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the capital was the secret hope that in that new excitement he might escape from the demons of remorse and despair which had for many months been dogging him. He may have fancied this, but the pangs which Burns had created for himself (p. 041) were too deep to be in this way permanently put by.

The secret of his settled unhappiness lay in the affections that he had abused in himself and in others who had trusted him. The course he had run since his Irvine sojourn was not of a kind to give peace to him or to any man. A coarse man of the world might have stifled the tender voices that were reproaching him, and have gone on his way uncaring that his conduct -

Hardened a' within,
And petrified the feeling.

But Burns could not do this. The heart that had responded so feelingly to the sufferings of lower creatures, the unhoused mouse, the shivering cattle, the wounded hare, could not without shame remember the wrongs he had done to those human beings whose chief fault was that they had trusted him not wisely but too well. And these suggestions of a sensitive heart, conscience was at hand to enforce - a conscience wonderfully clear to discern the right, even when the will was least able to fulfil it. The excitements of a great city, and the loud praises of his fellow-men might enable him momentarily to forget, but could not permanently stifle inward voices like these. So it was with a heart but ill at ease, bearing dark secrets he could tell to no one, that Burns passed from his Ayrshire cottage into the applause of the Scottish capital.


CHAPTER II (p. 042)

FIRST WINTER IN EDINBURGH


The journey of Burns from Mossgiel to Edinburgh was a sort of triumphal progress. He rode on a pony, lent him by a friend, and as the journey took two days, his resting-place the first night was at the farm-house of Covington Mains, in Lanarkshire, hard by the Clyde. The tenant of this farm, Mr. Prentice, was an enthusiastic admirer of Burns' poems, and had subscribed for twenty copies of the second edition. His son, years afterwards, in a letter to Christopher North, thus describes the evening on which Burns appeared at his father's farm: - "All the farmers in the parish had read the poet's then published works, and were anxious to see him. They were all asked to meet him at a late dinner, and the signal of his arrival was to be a white sheet attached to a pitchfork, and put on the top of a corn-stack in the barn-yard. The parish is a beautiful amphitheatre, with the Clyde winding through it - Wellbrae Hill to the west, Tinto Hill and the Culter Fells to the south, and the pretty, green, conical hill, Quothquan Law, to the east. My father's stack-yard, lying in the centre, was seen from every house in the parish. At length Burns arrived, mounted on a borrowed pownie . Instantly was the white flag hoisted, and as instantly were seen the farmers issuing from their (p. 043) houses, and converging to the point of meeting. A glorious evening, or rather night, which borrowed something from the morning, followed, and the conversation of the poet confirmed and increased the admiration created by his writings. On the following morning he breakfasted with a large party at the next farm-house, tenanted by James Stodart; ... took lunch with a large party at the bank in Carnwath, and rode into Edinburgh that evening on the pownie , which he returned to the owner in a few days afterwards by John Samson, the brother of the immortal
Tam ."

This is but a sample of the kind of receptions which were henceforth to await Burns wherever his coming was known. If such welcomes were pleasing to his ambition, they must have been trying both to his bodily and his mental health.

Burns reached Edinburgh on the 28th of November, 1786. The one man of note there with whom he had any acquaintance was Professor Dugald Stewart, whom, as already mentioned, he had met in Ayrshire. But it was not to him or to any one of his reputation that he first turned; but he sought refuge with John Richmond, an old Mauchline acquaintance, who was humbly lodged in Baxter's Close, Lawnmarket. During the whole of his first winter in Edinburgh, Burns lived in the lodging of this poor lad, and shared with him his single room and bed, for which they paid three shillings a week. It was from this retreat that Burns was afterwards to go forth into the best society of the Scottish capital, and thither, after these brief hospitalities were over, he had to return. For some days after his arrival in town, he called on no one - letters of introduction he had none to deliver. But he is said to have wandered about alone, "looking down from Arthur's Seat, (p. 044) surveying the palace, gazing at the castle, or looking into the windows of the booksellers' shops, where he saw all books of the day, save the poems of the Ayrshire Ploughman." He found his way to the lowly grave of Fergusson, and, kneeling down, kissed the sod; he sought out the house of Allan Ramsay, and, on entering it, took off his hat. While Burns is thus employed, we may cast a glance at the capital to which he had come, and the society he was about to enter.

Edinburgh at that time was still adorned by a large number of the stars of literature, which, although none of those then living may have reached the first magnitude, had together made a galaxy in the northern heavens, from the middle till the close of last century. At that time literature was well represented in the University. The Head of it was Dr. Robertson, well known as the historian of Charles V., and as the author of other historic works. The chair of Belles Lettres was filled by the accomplished Dr. Hugh Blair, whose lectures remain one of the best samples of the correct and elegant, but narrow and frigid style, both of sentiment and criticism, which then flourished throughout Europe, and nowhere more than in Edinburgh. Another still greater ornament of the University was Dugald Stewart, the Professor of Moral Philosophy, whose works, if they have often been surpassed in depth and originality of speculation, have seldom been equalled for solid sense and polished ease of diction. The professors at that time were most of them either taken from the ranks of the clergy, or closely connected with them.

Among the literary men unconnected with the University by far the greatest name, that of David Hume, had disappeared about ten years (p. 045) before Burns arrived in the capital. But his friend, Dr. Adam Smith, author of The Wealth of Nations , still lingered. Mr. Henry Mackenzie, 'The Man of Feeling,' as he was called from his best known work, was at that time one of the most polished as well as popular writers in Scotland. He was then conducting a periodical called the Lounger , which was acknowledged as the highest tribunal of criticism in Scotland, and was not unknown beyond it.

But even more influential than the literary lights of the University were the magnates of the Bench and Bar. During the eighteenth century and the earlier part of the nineteenth, the Scottish Bar was recruited almost entirely from the younger sons of ancient Scottish families. To the patrician feelings which they brought with them from their homes these men added that exclusiveness which clings to a profession claiming for itself the highest place in the city where they resided. Modern democracy has made rude inroads on what was formerly something of a select patrician caste. But the profession of the Bar has never wanted either then or in more recent times some genial and original spirits who broke through the crust of exclusiveness. Such, at the time of Burns's advent, was Lord Monboddo, the speculative and humorous judge, who in his own way anticipated the theory of man's descent from the monkey. Such, too, was the genial and graceful Henry Erskine, the brother of the Lord Chancellor of that name, the pride and the favourite of his profession - the sparkling and ready wit who, thirteen years before the day of Burns, had met the rude manners of Dr. Johnson with a well-known repartee. When the Doctor visited the Parliament House, Erskine was presented to him by Boswell, and was somewhat gruffly received. After having made his bow, Erskine (p. 046) slipped a shilling into Boswell's hand, whispering that it was for the sight of his bear !

Besides these two classes, the occupants of the Professorial chair and of the Bar, there still gathered every winter in Edinburgh a fair sprinkling of rank and beauty, which had not yet abandoned the Scottish for the English capital. The leader at that time in gay society was the well-known Duchess of Gordon, - a character so remarkable in her day that some rumour of her still lives in Scottish memory. The impression made upon her by Burns and his conversation shall afterwards be noticed.

Though Burns for the first day or two after his arrival wandered about companionless, he was not left long unfriended. Mr. Dalrymple, of Orangefield, an Ayrshire country gentleman, a warm-hearted man, and a zealous Freemason, who had become acquainted with Burns during the previous summer, now introduced the Ayrshire bard to his relative, the Earl of Glencairn. This nobleman, who had heard of Burns from his Ayrshire factor, welcomed him in a very friendly spirit, introduced him to his connexion, Henry Erskine, and also recommended him to the good offices of Creech, at that time the first publisher in Edinburgh. Of Lord Glencairn, Chambers says that "his personal beauty formed the index to one of the fairest characters." As long as he lived he did his utmost to befriend Burns, and on his death, a few years after this time, the poet, who seldom praised the great unless he respected and loved them, composed one of his most pathetic elegies.

It was not, however, to his few Ayrshire connexions only, Mr. Dalrymple, Dugald Stewart, and others, that Burns was indebted for his introduction to Edinburgh society. His own fame was now enough to secure it. (p. 047) A criticism of his poems, which appeared within a fortnight after his arrival in Edinburgh, in the Lounger , on the 9th of December, did much to increase his reputation. The author of that criticism was The Man of Feeling, and to him belongs the credit of having been the first to claim that Burns should be recognized as a great original poet, not relatively only, in consideration of the difficulties he had to struggle with, but absolutely on the ground of the intrinsic excellence of his work. He pointed to his power of delineating manners, of painting the passions, and of describing scenery, as all bearing the stamp of true genius; he called on his countrymen to recognize that a great
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