Ulysses by James Joyce (i can read with my eyes shut TXT) 📕

void awaits surely all them that weave the wind: a menace, a disarming and a worsting from those embattled angels of the church, Michael's host, who defend her ever in the hour of conflict with their lances and their shields.

Hear, hear! Prolonged applause. Zut! Nom de Dieu!

—Of course I'm a Britisher, Haines's voice said, and I feel as one. I don't want to see my country fall into the hands of German jews either. That's our national problem, I'm afraid, just now.

Two men stood at the verge of the cliff, watching: businessman, boatman.

—She's making for Bullock harbour.

The boatman nodded towards the north of the bay with some disdain.

—There's five fathoms out there, he said. It'll be swept up that way when the tide comes in about one. It's nine days today.

The man that was drowned. A sail veering about the blank bay waiting for a swollen bundle to bob up, roll over to the sun a puffy face, saltwhite. Here I am.

They followed the winding path down to the creek. Buck Mulligan stood on a stone, in shirtsleeves, his unclipped tie rippling over his shoulder. A young man clinging to a spur of rock near him, moved slowly frogwise his green legs in the deep jelly of the water.

—Is the brother with you, Malachi?

—Down in Westmeath. With the Bannons.

—Still there? I got a card from Bannon. Says he found a sweet young thing down there. Photo girl he calls her.

—Snapshot, eh? Brief exposure.

Buck Mulligan sat down to unlace his boots. An elderly man shot up near the spur of rock a blowing red face. He scrambled up by the stones, water glistening on his pate and on its garland of grey hair, water rilling over his chest and paunch and spilling jets out of his black sagging loincloth.

Buck Mulligan made way for him to scramble past and, glancing at Haines and Stephen, crossed himself piously with his thumbnail at brow and lips and breastbone.

—Seymour's back in town, the young man said, grasping again his spur of rock. Chucked medicine and going in for the army.

—Ah, go to God! Buck Mulligan said.

—Going over next week to stew. You know that red Carlisle girl, Lily?

—Yes.

—Spooning with him last night on the pier. The father is rotto with money.

—Is she up the pole?

—Better ask Seymour that.

—Seymour a bleeding officer! Buck Mulligan said.

He nodded to himself as he drew off his trousers and stood up, saying tritely:

—Redheaded women buck like goats.

He broke off in alarm, feeling his side under his flapping shirt.

—My twelfth rib is gone, he cried. I'm the Uebermensch. Toothless Kinch and I, the supermen.

He struggled out of his shirt and flung it behind him to where his clothes lay.

—Are you going in here, Malachi?

—Yes. Make room in the bed.

The young man shoved himself backward through the water and reached the middle of the creek in two long clean strokes. Haines sat down on a stone, smoking.

—Are you not coming in? Buck Mulligan asked.

—Later on, Haines said. Not on my breakfast.

Stephen turned away.

—I'm going, Mulligan, he said.

—Give us that key, Kinch, Buck Mulligan said, to keep my chemise flat.

Stephen handed him the key. Buck Mulligan laid it across his heaped clothes.

—And twopence, he said, for a pint. Throw it there.

Stephen threw two pennies on the soft heap. Dressing, undressing. Buck Mulligan erect, with joined hands before him, said solemnly:

—He who stealeth from the poor lendeth to the Lord. Thus spake Zarathustra.

His plump body plunged.

—We'll see you again, Haines said, turning as Stephen walked up the path and smiling at wild Irish.

Horn of a bull, hoof of a horse, smile of a Saxon.

—The Ship, Buck Mulligan cried. Half twelve.

—Good, Stephen said.

He walked along the upwardcurving path.

The priest's grey nimbus in a niche where he dressed discreetly. I will not sleep here tonight. Home also I cannot go.

A voice, sweettoned and sustained, called to him from the sea. Turning the curve he waved his hand. It called again. A sleek brown head, a seal's, far out on the water, round.

Usurper.

—You, Cochrane, what city sent for him?

—Tarentum, sir.

—Very good. Well?

—There was a battle, sir.

—Very good. Where?

The boy's blank face asked the blank window.

Fabled by the daughters of memory. And yet it was in some way if not as memory fabled it. A phrase, then, of impatience, thud of Blake's wings of excess. I hear the ruin of all space, shattered glass and toppling masonry, and time one livid final flame. What's left us then?

—I forget the place, sir. 279 B. C.

—Asculum, Stephen said, glancing at the name and date in the gorescarred book.

—Yes, sir. And he said: Another victory like that and we are done for.

That phrase the world had remembered. A dull ease of the mind. From a hill above a corpsestrewn plain a general speaking to his officers, leaned upon his spear. Any general to any officers. They lend ear.

—You, Armstrong, Stephen said. What was the end of Pyrrhus?

—End of Pyrrhus, sir?

—I know, sir. Ask me, sir, Comyn said.

—Wait. You, Armstrong. Do you know anything about Pyrrhus?

A bag of figrolls lay snugly in Armstrong's satchel. He curled them between his palms at whiles and swallowed them softly. Crumbs adhered to the tissue of his lips. A sweetened boy's breath. Welloff people, proud that their eldest son was in the navy. Vico road, Dalkey.

—Pyrrhus, sir? Pyrrhus, a pier.

All laughed. Mirthless high malicious laughter. Armstrong looked round at his classmates, silly glee in profile. In a moment they will laugh more loudly, aware of my lack of rule and of the fees their papas pay.

—Tell me now, Stephen said, poking the boy's shoulder with the book, what is a pier.

—A pier, sir, Armstrong said. A thing out in the water. A kind of a bridge. Kingstown pier, sir.

Some laughed again: mirthless but with meaning. Two in the back bench whispered. Yes. They knew: had never learned nor ever been innocent. All. With envy he watched their faces: Edith, Ethel, Gerty, Lily. Their likes: their breaths, too, sweetened with tea and jam, their bracelets tittering in the struggle.

—Kingstown pier, Stephen said. Yes, a disappointed bridge.

The words troubled their gaze.

—How, sir? Comyn asked. A bridge is across a river.

For Haines's chapbook. No-one here to hear. Tonight deftly amid wild drink and talk, to pierce the polished mail of his mind. What then? A jester at the court of his master, indulged and disesteemed, winning a clement master's praise. Why had they chosen all that part? Not wholly for the smooth caress. For them too history was a tale like any other too often heard, their land a pawnshop.

Had Pyrrhus not fallen by a beldam's hand in Argos or Julius Caesar not been knifed to death. They are not to be thought away. Time has branded them and fettered they are lodged in the room of the infinite possibilities they have ousted. But can those have been possible seeing that they never were? Or was that only possible which came to pass? Weave, weaver of the wind.

—Tell us a story, sir.

—O, do, sir. A ghoststory.

—Where do you begin in this? Stephen asked, opening another book.

--Weep no more, Comyn said.

—Go on then, Talbot.

—And the story, sir?

—After, Stephen said. Go on, Talbot.

A swarthy boy opened a book and propped it nimbly under the breastwork of his satchel. He recited jerks of verse with odd glances at the text:

It must be a movement then, an actuality of the possible as possible. Aristotle's phrase formed itself within the gabbled verses and floated out into the studious silence of the library of Saint Genevieve where he had read, sheltered from the sin of Paris, night by night. By his elbow a delicate Siamese conned a handbook of strategy. Fed and feeding brains about me: under glowlamps, impaled, with faintly beating feelers: and in my mind's darkness a sloth of the underworld, reluctant, shy of brightness, shifting her dragon scaly folds. Thought is the thought of thought. Tranquil brightness. The soul is in a manner all that is: the soul is the form of forms. Tranquility sudden, vast, candescent: form of forms.

Talbot repeated:

—Turn over, Stephen said quietly. I don't see anything.

—What, sir? Talbot asked simply, bending forward.

His hand turned the page over. He leaned back and went on again, having just remembered. Of him that walked the waves. Here also over these craven hearts his shadow lies and on the scoffer's heart and lips and on mine. It lies upon their eager faces who offered him a coin of the tribute. To Caesar what is Caesar's, to God what is God's. A long look from dark eyes, a riddling sentence to be woven and woven on the church's looms. Ay.

Talbot slid his closed book into his satchel.

—Have I heard all? Stephen asked.

—Yes, sir. Hockey at ten, sir.

—Half day, sir. Thursday.

—Who can answer a riddle? Stephen asked.

They bundled their books away, pencils clacking, pages rustling. Crowding together they strapped and buckled their satchels, all gabbling gaily:

—A riddle, sir? Ask me, sir.

—O, ask me, sir.

—A hard one, sir.

—This is the riddle, Stephen said:

What is that?

—What, sir?

—Again, sir. We didn't hear.

Their eyes grew bigger as the lines were repeated. After a silence Cochrane said:

—What is it, sir? We give it up.

Stephen, his throat itching, answered:

—The fox burying his grandmother under a hollybush.

He stood up and gave a shout of nervous laughter to which their cries echoed dismay.

A stick struck the door and a voice in the corridor called:

—Hockey!

They broke asunder, sidling out of their benches, leaping them. Quickly they were gone and from the lumberroom came the rattle of sticks and clamour of their boots and tongues.

Sargent who alone had lingered came forward slowly, showing an open copybook. His thick hair and scraggy neck gave witness of unreadiness and through his misty glasses weak eyes looked up pleading. On his cheek, dull and bloodless, a soft stain of ink lay, dateshaped, recent and damp as a snail's bed.

He held out his copybook. The word Sums was written on the headline. Beneath were sloping figures and at the foot a crooked signature with blind loops and a blot. Cyril Sargent: his name and seal.

—Mr Deasy told me to write them out all again, he said, and show them to you, sir.

Stephen touched the edges of the book. Futility.

—Do you understand how to do them now? he asked.

—Numbers eleven to fifteen, Sargent answered. Mr Deasy said I was to copy them off the board, sir.

—Can you do them yourself? Stephen asked.

—No, sir.

Ugly and futile: lean neck and thick hair and a stain of ink, a snail's bed. Yet someone had loved him, borne him in her arms and in her heart. But for her the race of the world would have trampled him underfoot, a squashed boneless snail. She had loved his weak watery blood drained from her own. Was that then real? The only true thing in life? His mother's prostrate body the fiery Columbanus in holy zeal bestrode. She was no more: the trembling skeleton of a twig burnt in the fire, an odour of rosewood and wetted ashes. She had saved him from being trampled underfoot and had gone, scarcely having been. A poor soul gone to heaven: and on a heath beneath winking stars a fox, red reek of rapine in his fur, with merciless bright eyes scraped in the earth, listened, scraped up the earth, listened, scraped and scraped.

Sitting at his side Stephen solved out the problem. He proves by algebra that Shakespeare's ghost is Hamlet's grandfather. Sargent peered askance through his slanted glasses. Hockeysticks rattled in the lumberroom: the hollow knock of a ball and calls from the field.

Across the page the symbols moved in grave morrice, in the mummery of their letters, wearing quaint caps of squares and cubes. Give hands, traverse, bow to partner: so: imps of fancy of the Moors. Gone too from the world, Averroes and Moses Maimonides, dark men in mien and movement, flashing in their mocking mirrors the obscure soul of the world, a darkness shining in brightness which brightness could not comprehend.

—Do you understand now? Can