His Masterpiece by Emile Zola (most inspirational books of all time txt) π
Striking Two O'clock In The Morning When The Storm Burst Forth. He Had
Been Roaming Forgetfully About The Central Markets, During That
Burning July Night, Like A Loitering Artist Enamoured Of Nocturnal
Paris. Suddenly The Raindrops Came Down, So Large And Thick, That He
Took To His Heels And Rushed, Wildly Bewildered, Along The Quai De La
Greve. But On Reaching The Pont Louis Philippe He Pulled Up, Ragefully
Breathless; He Considered This Fear Of The Rain To Be Idiotic; And So
Amid The Pitch-Like Darkness, Under The Lashing Shower Which Drowned
The Gas-Jets, He Crossed The Bridge Slowly, With His Hands Dangling By
His Side.
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- Author: Emile Zola
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One Who Had His Share In Inventing Landscape Painting! Have You Seen
His "Pond Of Gagny" At The Luxembourg?'
'A Marvel!' Exclaimed Claude. 'It Was Painted Thirty Years Ago, And
Nothing More Substantial Has Been Turned Out Since. Why Is It Left At
The Luxembourg? It Ought To Be In The Louvre.'
'But Courajod Isn't Dead,' Said Fagerolles.
'What! Courajod Isn't Dead! No One Ever Sees Him Or Speaks Of Him
Now.'
There Was General Stupefaction When Fagerolles Assured Them That The
Great Landscape Painter, Now Seventy Years Of Age, Lived Somewhere In
The Neighbourhood Of Montmartre, In A Little House Among His Fowls,
Ducks, And Dogs. So One Might Outlive One's Own Glory! To Think That
There Were Such Melancholy Instances Of Old Artists Disappearing
Before Their Death! Silence Fell Upon Them All; They Began To Shiver
When They Perceived Bongrand Pass By On A Friend's Arm, With A
Congestive Face And A Nervous Air As He Waved His Hand To Them; While
Almost Immediately Behind Him, Surrounded By His Disciples, Came
Chambouvard, Laughing Very Loudly, And Tapping His Heels On The
Pavement With The Air Of Absolute Mastery That Comes From Confidence
In Immortality.
'What! Are You Going?' Said Mahoudeau To Chaine, Who Was Rising From
His Chair.
The Other Mumbled Some Indistinct Words In His Beard, And Went Off
After Distributing Handshakes Among The Party.
'I Know,' Said Jory To Mahoudeau. 'I Believe He Has A Weakness For
Your Neighbour, The Herbalist Woman. I Saw His Eyes Flash All At Once;
It Comes Upon Him Like Toothache. Look How He's Running Over There.'
The Sculptor Shrugged His Shoulders Amidst The General Laughter.
But Claude Did Not Hear. He Was Now Discussing Architecture With
Dubuche. No Doubt, That Plan Of A Museum Gallery Which He Exhibited
Wasn't Bad; Only There Was Nothing New In It. It Was All So Much
Patient Marquetry Of The School Formulas. Ought Not All The Arts To
Advance In One Line Of Battle? Ought Not The Evolution That Was
Transforming Literature, Painting, Even Music Itself, To Renovate
Architecture As Well? If Ever The Architecture Of A Period Was To Have
A Style Of Its Own, It Was Assuredly The Architecture Of The Period
They Would Soon Be Entering, A New Period When They Would Find The
Ground Freshly Swept, Ready For The Rebuilding Of Everything. Down
With The Greek Temples! There Was No Reason Why They Should Continue
To Exist Under Our Sky, Amid Our Society! Down With The Gothic
Cathedrals, Since Faith In Legend Was Dead! Down With The Delicate
Colonnades, The Lace-Like Work Of The Renaissance--That Revival Of The
Antique Grafted On Mediaevalism--Precious Art-Jewellery, No Doubt, But
In Which Democracy Could Not Dwell. And He Demanded, He Called With
Violent Gestures For An Architectural Formula Suited To Democracy;
Such Work In Stone As Would Express Its Tenets; Edifices Where It
Would Really Be At Home; Something Vast And Strong, Great And Simple
At The Same Time; The Something That Was Already Being Indicated In
The New Railway Stations And Markets, Whose Ironwork Displayed Such
Part 5 Pg 100Solid Elegance, But Purified And Raised To A Standard Of Beauty,
Proclaiming The Grandeur Of The Intellectual Conquests Of The Age.
'Ah! Yes, Ah! Yes,' Repeated Dubuche, Catching Claude's Enthusiasm;
'That's What I Want To Accomplish, You'll See Some Day. Give Me Time
To Succeed, And When I'm My Own Master--Ah! When I'm My Own Master.'
Night Was Coming On Apace, And Claude Was Growing More And More
Animated And Passionate, Displaying A Fluency, An Eloquence Which His
Comrades Had Not Known Him To Possess. They All Grew Excited In
Listening To Him, And Ended By Becoming Noisily Gay Over The
Extraordinary Witticisms He Launched Forth. He Himself, Having
Returned To The Subject Of His Picture, Again Discussed It With A Deal
Of Gaiety, Caricaturing The Crowd He Had Seen Looking At It, And
Imitating The Imbecile Laughter. Along The Avenue, Now Of An Ashy Hue,
One Only Saw The Shadows Of Infrequent Vehicles Dart By. The Side-Walk
Was Quite Black; An Icy Chill Fell From The Trees. Nothing Broke The
Stillness But The Sound Of Song Coming From A Clump Of Verdure Behind
The Cafe; There Was Some Rehearsal At The Concert De L'horloge, For
One Heard The Sentimental Voice Of A Girl Trying A Love-Song.
'Ah! How They Amused Me, The Idiots!' Exclaimed Claude, In A Last
Burst. 'Do You Know, I Wouldn't Take A Hundred Thousand Francs For My
Day's Pleasure!'
Then He Relapsed Into Silence, Thoroughly Exhausted. Nobody Had Any
Saliva Left; Silence Reigned; They All Shivered In The Icy Gust That
Swept By. And They Separated In A Sort Of Bewilderment, Shaking Hands
In A Tired Fashion. Dubuche Was Going To Dine Out; Fagerolles Had An
Appointment; In Vain Did Jory, Mahoudeau, And Gagniere Try To Drag
Claude To Foucart's, A Twenty-Five Sous' Restaurant; Sandoz Was
Already Taking Him Away On His Arm, Feeling Anxious At Seeing Him So
Excited.
'Come Along, I Promised My Mother To Be Back For Dinner. You'll Take A
Bit With Us. It Will Be Nice; We'll Finish The Day Together.'
They Both Went Down The Quay, Past The Tuileries, Walking Side By Side
In Fraternal Fashion. But At The Pont Des Saints-Peres The Painter
Stopped Short.
'What, Are You Going To Leave Me?' Exclaimed Sandoz.
'Why, I Thought You Were Going To Dine With Me?'
'No, Thanks; I've Too Bad A Headache--I'm Going Home To Bed.'
And He Obstinately Clung To This Excuse.
'All Right, Old Man,' Said Sandoz At Last, With A Smile. 'One Doesn't
See Much Of You Nowadays. You Live In Mystery. Go On, Old Boy, I Don't
Want To Be In Your Way.'
Claude Restrained A Gesture Of Impatience; And, Letting His Friend
Cross The Bridge, He Went His Way Along The Quays By Himself. He
Walked On With His Arms Hanging Beside Him, With His Face Turned
Towards The Ground, Seeing Nothing, But Taking Long Strides Like A
Somnambulist Who Is Guided By Instinct. On The Quai De Bourbon, In
Part 5 Pg 101Front Of His Door, He Looked Up, Full Of Surprise On Seeing A Cab
Waiting At The Edge Of The Foot Pavement, And Barring His Way. And It
Was With The Same Automatical Step That He Entered The Doorkeeper's
Room To Take His Key.
'I Have Given It To That Lady,' Called Madame Joseph From The Back Of
The Room. 'She Is Upstairs.'
'What Lady?' He Asked In Bewilderment.
'That Young Person. Come, You Know Very Well, The One Who Always
Comes.'
He Had Not The Remotest Idea Whom She Meant. Still, In His Utter
Confusion Of Mind, He Decided To Go Upstairs. The Key Was In The Door,
Which He Slowly Opened And Closed Again.
For A Moment Claude Stood Stock Still. Darkness Had Invaded The
Studio; A Violet Dimness, A Melancholy Gloom Fell From The Large
Window, Enveloping Everything. He Could No Longer Plainly Distinguish
Either The Floor, Or The Furniture, Or The Sketches; Everything That
Was Lying About Seemed To Be Melting In The Stagnant Waters Of A Pool.
But On The Edge Of The Couch There Loomed A Dark Figure, Stiff With
Waiting, Anxious And Despairing Amid The Last Gasp Of Daylight. It Was
Christine; He Recognised Her.
She Held Out Her Hands, And Murmured In A Low, Halting Voice:
'I Have Been Here For Three Hours; Yes, For Three Hours, All Alone,
And Listening. I Took A Cab On Leaving There, And I Only Wanted To
Stay A Minute, And Get Back As Soon As Possible. But I Should Have
Stayed All Night; I Could Not Go Away Without Shaking Hands With You.'
She Continued, And Told Him Of Her Mad Desire To See The Picture; Her
Prank Of Going To The Salon, And How She Had Tumbled Into It Amidst
The Storm Of Laughter, Amidst The Jeers Of All Those People. It Was
She Whom They Had Hissed Like That; It Was On Herself That They Had
Spat. And Seized With Wild Terror, Distracted With Grief And Shame,
She Had Fled, As If She Could Feel That Laughter Lashing Her Like A
Whip, Until The Blood Flowed. But She Now Forgot About Herself In Her
Concern For Him, Upset By The Thought Of The Grief He Must Feel, For
Her Womanly Sensibility Magnified The Bitterness Of The Repulse, And
She Was Eager To Console.
'Oh, Friend, Don't Grieve! I Wished To See And Tell You That They Are
Jealous Of It All, That I Found The Picture Very Nice, And That I Feel
Very Proud And Happy At Having Helped You--At Being, If Ever So
Little, A Part Of It.'
Still, Motionless, He Listened To Her As She Stammered Those Tender
Words In An Ardent Voice, And Suddenly He Sank Down At Her Feet,
Letting His Head Fall Upon Her Knees, And Bursting Into Tears. All His
Excitement Of The Afternoon, All The Bravery He Had Shown Amidst The
Jeering, All His Gaiety And Violence Now Collapsed, In A Fit Of Sobs
Which Well Nigh Choked Him. From The Gallery Where The Laughter Had
Buffeted Him, He Heard It Pursuing Him Through The Champs Elysees,
Then Along The Banks Of The Seine, And Now In His Very Studio. His
Strength Was Utterly Spent; He Felt Weaker Than A Child; And Rolling
Part 5 Pg 102His Head From One Side To Another He Repeated In A Stifled Voice:
'My God! How I Do Suffer!'
Then She, With Both Hands, Raised His Face To Her Lips In A Transport
Of Passion. She Kissed Him, And With Her Warm Breath She Blew To His
Very Heart The Words: 'Be Quiet, Be Quiet, I Love You!'
They Adored Each Other; It Was Inevitable. Near Them, On The Centre Of
The Table, The Lilac She Had Sent Him That Morning Embalmed The Night
Air, And, Alone Shiny With Lingering Light, The Scattered Particles Of
Gold Leaf, Wafted From The Frame Of The Big Picture, Twinkled Like A
Swarming Of Stars.
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