The Wind in the Willows by Kenneth Grahame (feel good books to read txt) 📕

It was close and airless, and the earthy smell was strong, and it seemed a long time to Rat ere the passage ended and he could stand erect and stretch and shake himself. The Mole struck a match, and by its light the Rat saw that they were standing in an open space, neatly swept and sanded underfoot, and directly facing them was Mole’s little front door, with ‘Mole End’ painted, in Gothic lettering, over the bell-pull at the side.

Mole reached down a lantern from a nail on the wall and lit it... and the Rat, looking round him, saw that they were in a sort of fore-court. A garden-seat stood on one side of the door, and on the other a roller; for the Mole, who was a tidy animal when at home, could not stand having his ground kicked up by other animals into little runs that ended in earth-heaps. On the walls hung wire baskets with ferns in them, alternating with brackets carrying plaster statuary—Garibaldi, and the infant Samuel, and Queen Victoria, and other heroes of modern Italy. Down on one side of the forecourt ran a skittle-alley, with benches along it and little wooden tables marked with rings that hinted at beer-mugs. In the middle was a small round pond containing gold-fish and surrounded by a cockle-shell border. Out of the centre of the pond rose a fanciful erection clothed in more cockle-shells and topped by a large silvered glass ball that reflected everything all wrong and had a very pleasing effect.

Mole’s face-beamed at the sight of all these objects so dear to him, and he hurried Rat through the door, lit a lamp in the hall, and took one glance round his old home. He saw the dust lying thick on everything, saw the cheerless, deserted look of the long-neglected house, and its narrow, meagre dimensions, its worn and shabby contents—and collapsed again on a hall-chair, his nose to his paws. ‘O Ratty!’ he cried dismally, ‘why ever did I do it? Why did I bring you to this poor, cold little place, on a night like this, when you might have been at River Bank by this time, toasting your toes before a blazing fire, with all your own nice things about you!’

The Rat paid no heed to his doleful self-reproaches. He was running here and there, opening doors, inspecting rooms and cupboards, and lighting lamps and candles and sticking them, up everywhere. ‘What a capital little house this is!’ he called out cheerily. ‘So compact! So well planned! Everything here and everything in its place! We’ll make a jolly night of it. The first thing we want is a good fire; I’ll see to that—I always know where to find things. So this is the parlour? Splendid! Your own idea, those little sleeping-bunks in the wall? Capital! Now, I’ll fetch the wood and the coals, and you get a duster, Mole—you’ll find one in the drawer of the kitchen table—and try and smarten things up a bit. Bustle about, old chap!’

Encouraged by his inspiriting companion, the Mole roused himself and dusted and polished with energy and heartiness, while the Rat, running to and fro with armfuls of fuel, soon had a cheerful blaze roaring up the chimney. He hailed the Mole to come and warm himself; but Mole promptly had another fit of the blues, dropping down on a couch in dark despair and burying his face in his duster. ‘Rat,’ he moaned, ‘how about your supper, you poor, cold, hungry, weary animal? I’ve nothing to give you—nothing—not a crumb!’

‘What a fellow you are for giving in!’ said the Rat reproachfully. ‘Why, only just now I saw a sardine-opener on the kitchen dresser, quite distinctly; and everybody knows that means there are sardines about somewhere in the neighbourhood. Rouse yourself! pull yourself together, and come with me and forage.’

They went and foraged accordingly, hunting through every cupboard and turning out every drawer. The result was not so very depressing after all, though of course it might have been better; a tin of sardines—a box of captain’s biscuits, nearly full—and a German sausage encased in silver paper.

‘There’s a banquet for you!’ observed the Rat, as he arranged the table. ‘I know some animals who would give their ears to be sitting down to supper with us to-night!’

‘No bread!’ groaned the Mole dolorously; ‘no butter, no——’

‘No pate de foie gras, no champagne!’ continued the Rat, grinning. ‘And that reminds me—what’s that little door at the end of the passage? Your cellar, of course! Every luxury in this house! Just you wait a minute.’

He made for the cellar-door, and presently reappeared, somewhat dusty, with a bottle of beer in each paw and another under each arm, ‘Self-indulgent beggar you seem to be, Mole,’ he observed. ‘Deny yourself nothing. This is really the jolliest little place I ever was in. Now, wherever did you pick up those prints? Make the place look so home-like, they do. No wonder you’re so fond of it, Mole. Tell us all about it, and how you came to make it what it is.’

Then, while the Rat busied himself fetching plates, and knives and forks, and mustard which he mixed in an egg-cup, the Mole, his bosom still heaving with the stress of his recent emotion, related—somewhat shyly at first, but with more freedom as he warmed to his subject—how this was planned, and how that was thought out, and how this was got through a windfall from an aunt, and that was a wonderful find and a bargain, and this other thing was bought out of laborious savings and a certain amount of ‘going without.’ His spirits finally quite restored, he must needs go and caress his possessions, and take a lamp and show off their points to his visitor and expatiate on them, quite forgetful of the supper they both so much needed; Rat, who was desperately hungry but strove to conceal it, nodding seriously, examining with a puckered brow, and saying, ‘wonderful,’ and ‘most remarkable,’ at intervals, when the chance for an observation was given him.

At last the Rat succeeded in decoying him to the table, and had just got seriously to work with the sardine-opener when sounds were heard from the fore-court without—sounds like the scuffling of small feet in the gravel and a confused murmur of tiny voices, while broken sentences reached them—‘Now, all in a line—hold the lantern up a bit, Tommy—clear your throats first—no coughing after I say one, two, three.—Where’s young Bill?—Here, come on, do, we’re all a-waiting——’

‘What’s up?’ inquired the Rat, pausing in his labours.

‘I think it must be the field-mice,’ replied the Mole, with a touch of pride in his manner. ‘They go round carol-singing regularly at this time of the year. They’re quite an institution in these parts. And they never pass me over—they come to Mole End last of all; and I used to give them hot drinks, and supper too sometimes, when I could afford it. It will be like old times to hear them again.’

‘Let’s have a look at them!’ cried the Rat, jumping up and running to the door.

It was a pretty sight, and a seasonable one, that met their eyes when they flung the door open. In the fore-court, lit by the dim rays of a horn lantern, some eight or ten little fieldmice stood in a semicircle, red worsted comforters round their throats, their fore-paws thrust deep into their pockets, their feet jigging for warmth. With bright beady eyes they glanced shyly at each other, sniggering a little, sniffing and applying coat-sleeves a good deal. As the door opened, one of the elder ones that carried the lantern was just saying, ‘Now then, one, two, three!’ and forthwith their shrill little voices uprose on the air, singing one of the old-time carols that their forefathers composed in fields that were fallow and held by frost, or when snow-bound in chimney corners, and handed down to be sung in the miry street to lamp-lit windows at Yule-time.