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Moods", by Charles D. Isaacson, is an emotional sketch of great power and delicate artistry. Mr. Isaacson has an active imagination and a literary ability which makes his readers see very vividly the images he creates.

Mrs. Houtain's poem shows great but as yet undeveloped talent. The repeated use of the expletive "do" in such phrases as "I do sigh", or "I pray and do pine", mars the verse somewhat. As Pope remarked and humorously illustrated in his Essay on Criticism:

"Expletives their feeble aid DO join."

Mr. Ayres' jocose epic is clever and tuneful. The climax, or rather anticlimax, comes quite effectively.

Mr. Adams, in his brilliant verses entitled "Gentlemen, Please Desist", exposes in a masterly way the fatuity of our loud-mouthed peace workers. Miss Silverman's lines on the same subject are very good, but scarcely equal in keenness of wit. It is all very well to "keep industry booming", but industry cannot take the place of military efficiency in protecting a nation against foreign aggression.

As a whole, the January Brooklynite is the best number we have yet seen.

THE COYOTE for March is not a revival of Ex-President Brechler's well-known amateur journal of that name, but a semi-professional leaflet edited by Mr. William T. Harrington, a rather new recruit. The leading feature is a sensational short story by the editor, entitled "What Gambling Did". In this tale, Mr. Harrington exhibits at least a strong ambition to write, and such energy, if well directed, may eventually make of him one of our leading authors of fiction. Just now, however, we must protest against his taste in subject and technique. His models are obviously not of the classical order, and his ideas of probability are far from unexceptionable. In developing the power of narration, it is generally best, as one of our leading amateurs lately reiterated, to discard the thought of elaborate plots and thrilling climaxes, and to begin instead with the plain and simple description of actual incidents with which the author is familiar. Likewise, the young author may avoid improbability by composing his earliest efforts in the first person. He knows what he himself would do in certain circumstances, but he does not always know very exactly what some others might do in similar cases. Meanwhile, above all things he should read classic fiction, abstaining entirely from "Wild West Weeklies" and the like. Mr. Harrington has a taste for excitement, and would probably thrive on Scott, Cooper, or Poe. Let him read the Leather Stocking Tales if he loves pioneers and frontier life. Not until after he has acquired a familiarity with the methods of the best authors, and refined his imagination by a perusal of their works, should he make attempts at writing outside his own experience. He will then be able to produce work of a quality which would surprise him now.

We are sorry to note that the Coyote's editorial columns are occupied by a mere condensed copy of the United's standard recruiting circular. This space might have been filled much more profitably with brief original comments by the editor on the numerous exchanges which are listed in another part of his paper. The paid advertising and subscription price are not to be commended. Such things have no place in a truly amateur paper. But continued membership in the United will doubtless fill Mr. Harrington with the genuine amateur spirit, and cause The Coyote to become a worthy successor to its older namesake.

DOWDELL'S BEARCAT for October is a modest but very promising little paper, mostly composed of amateur notes and brief reviews. The editor has interest in his work, and fluency in his language, foundations on which a more elaborate structure may some day be erected. One feature open to criticism is Mr. Dowdell's sudden change in his editorial column from the usual first person plural to the third person singular. It would be better to save "The Old Bear" and his interesting chat, for a separate column. The typography of Dowdell's Bearcat is not perfect, but may be expected to improve from issue to issue.

THE EMISSARY for July is a National paper, but contains the work of several United[12] members. Of the publication itself we need not stop to speak. Mr. Reading, though only eighteen years of age, is an editor and printer of the highest grade, and has produced an issue which will be long remembered in the amateur world.

"Ausonius, the Nature-Lover", by Edward H. Cole, is a pleasing and judicious appreciation of a later Latin poet, showing how a bard of the decaying Roman Empire approached in certain passages the spirit of modern romanticism. Mr. Cole's translated extracts are beautifully phrased, and his comment upon the subject well exhibits his wide and careful scholarship. Articles of this quality are rarely found in the amateur press, and it will be interesting to note what effect their more frequent appearance would have upon the literary tone of the associations.

"To Sappho", by Olive G. Owen, is a lyrical poem of much merit, yet having a defective line. Why, we wonder, did the author see fit to leave two necessary syllables out of the third line of the opening verse?

"Lamb o' Mine", by Dora M. Hepner, is probably the most attractive bit of verse in the magazine. The negro dialect is inimitable, and the consoling spirit of the old black "mammy" fairly radiates from the lines. Metrically, the piece is faultless, and we wish its author were a more frequent contributor to the amateur journals.

Miss von der Heide's two poems, "The Mill Mother", and "Greeting", express admirably the sentiments of pathos and natural beauty, respectively. Personally, we prefer "Greeting".

Mr. Campbell's lines on "Huerta's Finish" are distinctly below the usual standard of this talented writer's work. The metre is satisfactory, but the humor is somewhat strained, and the pun in the last line based on a mispronunciation of the old Indian's name. "Wehr-ta" is probably the correct sound, rather than "Hurt-a".

THE INSPIRATION for January must be judged strictly by its quality; not its quantity. Pinkney C. Grissom, a very young amateur, cheers us greatly with his article on "Smiles", while Miss von der Heide's microscopic story, "A Real Victory", is indeed a literary treat. We trust that the editor's threat of discontinuance may not be realized.

THE KANSAN for July reaches us at a late date through the kindness of Mr. Daas. In this magazine the Sunflower Club of Bazine makes its formal debut, being ushered into amateur society by means of a pleasing and well-written article from the pen of Miss Hoffman. The informal "Exchange Comment" is a charitable and generally delightful department, whose anonymity we rather regret. The Editorial pages are brilliant in their justification of the United's sunny spirit, as contrasted with the National's forbidding frigidity.

THE OLYMPIAN for September-February well sustains the lofty traditions of that magazine. Mr. Cole defines with considerable precision his latest editorial policy and his true attitude toward the United, revealing only the more strongly, however, his remarkable and ineradicable prejudice against our association in favor of the National. "Evening Prayer", by Rheinhart Kleiner, is a poem of great beauty and real worth, couched in the alternating iambic pentameter and trimeter which this poet seems to have made his own particular medium of expression. Mr. Kleiner is rapidly assuming a very high rank among amateur poets.

"The Public Library", by Eloise N. Griffith, is a delightful and appreciative reminiscence of quiet hours of lettered joy.

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