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another part of the town. The sun was setting, and the fowls were flying on to their roost; one hen, with white feathers and short legs, used to lay her eggs according to the regulations, and was, as a hen, respectable in every way. As she was flying upon the roost, she plucked herself with her beak, and a little feather came out.

"There it goes," she said; "the more I pluck, the more beautiful do I get." She said this merrily, for she was the best of the hens, and, moreover, as had been said, very respectable. With that she went to sleep.

It was dark all around, and hen sat close to hen, but the one who sat nearest to her merry neighbour did not sleep. She had heard and yet not heard, as we are often obliged to do in this world, in order to live at peace; but she could not keep it from her neighbour on the other side any longer. "Did you hear what was said? I mention no names, but there is a hen here who intends to pluck herself in order to look well. If I were a cock, I should despise her."

Just over the fowls sat the owl, with father owl and the little owls. The family has sharp ears, and they all heard every word that their neighbour had said. They rolled their eyes, and mother owl, beating her wings, said: "Don't listen to her! But I suppose you heard what was said? I heard it with my own ears, and one has to hear a great deal before they fall off. There is one among the fowls who has so far forgotten what is becoming to a hen that she plucks out all her feathers and lets the cock see it."

"Prenez garde aux enfants!" said father owl; "children should not hear such things."

"But I must tell our neighbour owl about it; she is such an estimable owl to talk to." And with that she flew away.

"Too-whoo! Too-whoo!" they both hooted into the neighbour's dove-cot to the doves inside. "Have you heard? Have you heard? Too-whoo! There is a hen who has plucked out all her feathers for the sake of the cock; she will freeze to death, if she is not frozen already. Too-whoo!"

"Where? where?" cooed the doves.

"In the neighbour's yard. I have as good as seen it myself. It is almost unbecoming to tell the story, but there is no doubt about it."

"Believe every word of what we tell you," said the doves, and cooed down into their poultry-yard. "There is a henβ€”nay, some say that there are twoβ€”who have plucked out all their feathers, in order not to look like the others, and to attract the attention of the cock. It is a dangerous game, for one can easily catch cold and die from fever, and both of these are dead already."

"Wake up! wake up!" crowed the cock, and flew upon his board. Sleep was still in his eyes, but yet he crowed out: "Three hens have died of their unfortunate love for a cock. They had plucked out all their feathers. It is a horrible story: I will not keep it to myself, but let it go farther."

"Let it go farther," shrieked the bats, and the hens clucked and the cocks crowed, "Let it go farther! Let it go farther!" In this way the story travelled from poultry-yard to poultry-yard, and at last came back to the place from which it had really started.

"Five hens," it now ran, "have plucked out all their feathers to show which of them had grown leanest for love of the cock, and then they all pecked at each other till the blood ran down and they fell down dead, to the derision and shame of their family, and to the great loss of their owner."

The hen who had lost the loose little feather naturally did not recognise her own story, and being a respectable hen, said: "I despise those fowls; but there are more of that kind. Such things ought not to be concealed, and I will do my best to get the story into the papers, so that it becomes known throughout the land; the hens have richly deserved it, and their family too."

It got into the papers, it was printed; and there is no doubt about it, one little feather may easily grow into five hens.




IN THE NURSERY

Father, and mother, and brothers, and sisters, were gone to the play; only little Anna and her grandpapa were left at home.

"We'll have a play too," he said, "and it may begin immediately."

"But we have no theatre," cried little Anna, "and we have no one to act for us; my old doll cannot, for she is a fright, and my new one cannot, for she must not rumple her new clothes."

"One can always get actors if one makes use of what one has," observed grandpapa.

"Now we'll go into the theatre. Here we will put up a book, there another, and there a third, in a sloping row. Now three on the other side; so, now we have the side scenes. The old box that lies yonder may be the back stairs; and we'll lay the flooring on top of it. The stage represents a room, as every one may see. Now we want the actors. Let us see what we can find in the plaything-box. First the personages, and then we will get the play ready. One after the other; that will be capital! Here's a pipe-head, and yonder an odd glove; they will do very well for father and daughter."

"But those are only two characters," said little Anna. "Here's my brother's old waistcoatβ€”could not that play in our piece, too?"

"It's big enough, certainly," replied grandpapa. "It shall be the lover. There's nothing in the pockets, and that's very interesting, for that's half of an unfortunate attachment. And here we have the nut-cracker's boots, with spurs to them. Row, dow, dow! how they can stamp and strut! They shall represent the unwelcome wooer, whom the lady does not like. What kind of a play will you have now? Shall it be a tragedy, or a domestic drama?"

"A domestic drama, please," said little Anna, "for the others are so fond of that. Do you know one?"

"I know a hundred," said grandpapa. "Those that are most in favor are from the French, but they are not good for little girls. In the meantime, we may take one of the prettiest, for inside they're all very much alike. Now I shake the pen! Cock-a-lorum! So now, here's the play, brin-bran-span new! Now listen to the play-bill."

And grandpapa took a newspaper, and read as if he were reading from it:

                 THE PIPE-HEAD AND THE GOOD HEAD
                    A Family Drama in One Act
                            CHARACTERS

      MR. PIPE-HEAD, a father.           MR. WAISTCOAT, a lover.
      MISS GLOVE, a daughter.            MR. DE BOOTS, a suitor.


"And now we're going to begin. The curtain rises. We have no curtain, so it has risen already. All the characters are there, and so we have them at hand. Now I speak as Papa Pipe-head! He's angry to-day. One can see that he's a colored meerschaum.

"'Snik, snak, snurre, bassellurre! I'm master of this house! I'm the father of my daughter! Will you hear what I have to say? Mr. de Boots is a person in whom one may see one's face; his upper part is of morocco, and he has spurs into the bargain. Snikke, snakke, snak! He shall have my daughter!"

"Now listen to what the Waistcoat says, little Anna," said grandpapa. "Now the Waistcoat's speaking. The Waistcoat has a laydown collar, and is very modest; but he knows his own value, and has quite a right to say what he says:

"'I haven't a spot on me! Goodness of material ought to be appreciated. I am of real silk, and have strings to me.'

"'β€”On the wedding day, but no longer; you don't keep your color in the wash.' This is Mr. Pipe-head who is speaking. 'Mr. de Boots is water-tight, of strong leather, and yet very delicate; he can creak, and clank with his spurs, and has an Italian physiognomy-'"

"But they ought to speak in verses," said Anna, "for I've heard that's the most charming way of all."

"They can do that too," replied grandpapa; "and if the public demands it, they will talk in that way. Just look at little Miss Glove, how she's pointing her fingers!

"'Could I but have my love,
Who then so happy as Glove!
             Ah!
If I from him must part,
I'm sure 'twill break my heart!'
             'Bah!'

The last word was spoken by Mr. Pipe-head; and now it's Mr. Waistcoat's turn:

"'O Glove, my own dear,
Though it cost thee a tear,
             Thou must be mine,
For Holger Danske has sworn it!'


"Mr. de Boots, hearing this, kicks up, jingles his spurs, and knocks down three of the side-scenes."

"That's exceedingly charming!" cried little Anna.

"Silence! silence!" said grandpapa. "Silent approbation will show that you are the educated public in the stalls. Now Miss Glove sings her great song with startling effects:

"'I can't see, heigho!
     And therefore I'll crow!
Kikkeriki, in the lofty hall!'


"Now comes the exciting part, little Anna. This is the most important in all the play. Mr. Waistcoat undoes himself, and addresses his speech to you, that you may applaud; but leave it alone,β€”that's considered more genteel.

"'I am driven to extremities! Take care of yourself! Now comes the plot! You are the Pipe-head, and I am the good headβ€”snap! there you go!"

"Do you notice this, little Anna?" asked grandpapa. "That's a most charming comedy. Mr. Waistcoat seized the old Pipe-head and put him in his pocket; there he lies, and the Waistcoat says:

"'You are in my pocket; you can't come out till you promise to unite me to your daughter Glove on the left. I hold out my right hand.'"

"That's awfully pretty," said little Anna.

"And now the old Pipe-head replies:

"'Though I'm all ear,
     Very stupid I appear:
Where's my humor? Gone, I fear,
And I feel my hollow stick's not here,
     Ah! never, my dear,
     Did I feel so queer.
     Oh! pray let me out,
And like a lamb led to slaughter
     I'll betroth you, no doubt,
             To my daughter.'"


"Is the play over already?" asked little Anna.

"By no means," replied grandpapa. "It's only all over with Mr. de Boots. Now the lovers kneel down, and one of them sings:

"'Father!'

and the other,

'Come, do as you ought to do,β€”
Bless your son and daughter.'

And they receive his blessing, and celebrate their wedding, and all the pieces of furniture sing in chorus,

"'Klink! clanks!
     A thousand thanks;
And now the play is over!'


"And now we'll applaud," said grandpapa. "We'll call them all out, and the pieces of furniture too, for they are of mahogany."

"And is not our play just as good as those which the others have in the real theatre?"

"Our play is much better," said grandpapa. "It is shorter, the performers are natural, and it has passed away the interval before tea-time."




THE OLD BACHELOR'S NIGHTCAP

There is a street in Copenhagen with a very strange name. It is called "Hysken" street. Where the name came from, and what it means is very uncertain. It is said to be German, but that is unjust to the Germans, for it would then be called "Hauschen," not "Hysken." "Hauschen," means a little house; and for many years it consisted only of a few small houses, which were scarcely larger than the wooden booths we see in the market-places at fair time. They were perhaps a little higher, and had windows; but the panes consisted of horn or bladder-skins, for glass was then too dear to have glazed windows in every house. This was a long time ago, so long indeed that our grandfathers, and even great-grandfathers, would speak of those days as "olden times;" indeed, many centuries have passed since then.

The rich merchants in Bremen and Lubeck, who carried on trade in Copenhagen, did not reside

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