The New Jerusalem by G. K. Chesterton (room on the broom read aloud .TXT) 📕

one who has ever looked at a landscape under an archway will know what I mean, when I say that it sharpens a pleasure with a strange sentiment of privilege. It adds to the grace of distance something that makes it not only a grace but a gift. Such are the visions of remote places that appear in the low gateways of a Gothic town; as if each gateway led into a separate world; and almost as if each dome of sky were a different chamber. But he who walks round the walls of this city in this spirit will come suddenly upon an exception which will surprise him like an earthquake. It looks indeed rather like something done by an earthquake; an earthquake with a half-witted sense of humour. Immediately at the side of one of these humble and human gateways there is a great gap in the wall, with a wide road running through it. There is something of unreason in the sight which affects the eye as well as the reason. It recalls some crazy tale about the great works of the Wise Men of Gotham. It suggests the old joke about the man who made a small hole for the kitten as well as a large hole for the cat. Everybody has read about it by this time; but the immediate impression of it is not merely an effect of reading or even of reasoning. It looks lop-sided; like something done by a one-eyed giant. But it was done by the last prince of the great Prussian imperial system, in what was probably the proudest moment in all his life of pride.

What is true has a way of sounding trite; and what is trite has a way of sounding false. We shall now probably weary the world with calling the Germans barbaric, just as we very recently wearied the world with calling them cultured and progressive and scientific. But the thing is true though we say it a thousand times. And any one who wishes to understand the sense in which it is true has only to contemplate that fantasy and fallacy in stone; a gate with an open road beside it. The quality I mean, however, is not merely in that particular contrast; as of a front door standing by itself in an open field. It is also in the origin, the occasion and the whole story of the thing. There is above all this supreme stamp of the barbarian; the sacrifice of the permanent to the temporary. When the walls of the Holy City were overthrown for the glory of the German Emperor, it was hardly even for that everlasting glory which has been the vision and the temptation of great men. It was for the glory of a single day. It was something rather in the nature of a holiday than anything that could be even in the most vainglorious sense a heritage. It did not in the ordinary sense make a monument, or even a trophy. It destroyed a monument to make a procession. We might almost say that it destroyed a trophy to make a triumph. There is the true barbaric touch in this oblivion of what Jerusalem would look like a century after, or a year after, or even the day after. It is this which distinguishes the savage tribe on the march after a victory from the civilised army establishing a government, even if it be a tyranny. Hence the very effect of it, like the effect of the whole Prussian adventure in history, remains something negative and even nihilistic. The Christians made the Church of the Holy Sepulchre and the Moslems made the Mosque of Omar; but this is what the most scientific culture made at the end of the great century of science. It made an enormous hole. The only positive contribution of the nineteenth century to the spot is an unnaturally ugly clock, at the top of an ornamental tower, or a tower that was meant to be ornamental. It was erected, I believe, to commemorate the reign of Abdul Hamid; and it seems perfectly adapted to its purpose, like one of Sir William Watson's sonnets on the same subject. But this object only adds a touch of triviality to the much more tremendous negative effect of the gap by the gate. That remains a parable as well as a puzzle, under all the changing skies of day and night; with the shadows that gather tinder the narrow Gate of Humility; and beside it, blank as daybreak and abrupt as an abyss, the broad road that has led already to destruction.

The gap remains like a gash, a sort of wound in the walls; but it only strengthens by contrast the general sense of their continuity. Save this one angle where the nineteenth century has entered, the vague impression of the thirteenth or fourteenth century rather deepens than dies away. It is supported more than many would suppose even by the figures that appear in the gateways or pass in procession under the walls. The brown Franciscans and the white Dominicans would alone give some colour to a memory of the Latin kingdom of Jerusalem; and there are other examples and effects which are less easily imagined in the West. Thus as I look down the street, I see coming out from under an archway a woman wearing a high white head-dress very like those we have all seen in a hundred pictures of tournaments or hunting parties, or the Canterbury Pilgrimage or the Court of Louis XI. She is as white as a woman of the North; and it is not, I think, entirely fanciful to trace a certain freedom and dignity in her movement, which is quite different at least from the shuffling walk of the shrouded Moslem women. She is a woman of Bethlehem, where a tradition, it is said, still claims as a heroic heritage the blood of the Latin knights of the cross. This is, of course, but one aspect of the city; but it is one which may be early noted, yet one which is generally neglected. As I have said, I had expected many things of Jerusalem, but I had not expected this. I had expected to be disappointed with it as a place utterly profaned and fallen below its mission. I had expected to be awed by it; indeed I had expected to be frightened of it, as a place dedicated and even doomed by its mission. But I had never fancied that it would be possible to be fond of it; as one might be fond of a little walled town among the orchards of Normandy or the hop-fields of Kent.

And just then there happened a coincidence that was also something like a catastrophe. I was idly watching, as it moved down the narrow street to one of the dark doorways, the head-dress, like a tower of white drapery, belonging to the Christian woman from the place where Christ was born. After she had disappeared into the darkness of the porch I continued to look vaguely at the porch, and thought how easily it might have been a small Gothic gate in some old corner of Rouen, or even Canterbury. In twenty such places in the town one may see the details that appeal to the same associations, so different and so distant. One may see that angular dogtooth ornament that makes the round Norman gateways look like the gaping mouths of sharks. One may see the pointed niches in the walls, shaped like windows and serving somewhat the purpose of brackets, on which were to stand sacred images possibly removed by the Moslems. One may come upon a small court planted with ornamental trees with some monument in the centre, which makes the precise impression of something in a small French town. There are no Gothic spires, but there are numberless Gothic doors and windows; and he who first strikes the place at this angle, as it were, may well feel the Northern element as native and the Eastern element as intrusive. While I was thinking all these things, something happened which in that place was almost a portent.

It was very cold; and there were curious colours in the sky. There had been chilly rains from time to time; and the whole air seemed to have taken on something sharper than a chill. It was as if a door had been opened in the northern corner of the heavens; letting in something that changed all the face of the earth. Great grey clouds with haloes of lurid pearl and pale-green were coming up from the plains or the sea and spreading over the towers of the city. In the middle of the moving mass of grey vapours was a splash of paler vapour; a wan white cloud whose white seemed somehow more ominous than gloom. It went over the high citadel like a white wild goose flying; and a few white feathers fell.

It was the snow; and it snowed day and night until that Eastern city was sealed up like a village in Norway or Northern Scotland. It rose in the streets till men might almost have been drowned in it like a sea of solid foam. And the people of the place told me there had been no such thing seen in it in all recent records, or perhaps in the records of all its four thousand years.

All this came later; but for me at the moment, looking at the scene in so dreamy a fashion, it seemed merely like a dramatic conclusion to my dream. It was but an accident confirming what was but an aspect. But it confirmed it with a strange and almost supernatural completeness. The white light out of the window in the north lay on all the roofs and turrets of the mountain town; for there is an aspect in which snow looks less like frozen water than like solidified light. As the snow accumulated there accumulated also everywhere those fantastic effects of frost which seem to fit in with the fantastic qualities of medieval architecture; and which make an icicle seem like the mere extension of a gargoyle. It was the atmosphere that has led so many romancers to make medieval Paris a mere black and white study of night and snow. Something had redrawn in silver all things from the rude ornament on the old gateways to the wrinkles on the ancient hills of Moab. Fields of white still spotted with green swept down into the valleys between us and the hills; and high above them the Holy City lifted her head into the thunder-clouded heavens, wearing a white head-dress like a daughter of the Crusaders.