The Devil Doctor by Sax Rohmer (classic books for 10 year olds .TXT) 📕

under it, I could hear the gas whistling from the burner.

Continuing my way, I found myself upon a narrow wharf with the Thames flowing gloomily beneath me. A sort of fog hung over the river, shutting me in. Then came an incident.

Suddenly, quite near, there arose a weird and mournful cry—a cry indescribable, and inexpressibly uncanny!

I started back so violently that how I escaped falling into the river I do not know to this day. That cry, so eerie and so wholly unexpected, had unnerved me; and realizing the nature of my surroundings, and the folly of my presence alone in such a place, I began to edge back towards the foot of the steps, away from the thing that cried; when[90] —a great white shape uprose like a phantom before me!...

There are few men, I suppose, whose lives have been crowded with so many eerie happenings as mine, but this phantom thing which grew out of the darkness, which seemed about to envelop me, takes rank in my memory amongst the most fearsome apparitions which I have witnessed.

I know that I was frozen with a sort of supernatural terror. I stood there, my hands clenched, staring—staring—at that white shape, which seemed to float.

And as I stared, every nerve in my body thrilling, I distinguished the outline of the phantom. With a subdued cry, I stepped forward. A new sensation claimed me. In that one stride I passed from the horrible to the bizarre.

I found myself confronted with something tangible certainly, but something whose presence in that place was utterly extravagant—could only be reconcilable in the dreams of an opium slave.

Was I awake? was I sane? Awake and sane beyond doubt, but surely moving, not in the purlieus of Limehouse, but in the fantastic realms of fairyland.

Swooping, with open arms, I rounded up in an angle against the building and gathered in this screaming thing which had inspired in me so keen a terror.

The great, ghostly fan was closed as I did so, and I stumbled back towards the stair with my struggling captive tucked under my arm; I mounted into one of London's darkest slums, carrying a beautiful white peacock!

[91]

CHAPTER XII DARK EYES LOOK INTO MINE

M

y adventure had done nothing to relieve the feeling of unreality which held me enthralled. Grasping the struggling bird firmly by the body, and having the long white tail fluttering a yard or so behind me, I returned to where the taxi waited.

"Open the door!" I said to the man—who greeted me with such a stare of amazement that I laughed outright, though my mirth was but hollow.

He jumped into the road and did as I directed. Making sure that both windows were closed, I thrust the peacock into the cab and shut the door upon it.

"For God's sake, sir—" began the driver.

"It has probably escaped from some collector's place on the riverside," I explained, "but one never knows. See that it does not escape again, and if at the end of an hour, as arranged, you do not hear from me, take it back with you to the River Police Station."

"Right you are, sir," said the man, remounting his seat. "It's the first time I ever saw a peacock in Limehouse!"

It was the first time I had seen one, and the incident struck me as being more than odd; it gave me an idea, and a new, faint hope. I returned to the head of the steps, at the foot of which I had met with this singular experience, and gazed up at the dark building beneath which they led. Three windows were visible, but they were broken and neglected. One, immediately above the arch, had been pasted up with brown paper, and this was now peeling off in the rain, a little stream of which trickled down from the detached corner to drop, drearily, upon the stone stairs beneath.

Where were the detectives? I could only assume that they had directed their attention elsewhere, for[92] had the place not been utterly deserted, surely I had been challenged.

In pursuit of my new idea, I again descended the steps. The persuasion (shortly to be verified) that I was close upon the secret hold of the Chinaman, grew stronger, unaccountably. I had descended some eight steps, and was at the darkest part of the archway or tunnel, when confirmation of my theories came to me.

A noose settled accurately upon my shoulders, was snatched tight about my throat, and with a feeling of insupportable agony at the base of my skull, and a sudden supreme knowledge that I was being strangled—hanged—I lost consciousness!

How long I remained unconscious, I was unable to determine at the time, but I learned later that it was for no more than half an hour; at any rate, recovery was slow.

The first sensation to return to me was a sort of repetition of the asphyxia. The blood seemed to be forcing itself into my eyes—I choked—I felt that my end was come. And, raising my hands to my throat, I found it to be swollen and inflamed. Then the floor upon which I lay seemed to be rocking like the deck of a ship, and I glided back again into a place of darkness and forgetfulness.

My second awakening was heralded by a returning sense of smell; for I became conscious of a faint, exquisite perfume.

It brought me to my senses as nothing else could have done, and I sat upright with a hoarse cry. I could have distinguished that perfume amid a thousand others, could have marked it apart from the rest in a scent bazaar. For me it had one meaning, and one meaning only—Kâramanèh.

She was near to me, or had been near to me!

And in the first moments of my awakening I groped about in the darkness blindly seeking her. Then my swollen throat and throbbing head, together[93] with my utter inability to move my neck even slightly, reminded me of the facts as they were. I knew in that bitter moment that Kâramanèh was no longer my friend; but, for all her beauty and charm, was the most heartless, the most fiendish creature in the service of Dr. Fu-Manchu. I groaned aloud in my despair and misery.

Something stirred near to me in the room, and set my nerves creeping with a new apprehension. I became fully alive to the possibilities of the darkness.

To my certain knowledge, Dr. Fu-Manchu at this time had been in England for fully three months, which meant that by now he must be equipped with all the instruments of destruction, animate and inanimate, which dread experience had taught me to associate with him.

Now, as I crouched there in that dark apartment, listening for a repetition of the sound, I scarcely dared to conjecture what might have occasioned it, but my imagination peopled the place with reptiles which writhed upon the floor, with tarantulas and other deadly insects which crept upon the walls, which might drop upon me from the ceiling at any moment.

Then, since nothing stirred about me, I ventured to move, turning my shoulders, for I was unable to move my aching head; and I looked in the direction from which a faint, very faint, light proceeded.

A regular tapping sound now began to attract my attention, and, having turned about, I perceived that behind me was a broken window, in places patched with brown paper; the corner of one sheet of paper was detached, and the rain trickled down upon it with a rhythmical sound.

In a flash I realized that I lay in the room immediately above the archway; and listening intently, I perceived above the other faint sounds of the night, or thought that I perceived, the hissing of the gas from the extinguished lamp-burner.[94]

Unsteadily I rose to my feet, but found myself swaying like a drunken man. I reached out for support, stumbling in the direction of the wall. My foot came in contact with something that lay there, and I pitched forward and fell....

I anticipated a crash which would put an end to my hopes of escape, but my fall was comparatively noiseless—for I fell upon the body of a man who lay bound up with rope close against the wall!

A moment I stayed as I fell, the chest of my fellow captive rising and falling beneath me as he breathed. Knowing that my life depended upon retaining a firm hold upon myself, I succeeded in overcoming the dizziness and nausea which threatened to drown my senses, and, moving back so that I knelt upon the floor, I fumbled in my pocket for the electric lamp which I had placed there. My raincoat had been removed whilst I was unconscious, and with it my pistol, but the lamp was untouched.

I took it out, pressed the button, and directed the ray upon the face of the man beside me.

It was Nayland Smith!

Trussed up and fastened to a ring in the wall he lay, having a cork gag strapped so tightly between his teeth that I wondered how he had escaped suffocation.

But although a greyish pallor showed through the tan of his skin, his eyes were feverishly bright, and there, as I knelt beside him, I thanked Heaven silently, but fervently.

Then, in furious haste, I set to work to remove the gag. It was most ingeniously secured by means of leather straps buckled at the back of his head, but I unfastened these without much difficulty, and he spat out the gag, uttering an exclamation of disgust.

"Thank God, old man!" he said huskily. "Thank God that you are alive! I saw them drag you in, and I thought...."[95]

"I have been thinking the same about you for more than twenty-four hours," I said reproachfully. "Why did you start without—?"

"I did not want you to come, Petrie," he replied. "I had a sort of premonition. You see it was realized; and instead of being as helpless as I, Fate has made you the instrument of my release. Quick! You have a knife? Good!" The old, feverish energy was by no means extinguished in him. "Cut the ropes about my wrists and ankles, but don't otherwise disturb them."

I set to work eagerly.

"Now," Smith continued, "put that filthy gag in place again—but you need not strap it so tightly! Directly they find that you are alive, they will treat you the same—you understand? She has been here three times—"

"Kâramanèh?..."

"Ssh!"

I heard a sound like the opening of a distant door.

"Quick! the straps of the gag!" whispered Smith, "and pretend to recover consciousness just as they enter—"

Clumsily I followed his directions, for my fingers were none too steady, replaced the lamp in my pocket, and threw myself upon the floor.

Through half-shut eyes, I saw the door open and obtained a glimpse of a desolate, empty passage beyond. On the threshold stood Kâramanèh. She held in her hand a common tin oil lamp which smoked and flickered with every movement, filling the already none too cleanly air with an odour of burning paraffin.

She personified the outré; nothing so incongruous as her presence in that place could well be imagined. She was dressed as I remembered once to have seen her two years before, in the gauzy silks of the harêm. There were pearls glittering like great tears amid the cloud of her wonderful hair. She wore broad gold bangles upon her bare arms, and her fingers were[96] laden with jewellery. A heavy girdle swung from her hips, defining the lines of her slim shape, and about one white ankle was a gold band.

As she appeared in the doorway I almost entirely closed my eyes, but my gaze rested fascinatedly upon the little red slippers which she wore.

Again I detected the exquisite, elusive perfume which, like a breath of musk, spoke of the Orient; and, as always, it played havoc with my reason, seeming to intoxicate me as though it were the very essence of her loveliness.

But I had a part to play, and throwing out one clenched hand so that my fist struck upon the floor, I uttered a loud groan, and made as if to rise upon my knees.

One quick glimpse I had of her wonderful eyes, widely opened and turned upon me with such an enigmatical expression as set my heart leaping wildly—then, stepping back, Kâramanèh placed the lamp upon the boards of the passage and clapped her hands.

As I sank upon the floor in assumed exhaustion, a Chinaman with a perfectly impassive face, and a Burman whose pock-marked, evil countenance was set in an apparently habitual leer, came running into the room past the girl.

With a hand which trembled violently, she held the lamp whilst the two yellow ruffians tied me. I groaned and struggled feebly, fixing my gaze