the 14th September 1774 and, presenting himself, on the 18th, to Marc-Antoine Businello, Secretary of the Tribunal of the Inquisitors of State, was advised that mercy had been accorded him by reason of his refutation of the History of the Venetian Government by Amelot de la Houssaie which he had written during his forty-two day imprisonment at Barcelona in 1768. The three Inquisitors, Francesco Grimani, Francesco Sagredo and Paolo Bembo, invited him to dinner to hear his story of his escape from The Leads.

In 1772, Bandiera, the Republic's resident at Ancona, drew this portrait of Casanova:

"One sees everywhere this unhappy rebel against the justice of the August Council, presenting himself boldly, his head carried high, and well equipped. He is received in many houses and announces his intention of going to Trieste and, from there, of returning to Germany. He is a man of forty years or more," [in reality, forty-seven] "of high stature and excellent appearance, vigorous, of a very brown color, the eye bright, the wig short and chestnut-brown. He is said to be haughty and disdainful; he speaks at length, with spirit and erudition." [Letter of information to the Very Illustrious Giovanni Zon, Secretary of the August Council of Ten at Venice. 2 October 1772.]

Returning to Venice after an absence of eighteen years, Casanova renewed his acquaintance with many old friends, among whom were:

The Christine of the Memoirs. Charles, who married Christine, the marriage being arranged by Casanova while in Venice in 1747, was of financial assistance to Casanova, who "found him a true friend." Charles died "a few months before my last departure from Venice," in 1783.

Mlle. X---- C---- V----, really Giustina de Wynne, widow of the Count Rosenberg, Austrian Ambassador at Venice. "Fifteen years afterwards, I saw her again and she was a widow, happy enough, apparently, and enjoying a great reputation on account of her rank, wit and social qualities, but our connection was never renewed."

Callimena, who was kind to him "for love's sake alone" at Sorrento in

1770.

Marcoline, the girl he took away from his younger brother, the Abby Casanova, at Geneva in 1763.

Father Balbi, the companion of his flight from The Leads.

Doctor Gozzi, his former teacher at Padua, now become Arch-Priest of St. George of the Valley, and his sister Betting. "When I went to pay him a visit . . . she breathed her last in my arms, in 1776, twenty-four hours after my arrival. I will speak of her death in due time."

Angela Toselli, his first passion. In 1758 this girl married the advocate Francesco Barnaba Rizzotti, and in the following year she gave birth to a daughter, Maria Rizzotti (later married to a M. Kaiser) who lived at Vienna and whose letters to Casanova were preserved at Dux.

C---- C----, the young girl whose love affair with Casanova became involved with that of the nun M---- M---- Casanova found her in Venice "a widow and poorly off."

The dancing girl Binetti, who assisted Casanova in his flight from Stuttgart in 1760, whom he met again in London in 1763, and who was the cause of his duel with Count Branicki at Warsaw in 1766. She danced frequently at Venice between 1769 and 1780.

The good and indulgent Mme. Manzoni, "of whom I shall have to speak very often."

The patricians Andrea Memmo and his brother Bernardo who, with P. Zaguri were personages of considerable standing in the Republic and who remained his constant friends. Andrea Memmo was the cause of the embarrassment in which Mlle. X---- C---- V---- found herself in Paris and which Casanova vainly endeavored to remove by applications of his astonishing specific, the 'aroph of Paracelsus'.

It was at the house of these friends that Casanova became acquainted with the poet, Lorenzo Da Ponte. "I made his acquaintance," says the latter, in his own Memoirs, "at the house of Zaguri and the house of Memmo, who both sought after his always interesting conversation, accepting from this man all he had of good, and closing their eyes, on account of his genius, upon the perverse parts of his nature."

Lorenzo Da Ponte, known above all as Mozart's librettist, and whose youth much resembled that of Casanova, was accused of having eaten ham on Friday and was obliged to flee from Venice in 1777, to escape the punishment of the Tribunal of Blasphemies. In his Memoirs, he speaks unsparingly of his compatriot and yet, as M. Rava notes, in the numerous letters he wrote Casanova, and which were preserved at Dux, he proclaims his friendship and admiration.

Irene Rinaldi, whom he met again at Padua in 1777, with her daughter who "had become a charming girl; and our acquaintance was renewed in the tenderest manner."

The ballet-girl Adelaide, daughter of Mme. Soavi, who was also a dancer, and of a M. de Marigny.

Barbara, who attracted Casanova's attention at Trieste, in 1773, while he was frequenting a family named Leo, but toward whom he had maintained an attitude of respect. This girl, on meeting him again in 1777, declared that "she had guessed my real feelings and had been amused by my foolish restraint."

At Pesaro, the Jewess Leah, with whom he had the most singular experiences at Ancona in 1772.

II RELATIONS WITH THE INQUISITORS

Soon after reaching Venice, Casanova learned that the Landgrave of Hesse Cassel, following the example of other German princes, wished a Venetian correspondent for his private affairs. Through some influence he believed he might obtain this small

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