The Picture of Dorian Gray by Oscar Wilde (motivational books for men TXT) 📕

something to me quite beautiful about her death. I am glad I am living in a century when such wonders happen. They make one believe in the reality of the things that shallow, fashionable people play with, such as romance, passion, and love.’

‘I was terribly cruel to her. You forget that.’

‘I believe that women appreciate cruelty more than anything else. They have wonderfully primitive instincts.

We have emancipated them, but they remain slaves looking for their masters, all the same. They love being dominated. I am sure you were splendid. I have never seen you angry, but I can fancy how delightful you looked. And, after all, you said something to me the day before yesterday that seemed to me at the time to be merely fanciful, but that I see now was absolutely true, and it explains everything.’

‘What was that, Harry?’

‘You said to me that Sibyl Vane represented to you all the heroines of romance—that she was Desdemona one night, and Ophelia the other; that if she died as Juliet, she came to life as Imogen.’

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‘She will never come to life again now,’ murmured the lad, burying his face in his hands.

‘No, she will never come to life. She has played her last part. But you must think of that lonely death in the tawdry dressing-room simply as a strange lurid fragment from some Jacobean tragedy, as a wonderful scene from Webster, or Ford, or Cyril Tourneur. The girl never really lived, and so she has never really died. To you at least she was always a dream, a phantom that flitted through Shakespeare’s plays and left them lovelier for its presence, a reed through which Shakespeare’s music sounded richer and more full of joy. The moment she touched actual life, she marred it, and it marred her, and so she passed away.

Mourn for Ophelia, if you like. Put ashes on your head because Cordelia was strangled. Cry out against Heaven because the daughter of Brabantio died. But don’t waste your tears over Sibyl Vane. She was less real than they are.’

There was a silence. The evening darkened in the room. Noiselessly, and with silver feet, the shadows crept in from the garden. The colors faded wearily out of things.

After some time Dorian Gray looked up. ‘You have explained me to myself, Harry,’ he murmured, with something of a sigh of relief. ‘I felt all that you have said, 119 of 250

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but somehow I was afraid of it, and I could not express it to myself. How well you know me! But we will not talk again of what has happened. It has been a marvellous experience. That is all. I wonder if life has still in store for me anything as marvellous.’

‘Life has everything in store for you, Dorian. There is nothing that you, with your extraordinary good looks, will not be able to do.’

‘But suppose, Harry, I became haggard, and gray, and wrinkled? What then?’

‘Ah, then,’ said Lord Henry, rising to go,—‘then, my dear Dorian, you would have to fight for your victories.

As it is, they are brought to you. No, you must keep your good looks. We live in an age that reads too much to be wise, and that thinks too much to be beautiful. We cannot spare you. And now you had better dress, and drive down to the club. We are rather late, as it is.’

‘I think I shall join you at the Opera, Harry. I feel too tired to eat anything. What is the number of your sister’s box?’

‘Twenty-seven, I believe. It is on the grand tier. You will see her name on the door. But I am sorry you won’t come and dine.’

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‘I don’t feel up to it,’ said Dorian, wearily. ‘But I am awfully obliged to you for all that you have said to me.

You are certainly my best friend. No one has ever understood me as you have.’

‘We are only at the beginning of our friendship, Dorian,’ answered Lord Henry, shaking him by the hand.

‘Good-by. I shall see you before nine-thirty, I hope.

Remember, Patti is singing.’

As he closed the door behind him, Dorian Gray touched the bell, and in a few minutes Victor appeared with the lamps and drew the blinds down. He waited impatiently for him to go. The man seemed to take an interminable time about everything.

As soon as he had left, he rushed to the screen, and drew it back. No; there was no further change in the picture. It had received the news of Sibyl Vane’s death before he had known of it himself. It was conscious of the events of life as they occurred. The vicious cruelty that marred the fine lines of the mouth had, no doubt, appeared at the very moment that the girl had drunk the poison, whatever it was. Or was it indifferent to results?

Did it merely take cognizance of what passed within the soul? he wondered, and hoped that some day he would 121 of 250

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see the change taking place before his very eyes, shuddering as he hoped it.

Poor Sibyl! what a romance it had all been! She had often mimicked death on the stage, and at last Death himself had touched her, and brought her with him. How had she played that dreadful scene? Had she cursed him, as she died? No; she had died for love of him, and love would always be a sacrament to him now. She had atoned for everything, by the sacrifice she had made of her life.

He would not think any more of what she had made him go through, that horrible night at the theatre. When he thought of her, it would be as a wonderful tragic figure to show Love had been a great reality. A wonderful tragic figure? Tears came to his eyes as he remembered her child-like look and winsome fanciful ways and shy tremulous grace. He wiped them away hastily, and looked again at the picture.

He felt that the time had really come for making his choice. Or had his choice already been made? Yes, life had decided that for him,— life, and his own infinite curiosity about life. Eternal youth, infinite passion, pleasures subtle and secret, wild joys and wilder sins,—he was to have all these things. The portrait was to bear the burden of his shame: that was all.

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The Picture of Dorian Gray

 

A feeling of pain came over him as he thought of the desecration that was in store for the fair face on the canvas.

Once, in boyish mockery of Narcissus, he had kissed, or feigned to kiss, those painted lips that now smiled so cruelly at him. Morning after morning he had sat before the portrait wondering at its beauty, almost enamoured of it, as it seemed to him at times. Was it to alter now with every mood to which he yielded? Was it to become a hideous and loathsome thing, to be hidden away in a locked room, to be shut out from the sunlight that had so often touched to brighter gold the waving wonder of the hair? The pity of it! the pity of it!

For a moment he thought of praying that the horrible sympathy that existed between him and the picture might cease. It had changed in answer to a prayer; perhaps in answer to a prayer it might remain unchanged. And, yet, who, that knew anything about Life, would surrender the chance of remaining always young, however fantastic that chance might be, or with what fateful consequences it might be fraught? Besides, was it really under his control?

Had it indeed been prayer that had produced the substitution? Might there not be some curious scientific reason for it all? If thought could exercise its influence upon a living organism, might not thought exercise an 123 of 250

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influence upon dead and inorganic things? Nay, without thought or conscious desire, might not things external to ourselves vibrate in unison with our moods and passions, atom calling to atom, in secret love or strange affinity? But the reason was of no importance. He would never again tempt by a prayer any terrible power. If the picture was to alter, it was to alter. That was all. Why inquire too closely into it?

For there would be a real pleasure in watching it. He would be able to follow his mind into its secret places.

This portrait would be to him the most magical of mirrors.

As it had revealed to him his own body, so it would reveal to him his own soul. And when winter came upon it, he would still be standing where spring trembles on the verge of summer. When the blood crept from its face, and left behind a pallid mask of chalk with leaden eyes, he would keep the glamour of boyhood. Not one blossom of his loveliness would ever fade. Not one pulse of his life would ever weaken. Like the gods of the Greeks, he would be strong, and fleet, and joyous. What did it matter what happened to the colored image on the canvas? He would be safe. That was everything.

He drew the screen back into its former place in front of the picture, smiling as he did so, and passed into his 124 of 250

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bedroom, where his valet was already waiting for him. An hour later he was at the Opera, and Lord Henry was leaning over his chair.

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Chapter VII

As he was sitting at breakfast next morning, Basil Hallward was shown into the room.

‘I am so glad I have found you, Dorian,’ he said, gravely. ‘I called last night, and they told me you were at the Opera. Of course I knew that was impossible. But I wish you had left word where you had really gone to. I passed a dreadful evening, half afraid that one tragedy might be followed by another. I think you might have telegraphed for me when you heard of it first. I read of it quite by chance in a late edition of the Globe, that I picked up at the club. I came here at once, and was miserable at not finding you. I can’t tell you how heart-broken I am about the whole thing. I know what you must suffer. But where were you? Did you go down and see the girl’s mother? For a moment I thought of following you there. They gave the address in the paper.

Somewhere in the Euston Road, isn’t it? But I was afraid of intruding upon a sorrow that I could not lighten. Poor woman! What a state she must be in! And her only child, too! What did she say about it all?’

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‘My dear Basil, how do I know?’ murmured Dorian, sipping some pale- yellow wine from a delicate gold-beaded bubble of Venetian glass, and looking dreadfully bored. ‘I was at the Opera. You should have come on there. I met Lady Gwendolen, Harry’s sister, for the first time. We were in her box. She is perfectly charming; and Patti sang divinely. Don’t talk about horrid subjects. If one doesn’t talk about a thing, it has never happened. It is simply expression, as Harry says, that gives reality to things. Tell me about yourself and what you are painting.’

‘You went to the Opera?’ said Hallward, speaking very slowly, and with a strained touch of pain in his voice.

‘You went to the Opera while Sibyl Vane was lying dead in some sordid lodging? You can talk to me of other women being charming, and of Patti singing divinely, before the girl you loved has even the quiet of a grave to sleep in? Why, man, there are horrors