The Last of the Barons — Complete by Baron Edward Bulwer Lytton Lytton (books to read for self improvement TXT) 📕

The lady of Warwick stood at the threshold of the porch, which, in the inner side of the broad quadrangle, admitted to the apartments used by the family; and, heading the mighty train that, line after line, emerged through the grim jaws of the arch, came the earl on his black destrier, and the young king.

Even where she stood, the anxious chatelaine beheld the moody and gloomy air with which Edward glanced around the strong walls of the fortress, and up to the battlements that bristled with the pikes and sallets of armed men, who looked on the pomp below, in the silence of military discipline.

“Oh, Anne!” she whispered to her youngest daughter, who stood beside her, “what are women worth in the strife of men? Would that our smiles could heal the wounds which a taunt can make in a proud man’s heart!”

Anne, affected and interested by her mother’s words, and with a secret curiosity to gaze upon the man who ruled on the throne of the prince she loved, came nearer and more in front; and suddenly, as he turned his head, the king’s regard rested upon her intent eyes and blooming face.

“Who is that fair donzell, cousin of Warwick?” he asked.

“My daughter, sire.”

“Ah, your youngest!—I have not seen her since she was a child.”

Edward reined in his charger, and the earl threw himself from his selle, and held the king’s stirrup to dismount. But he did so with a haughty and unsmiling visage. “I would be the first, sire,” said he, with a slight emphasis, and as if excusing to himself his condescension, “to welcome to Middleham the son of Duke Richard.”

“And your suzerain, my lord earl,” added Edward, with no less proud a meaning, and leaning his hand lightly on Warwick’s shoulder, he dismounted slowly. “Rise, lady,” he said, raising the countess, who knelt at the porch, “and you too, fair demoiselle. Pardieu, we envy the knee that hath knelt to you.” So saying, with royal graciousness, he took the countess’s hand, and they entered the hall as the musicians, in the gallery raised above, rolled forth their stormy welcome.

The archbishop, who had followed close to Warwick and the king, whispered now to his brother,

“Why would Edward address the captains?”

“I know not.”

“He hath made himself familiar with many in the march.”

“Familiarity with a steel casque better becomes a king than waisall with a greasy flat-cap.”

“You do not fear lest he seduce from the White Bear its retainers?”

“As well fear that he can call the stars from their courses around the sun.”

While these words were interchanged, the countess conducted the king to a throne-chair raised upon the dais, by the side of which were placed two seats of state, and, from the dais, at the same time, advanced the Duke and Duchess of Clarence. The king prevented their kneeling, and kissed Isabel slightly and gravely on the forehead. “Thus, noble lady, I greet the entrance of the Duchess of Clarence into the royalty of England.”

Without pausing for reply, he passed on and seated himself on the throne, while Isabel and her husband took possession of the state chairs on either hand. At a gesture of the king’s the countess and Anne placed themselves on seats less raised, but still upon the dais. But now as Edward sat, the hall grew gradually full of lords and knights who commanded in Warwick’s train, while the earl and the archbishop stood mute in the centre, the one armed cap-a-pie, leaning on his sword, the other with his arms folded in his long robes.

The king’s eye, clear, steady, and majestic, roved round that martial audience, worthy to be a monarch’s war-council, and not one of whom marched under a monarch’s banner! Their silence, their discipline, the splendour of their arms, the greater splendour of their noble names, contrasted painfully with the little mutinous camp of Olney, and the surly, untried recruits of Anthony Woodville. But Edward, whose step,