Shakespeare's Lost Years in London by Arthur Acheson (audio ebook reader .txt) 📕

Symonds and Mr. Standleyes Boyes" (Lord Strange's name being Fernando Stanley). The Lord Admiral's players, on the other hand, were clearly a regular company of players who presented plays, yet we find them paid for Court performances in 1588 and 1589, and also "For showing other feats of activitye and tumblinge." In the following year they are again paid for a Court performance where "feates of activitye" are also mentioned. The last performances of this nature given by the Lord Admiral's players were on 27th December 1590 and 16th February 1591. The record of payment for these performances makes mention of "other feates of activitye then also done by them." Upon the 5th of March 1591 the payment for these performances is recorded in the Acts of the Privy Council to the Lord Admiral's company, while--as Mr. E.K. Chambers has pointed out--in the Pipe Rolls (542 fol. 156) these same performances are assigned to Strange's men. It is evident, then, that late in 1588 (the first performance of this nature being recorded on the 27th of December) a junction took place between certain members of Lord Strange's tumblers and the Lord Admiral's men, who had been connected since 1585 with the Lord Chamberlain's men, and that, at the same time, the leading members of Lord Leicester's company became affiliated with them.

In the following Christmas season, 1591-92, Lord Strange's players--now thoroughly organised into a regular company of players--gave six performances before the Court, supplanting the formerly powerful and popular Queen's company, which gave only one performance in that season, and never afterwards appeared before the Court. There is no further record of a Court performance by the Lord Admiral's company until the Christmas season of 1594-95, by which time they had parted from the Lord Chamberlain's men and reorganised by absorbing members from other companies--such as the Earl of Sussex and Earl of Pembroke's companies, which at this time disappear from the records.

Here, then, we find, between the Christmas season of 1588-89 and 1591-92, an amalgamation into one company of a portion of the membership of four different companies, all of which had, immediately before, been associated in some measure with the theatrical interests of the Burbages.

While a chance record remains which reveals official action in the formation of the Queen's company of players in 1583, and no actual record of official action has yet been found to account for the sudden Court favour accorded the new and powerful Lord Strange's company in 1591, _it is very apparent that an equally authoritative purpose existed in the latter case_.

Between the years 1574 and 1583 the Earl of Leicester's company, under the auspices of James Burbage, held the position of the leading company of players in London. During the Christmas and New Year festivities in every year but one in this decade, Leicester's company played before the Court, being supplanted by the newly formed Queen's company in 1583-84.

Howes states in his _Additions to Stowe's Chronicles_ that "in 1583 twelve of the best players were chosen out of several great Lords' companies and sworn the Queen's servants, being allowed wages and liveries as Grooms of the Chamber," and among these, two players, Thomas (Robert) Wilson and Richard Tarleton, were chosen. As these players and John Laneham were taken from Lord Leicester's company it has been incorrectly inferred that James Burbage--who is known to have been the leader of the company as late as 1575--went with them to the Queen's company at this time.

It is apparent that changes so important in the several companies affected by the disruption of their memberships could not be made in a very short time, and that test performances and negotiations of some duration preceded the actual amalgamation of the new company. Burbage's reason for securing Lord Hunsdon's patronage in 1582 was, no doubt, because of Leicester's departure for the Continent in this year and the disorganisation of Leicester's company, caused by the formation of the new Queen's company at the same period.

Between 1583 and 1590, while other companies performed occasionally at the Court, the Queen's company performed during the Christmas festivities every season--and usually upon several occasions--in each year. In the Christmas season of 1591-92, however, they performed only once, _and then for the last time on record_, while Lord Strange's company appeared in this season upon six occasions. This company, under its various later titles, retained the position it had now attained--of the leading Court company--for the next forty years. It is evident, then, that the amalgamation of the leading members of Lord Strange's acrobats, the Lord Chamberlain's, the Earl of Leicester's, and the Lord Admiral's players, which I have shown began in tentative Court performances in the Christmas season of 1588-89, and which culminated in the success of the thoroughly organised company in the season of 1591-92, was--at least in its later stage--fostered by similar official sanction and encouragement to that which brought about the formation of the Queen's company in 1582-83. Edmund Tilney, the Master of the Revels, who chose the players for the Queen's company in 1583, held the same position in 1591, and evidently exercised a similar function in forwarding the promotion of Lord Strange's company, and the discarding of the Queen's company for Court purposes in the latter year. It is significant that Henslowe, the owner of the Rose Theatre, where Lord Strange's players commenced to perform on 19th February 1592, was made a Groom of the Privy Chamber in that year, and that the weekly payments of his fees to Tilney, in connection with his new venture, begin at that time. Henslowe became the financial backer of this company in 1591, at which time, it shall be shown, later on, that James Burbage's fortunes were at a low ebb, and that he also was in disfavour with the authorities. Henslowe evidently was brought into the affair by Tilney's influence, the office of Groom of the Privy Chamber being a reward for his compliance. It shall be indicated that Tilney and Henslowe had probably held similar relations in connection with the Queen's company, which evidently performed at the Rose under Henslowe between 1587 and 1591.

I have shown a connection between Burbage's company, _i.e._ the Lord Chamberlain's, and the Lord Admiral's company between 1585 and 1589, and will now inquire into the previous identity of the latter company.

A company performing under the licence of Lord Charles Howard of Effingham appears in the Court records between 1574 and 1577. Between 1581 and June 1585 there are no provincial records of any company performing under this nobleman's licence, and, until 6th January 1586, no Court records. On this latter date a company licensed by this nobleman, who was now Lord Admiral, appeared at Court working in conjunction with the Lord Chamberlain's company. The last provincial visit of Lord Howard's old company is at Ipswich in 1581. The first provincial record of his new company--the Lord Admiral's--is at Dover in June 1585, when the entry reads: "Paid unto my Lord Admiralles and my Lord Lycestors players 20 shillings." This seems to show that the new Admiral's company had joined forces with the remnant of Lord Leicester's players, the depletion of which company at this time was occasioned by the departure of seven of their members, including Kempe, Pope, and Bryan, for Denmark.

Their next recorded provincial visit is to Ipswich under date of 20th February 1586, when they are mentioned as the Lord Admiral's players. In this same year they appear at Cambridge, also as the Lord Admiral's players. On 15th November 1586 they are recorded at Coventry as having been paid twenty shillings, and immediately following, under the same date of entry, the Lord Chamberlain's men are recorded as being paid three shillings and fourpence, and on 15th November 1587 they are again recorded at Coventry as receiving twenty shillings; and again, under the same date, is an entry recording the payment of five shillings "to the Lord Chamberlain's Musicians that came with the Judge at the assizes."

The juxtaposition of the entries on these records of the names of these two companies in 1586 and 1587, and their union in a performance before the Court in January 1586, shows that a combination of some sort between them was formed in 1585. _Who, then, were the men that composed the Lord Admiral's company from 1585 to 1589?_

In 1592, when Lord Strange's players left Burbage to perform under Henslowe at the Rose, we are assured that Edward Alleyn was the manager of the company, and, though the manager of Lord Strange's company, that he still styled himself a Lord Admiral's man. When, then, did Edward Alleyn, who is mentioned in the Leicester records in 1584 as a member of the Earl of Worcester's company, become a Lord Admiral's man and cease to perform under the licence of the Earl of Worcester? Is it not palpable that the change took place in 1585, when all records of Worcester's company cease for several years and a new Lord Admiral's company begins? The last record of a provincial performance for Worcester's company is at Barnstaple in 1585. The Court and provincial records of 1586 show that within about eight months of its inception the Lord Admiral's company worked in conjunction with Burbage's players--the Lord Chamberlain's men. That this connection continued in the case of Edward Alleyn and a few others of the Admiral's men, who were old Worcester men, and that they preserved their licensed identity through the several changes in the title of the company, until they finally separated early in 1594, shall be made apparent in this history.

It is evident that Edward Alleyn's brother, John Alleyn, joined the Admiral's men at about the time of its inception, when his old company, Lord Sheffield's players, suddenly disappear from the records. Their last recorded provincial performance is in Coventry, under date of 15th November 1585, _the Lord Admiral's men and the Lord Chamberlain's men being recorded there under the same date of entry_. John Alleyn continued his connection with the Lord Admiral's men at least as late as July 1589, when he is mentioned as "servant to me the Lord Admiral" in a letter from the Privy Council to certain aldermen. After this he is not heard of again either in connection with Lord Strange's or the Admiral's men. He was evidently one of the discarded actors in the reorganisations of 1589-91.

Past critics, ignoring the fact that there are no records of either Court, London, or provincial performances for Worcester's company between 1585 and 1589-90, have assumed that this company was in existence during these years, and that it was disrupted and reorganised in 1589, Edward Alleyn leaving it and joining the Lord Admiral's men at that period. This inference is drawn erroneously from the following facts: first, that Richard Jones, who is recorded in 1584, in the Leicester records, as a member of Lord Worcester's company, in January 1589, sold to Edward Alleyn his share in theatrical properties, consisting of playing apparel, playbooks, instruments, etc., owned by him conjointly with Robert Brown, Edward Alleyn, and his brother, John Alleyn, all of whom are supposed to have been members of Worcester's company at that time, as Brown and Edward Alleyn are also recorded in 1584 as members of that company; secondly, that John Alleyn is mentioned as a servant to the Lord Admiral later on in this year; and thirdly, that Edward Alleyn, when managing Lord Strange's company in 1593, is also mentioned as a Lord Admiral's man.

In the light of the foregoing facts and deductions it is evident that the Earl of Worcester's company, or at least a large portion of it, _became the Lord Admiral's company in 1585_, and that, at about the same time, they became affiliated with Burbage and the Lord Chamberlain's company. It is probable, however, that