Dreamthief by Tamara Grantham (the reader ebook .TXT) 📕

[The contents of this interesting chapter are better indicated in § 1 than by this heading.]

1. Sun Tzŭ said: We come now to the question of encamping the army, and observing signs of the enemy. Pass quickly over mountains, and keep in the neighbourhood of valleys.

[The idea is, not to linger among barren uplands, but to keep close to supplies of water and grass. Cf. Wu Tzŭ, ch. 3: "Abide not in natural ovens," i.e. "the openings of valleys." Chang Yu tells the following anecdote: Wu-tu Ch’iang was a robber captain in the time of the Later Han, and Ma Yuan was sent to exterminate his gang. Ch’iang having found a refuge in the hills, Ma Yuan made no attempt to force a battle, but seized all the favourable positions commanding supplies of water and forage. Ch’iang was soon in such a desperate plight for want of provisions that he was forced to make a total surrender. He did not know the advantage of keeping in the neighbourhood of valleys."]

2. Camp in high places,

[Not on high hills, but on knolls or hillocks elevated above the surrounding country.]

facing the sun.

[Tu Mu takes this to mean "facing south," and Ch’en Hao "facing east." Cf. infra, §§ 11, 13.

Do not climb heights in order to fight. So much for mountain warfare.

3. After crossing a river, you should get far away from it.

["In order to tempt the enemy to cross after you," according to Ts’ao Kung, and also, says Chang Yu, "in order not to be impeded in your evolutions." The T’ung Tien reads, "If the enemy crosses a river," etc. But in view of the next sentence, this is almost certainly an interpolation.]

4. When an invading force crosses a river in its onward march, do not advance to meet it in mid-stream. It will be best to let half the army get across, and then deliver your attack.

[Li Ch’uan alludes to the great victory won by Han Hsin over Lung Chu at the Wei River. Turning to the Ch’ien Han Shu, ch. 34, fol. 6 verso, we find the battle described as follows: "The two armies were drawn up on opposite sides of the river. In the night, Han Hsin ordered his men to take some ten thousand sacks filled with sand and construct a dam higher up. Then, leading half his army across, he attacked Lung Chu; but after a time, pretending to have failed in his attempt, he hastily withdrew to the other bank. Lung Chu was much elated by this unlooked-for success, and exclaiming: "I felt sure that Han Hsin was really a coward!" he pursued him and began crossing the river in his turn. Han Hsin now sent a party to cut open the sandbags, thus releasing a great volume of water, which swept down and prevented the greater portion of Lung Chu’s army from getting across. He then turned upon the force which had been cut off, and annihilated it, Lung Chu himself being amongst the slain. The rest of the army, on the further bank, also scattered and fled in all directions.]

5. If you are anxious to fight, you should not go to meet the invader near a river which he has to cross.

[For fear of preventing his crossing.]

6. Moor your craft higher up than the enemy, and facing the sun.

[See supra, § 2. The repetition of these words in connection with water is very awkward. Chang Yu has the note: "Said either of troops marshalled on the river-bank, or of boats anchored in the stream itself; in either case it is essential to be higher than the enemy and facing the sun." The other commentators are not at all explicit.]

Do not move up-stream to meet the enemy.

[Tu Mu says: "As water flows downwards, we must not pitch our camp on the lower reaches of a river, for fear the enemy should open the sluices and sweep us away in a flood. Chu-ko Wu-hou has remarked that ‘in river warfare we must not advance against the stream,’ which is as much as to say that our fleet must not be anchored below that of the enemy, for then they would be able to take advantage of the current and make short work of us." There is also the danger, noted by other commentators, that the enemy may throw poison on the water to be carried down to us.]

So much for river warfare.

7. In crossing salt-marshes, your sole concern should be to get over them quickly, without any delay.

[Because of the lack of fresh water, the poor quality of the herbage, and last but not least, because they are low, flat, and exposed to attack.]

8. If forced to fight in a salt-marsh, you should have water and grass near you, and get your back to a clump of trees.

[Li Ch’uan remarks that the ground is less likely to be treacherous where there are trees, while Tu Mu says that they will serve to protect the rear.]

So much for operations in salt-marshes.

9. In dry, level country, take up an easily accessible position with rising ground to your right and on your rear,

[Tu Mu quotes T’ai Kung as saying: "An army should have a stream or a marsh on its left, and a hill or tumulus on its right."]

so that the danger may be in front, and safety lie behind. So much for campaigning in flat country.

10. These are the four useful branches of military knowledge

[Those, namely, concerned with (1) mountains, (2) rivers, (3) marshes, and (4) plains. Compare Napoleon’s "Military Maxims," no. 1.]

which enabled the Yellow Emperor to vanquish four several sovereigns.

[Regarding the "Yellow Emperor": Mei Yao-ch’en asks, with some plausibility, whether there is an error in the text as nothing is known of Huang Ti having conquered four other Emperors. The Shih Chi (ch. 1 ad init.) speaks only of his victories over Yen Ti and Ch’ih Yu. In the Liu T’ao it is mentioned that he "fought seventy battles and pacified the Empire." Ts’ao Kung’s explanation is, that the Yellow Emperor was the first to institute the feudal system of vassals princes, each of whom (to the number of four) originally bore the title of Emperor. Li Ch’uan tells us that the art of war originated under Huang Ti, who received it from his Minister Feng Hou.]

11. All armies prefer high ground to low,

["High Ground," says Mei Yao-ch’en, "is not only more agreeable and salubrious, but more convenient from a military point of view; low ground is not only damp and unhealthy, but also disadvantageous for fighting."]

and sunny places to dark.

12. If you are careful of your men,

[Ts’ao Kung says: "Make for fresh water and pasture, where you can turn out your animals to graze."]

and camp on hard ground, the army will be free from disease of every kind,

[Chang Yu says: "The dryness of the climate will prevent the outbreak of illness."]

and this will spell victory.

13. When you come to a hill or a bank, occupy the sunny side, with the slope on your right rear. Thus you will at once act for the benefit of your soldiers and utilise the natural advantages of the ground.

14. When, in consequence of heavy rains up-country, a river which you wish to ford is swollen and flecked with foam, you must wait until it subsides.

15. Country in which there are precipitous cliffs with torrents running between, deep natural hollows,

The latter defined as "places enclosed on every side by steep banks, with pools of water at the bottom."]

confined places,

[Defined as "natural pens or prisons" or "places surrounded by precipices on three sides—easy to get into, but hard to get out of."]

tangled thickets,

[Defined as "places covered with such dense undergrowth that spears cannot be used."]

quagmires

[Defined as "low-lying places, so heavy with mud as to be impassable for chariots and horsemen."]

and crevasses,

[Defined by Mei Yao-ch’en as "a narrow difficult way between beetling cliffs." Tu Mu’s note is "ground covered with trees and rocks, and intersected by numerous ravines and pitfalls." This is very vague, but Chia Lin explains it clearly enough as a defile or narrow pass, and Chang Yu takes much the same view. On the whole, the weight of the commentators certainly inclines to the rendering "defile." But the ordinary meaning of the Chinese in one place is "a crack or fissure" and the fact that the meaning of the Chinese elsewhere in the sentence indicates something in the nature of a defile, make me think that Sun Tzŭ is here speaking of crevasses.]

should be left with all possible speed and not approached.

16. While we keep away from such places, we should get the enemy to approach them; while we face them, we should let the enemy have them on his rear.

17. If in the neighbourhood of your camp there should be any hilly country, ponds surrounded by aquatic grass, hollow basins filled with reeds, or woods with thick undergrowth, they must be carefully routed out and searched; for these are places where men in ambush or insidious spies are likely to be lurking.

[Chang Yu has the note: "We must also be on our guard against traitors who may lie in close covert, secretly spying out our weaknesses and overhearing our instructions."]

18. When the enemy is close at hand and remains quiet, he is relying on the natural strength of his position.

[Here begin Sun Tzŭ’s remarks on the reading of signs, much of which is so good that it could almost be included in a modern manual like Gen. Baden-Powell’s "Aids to Scouting."]

19. When he keeps aloof and tries to provoke a battle, he is anxious for the other side to advance.

[Probably because we are in a strong position from which he wishes to dislodge us. "If he came close up to us, says Tu Mu, "and tried to force a battle, he would seem to despise us, and there would be less probability of our responding to the challenge."]

20. If his place of encampment is easy of access, he is tendering a bait.

21. Movement amongst the trees of a forest shows that the enemy is advancing.

[Ts’ao Kung explains this as "felling trees to clear a passage," and Chang Yu says: "Every man sends out scouts to climb high places and observe the enemy. If a scout sees that the trees of a forest are moving and shaking, he may know that they are being cut down to clear a passage for the enemy’s march."]

The appearance of a number of screens in the midst of thick grass means that the enemy wants to make us suspicious.

[Tu Yu’s explanation, borrowed from Ts’ao Kung’s, is as follows: "The presence of a number of screens or sheds in the midst of thick vegetation is a sure sign that the enemy has fled and, fearing pursuit, has constructed these hiding-places in order to make us suspect an ambush." It appears that these "screens" were hastily knotted together out of any long grass which the retreating enemy happened to come across.]

22. The rising of birds in their flight is the sign of an ambuscade.

[Chang Yu’s explanation is doubtless right: "When birds that are flying along in a straight line suddenly shoot upwards, it means that soldiers are in ambush at the spot beneath."]

Startled beasts indicate that a sudden attack is coming.

23. When there is dust rising in a high column, it is the sign of chariots advancing; when the dust is low, but spread over a wide area, it betokens the approach of infantry.

["High and sharp," or rising to a peak, is of course somewhat exaggerated as applied to dust. The commentators explain the phenomenon by saying that horses and chariots, being heavier than men, raise more dust, and also follow one another in the same wheel-track, whereas foot-soldiers would be marching in ranks, many abreast. According to Chang Yu, "every army on the