Peveril of the Peak by Walter Scott (best fiction novels of all time TXT) 📕

upon Fenella’s appearance and conduct, and that was, by supposing her lady had come up to London, and had despatched this mute attendant, as a confidential person, to apprise him of some change of her intended operations, which might render the delivery of her letters to Barstow, alias Fenwicke, superfluous, or perhaps dangerous. He made signs to Fenella, demanding to know whether she had any commission from the Countess. She nodded. “Had she any letter?” he continued, by the same mode of inquiry. She shook her head impatiently, and, walking hastily along the passage, made a signal to him to follow. He did so, having little doubt that he was about to be conducted into the Countess’s presence; but his surprise, at first excited by Fenella’s appearance, was increased by the rapidity and ease with which she seemed to track the dusky and decayed mazes of the dilapidated Savoy, equal to that with which he had seen her formerly lead the way through the gloomy vaults of Castle Rushin, in the Isle of Man.

When he recollected, however, that Fenella had accompanied the Countess on a long visit to London, it appeared not improbable that she might then have acquired this local knowledge which seemed so accurate. Many foreigners, dependent on Queen or Queen Dowager, had apartments in the Savoy. Many Catholic priests also found refuge in its recesses, under various disguises, and in defiance of the severity of the laws against Popery. What was more likely than that the Countess of Derby, a Catholic and a Frenchwoman, should have had secret commissions amongst such people; and that the execution of such should be entrusted, at least occasionally, to Fenella?

Thus reflecting, Julian continued to follow her light and active footsteps as she glided from the Strand to Spring-Garden, and thence into the Park.

It was still early in the morning, and the Mall was untenanted, save by a few walkers, who frequented these shades for the wholesome purposes of air and exercise. Splendour, gaiety, and display, did not come forth, at that period, until noon was approaching. All readers have heard that the whole space where the Horse Guards are now built, made, in the time of Charles II., a part of St. James’s Park; and that the old building, now called the Treasury, was a part of the ancient Palace of Whitehall, which was thus immediately connected with the Park. The canal had been constructed, by the celebrated Le Notre, for the purpose of draining the Park; and it communicated with the Thames by a decoy, stocked with a quantity of the rarer waterfowl. It was towards this decoy that Fenella bent her way with unabated speed; and they were approaching a group of two or three gentlemen, who sauntered by its banks, when, on looking closely at him who appeared to be the chief of the party, Julian felt his heart beat uncommonly thick, as if conscious of approaching some one of the highest consequence.

The person whom he looked upon was past the middle age of life, of a dark complexion, corresponding with the long, black, full-bottomed periwig, which he wore instead of his own hair. His dress was plain black velvet, with a diamond star, however, on his cloak, which hung carelessly over one shoulder. His features, strongly lined, even to harshness, had yet an expression of dignified good-humour; he was well and strongly built, walked upright and yet easily, and had upon the whole the air of a person of the highest consideration. He kept rather in advance of his companions, but turned and spoke to them, from time to time, with much affability, and probably with some liveliness, judging by the smiles, and sometimes the scarce restrained laughter, by which some of his sallies were received by his attendants. They also wore only morning dresses; but their looks and manner were those of men of rank, in presence of one in station still more elevated. They shared the attention of their principal in common with seven or eight little black curly-haired spaniels, or rather, as they are now called, cockers, which attended their master as closely, and perhaps with as deep sentiments of attachment, as the bipeds of the group; and whose gambols, which seemed to afford him much amusement, he sometimes checked, and sometimes encouraged. In addition to this pastime, a lackey, or groom, was also in attendance, with one or two little baskets and bags, from which the gentleman we have described took, from time to time, a handful of seeds, and amused himself with throwing them to the waterfowl.

This the King’s favourite occupation, together with his remarkable countenance, and the deportment of the rest of the company towards him, satisfied Julian Peveril that he was approaching, perhaps indecorously, near the person of Charles Stewart, the second of that unhappy name.

While he hesitated to follow his dumb guide any nearer, and felt the embarrassment of being unable to communicate to her his repugnance to further intrusion, a person in the royal retinue touched a light and lively air on the flageolet, at a signal from the King, who desired to have some tune repeated which had struck him in the theatre on the preceding evening. While the good-natured monarch marked time with his foot, and with the motion of his hand, Fenella continued to approach him, and threw into her manner the appearance of one who was attracted, as it were in spite of herself, by the sounds of the instrument.

Anxious to know how this was to end, and astonished to see the dumb girl imitate so accurately the manner of one who actually heard the musical notes, Peveril also drew near, though at somewhat greater distance.

The King looked good-humouredly at both, as if he admitted their musical enthusiasm as an excuse for their intrusion; but his eyes became riveted on Fenella, whose face and appearance, although rather singular than beautiful, had something in them wild, fantastic, and, as being so, even captivating, to an eye which had been gratified perhaps to satiety with the ordinary forms of female beauty. She did not appear to notice how closely she was observed; but, as if acting under an irresistible impulse, derived from the sounds to which she seemed to listen, she undid the bodkin round which her long tresses were winded, and flinging them suddenly over her slender person, as if using them as a natural veil, she began to dance, with infinite grace and agility, to the tune which the flageolet played.

Peveril lost almost his sense of the King’s presence, when he observed with what wonderful grace and agility Fenella kept time to notes, which could only be known to her by the motions of the musician’s fingers. He had heard, indeed, among other prodigies, of a person in Fenella’s unhappy situation acquiring, by some unaccountable and mysterious tact, the power of acting as an instrumental musician, nay, becoming so accurate a performer as to be capable of leading a musical band; and he also heard of deaf and dumb persons dancing with sufficient accuracy, by observing the motions of their partner. But Fenella’s performance seemed more wonderful than either, since the musician was guided by his written notes, and the dancer by the motions of the others; whereas Fenella had no intimation, save what she seemed to gather, with infinite accuracy, by observing the motion of the artist’s fingers on his small instrument.

As for the King, who was ignorant of the particular circumstances which rendered Fenella’s performance almost marvellous, he was contented, at her first commencement, to authorise what seemed to him the frolic of this singular-looking damsel, by a good-natured smile, but when he perceived the exquisite truth and justice, as well as the wonderful combination of grace and agility, with which she executed to this favourite air a dance which was perfectly new to him, Charles turned his mere acquiescence into something like enthusiastic applause. He bore time to her motions with the movement of his foot—applauded with head and with hand—and