The Shrieking Pit by Arthur J. Rees (chrysanthemum read aloud TXT) 📕

is my theory to account for the key being in the outside of the door."

"It's an ingenious one, at all events," commented Colwyn. "But would such a careful deliberate murderer overlook the key when he returned?"

"Nothing more likely," said the confident superintendent. "It's in trifles like this that murderers give themselves away. The notorious Deeming, who murdered several wives, and disposed of their bodies by burying them under hearthstones and covering them with cement, would probably never have been caught if he had not taken away with him a canary which belonged to the last woman he murdered. It was a clue that couldn't be missed—like the silk skein in Fair Rosamond's Bower."

"Here's another point: why did not Ronald, having disposed of the body, disappear at once, instead of waiting for the morning?"

"Because if his room had been found empty in the morning, as well as that of Mr. Glenthorpe's, the double[Pg 69] disappearance would have aroused instant suspicion and search. Ronald gauged the moment of his departure very cleverly, in my opinion. On the one hand, he wanted to get away before the discovery of Mr. Glenthorpe's empty bedroom; and, on the other hand, he wished to stay at the inn long enough to suggest that he had no reason for flight, but was merely compelled to make an early departure. The trouble and risk he took to conceal the body outside prove conclusively that he thought the pit a sufficiently safe hiding-place to retard discovery of the crime for a considerable time, and he probably thought that even when it was discovered that Mr. Glenthorpe was missing his absence would not, at first, arouse suspicions that he had met with foul play.

"It was not as though Mr. Glenthorpe was living at home with relatives who would have immediately raised a hue and cry. He was a lonely old man living in an inn amongst strangers, who were not likely to be interested in his goings and comings. That suggests another alternative theory to account for the key in the door: Ronald may have left it in the door to convey the impression that Mr. Glenthorpe had gone out for an early walk. That belief would at least gain Ronald a few hours to make good his escape from this part of the country and get away by train before any suspicions were aroused. The fact that none of Mr. Glenthorpe's clothes were missing was not likely to be discovered in an inn until suspicion was aroused. Ronald laid his plans well, but how was he to know that in his path to the pit he walked over soil as plastic and impressionable as wax?"

"But in spite of that you assume he knew exactly where this pit was situated?"

"Nothing more likely. It is well-known to archaeologists. Ronald may well have heard of it while staying[Pg 70] at Durrington, or he may have known of it personally through some previous visit to this part of the world. And there is also evidence that Mr. Glenthorpe told him of the hut circles and the pit during dinner last night."

"Just one more doubt, Superintendent. How do you account for the cracked gas globe and the broken incandescent mantle?"

"Ronald probably knocked his head against it as he approached the bed," said Galloway promptly.

"Hardly. Ronald's height, according to the description, is five feet ten inches. That happens to be also my height, and I can pass under the gas globe without touching it."

"Then it was broken when Ronald was carrying the corpse downstairs," replied Galloway, after a moment's reflection. "He carried the corpse on his shoulders and part of the body would be above his head."

"Superintendent Galloway has an answer for everything," said Colwyn with a smile, to Mr. Cromering. "He is persuasive if not always convincing."

"The case seems clear enough to me," said the chief constable thoughtfully. "Come, gentlemen, let us return to the inn. We have a number of things to do, and not much time to do them in."[Pg 71]

CHAPTER VI

The inn, seen in the grey evening of a grey day, had a stark and sinister aspect, an atmosphere of mystery and secretiveness, an air of solitary aloofness in the dreary marshes, standing half shrouded in the night mists which were sluggishly crawling across the oozing flats from the sea. It was not a place where people could be happy—this battered abode of a past age on the edge of the North Sea, with the bitter waters of the marshes lapping its foundations, and the cold winds for ever wailing round its gaunt white walls.

The portion buried in the hillside, with only the tops of the windows peering above, suggested the hidden holes and burrowing byways of a dead and gone generation of smugglers who had used the inn in the heyday of Norfolk's sea prosperity. It may have been a thought of the possibilities of the inn as a hiding place which prompted Mr. Cromering to exclaim, after gazing at it attentively for some seconds:

"We had better go through this place from the bottom."

As they approached the inn a stout short man, who was looking out from the low and narrow doorway, retreated into the interior, and immediately afterwards the long figure of the innkeeper emerged as though he had been awaiting the return of the party, and had posted somebody to watch for them.

The innkeeper showed no surprise on receiving Mr. Cromering's instruction to show them over the inn. Walking before them he led them along a side passage[Pg 72] opposite the bar, opening doors as he went, and drawing aside for them to enter and look at the rooms thus revealed.

It was a strange rambling old place inside, full of nooks and crannies, and unexpected odd corners and apertures, short galleries and stone passages winding everywhere and leading nowhere; the downstairs rooms on different levels, with stone steps into them, and queer slits of windows pierced high up in the thick walls. On the ground floor a central passage divided the inn into two portions. On the one side were several rooms, some empty and destitute of furniture, others barely furnished and empty, and a big gloomy kitchen in which a stout countrywoman, who shook and bobbed at the sight of the visitors, was washing greens at a dirty deal table. Off the kitchen were two small rooms, poorly furnished as servants' bedrooms, and the windows of these looked out on the marshes at the back of the house. On the other side of the centre passage was the bar, which was subterranean at the far end, with the cellar adjoining tunnelled into the hillside. In the recesses of the cellar the short stout man they had seen at the doorway was, by the light of a tallow candle, affixing a spigot to one of the barrels which stood against the earthen wall. Behind the bar was a small bar parlour, and behind that two more rooms, the house on that side finishing in a low and narrow gallery running parallel with the outside wall.

The staircase upstairs opened into a stone passage, running from the front of the inn to the back. On the left-hand side of the passage, going from the head of the stairs to the back of the house, were four rooms. The first was a small, comfortably furnished sitting room, where Mr. Glenthorpe and his guest had dined the previous night. The bed chamber of the murdered man ad[Pg 73]joined this room. Next came the room in which Ronald had slept, and then an empty lumber room. There were four bedrooms on the other side, all unfurnished, except one at the far end of the passage, the lumber-room. The innkeeper explained that the murdered man had been the sole occupant of that wing of the house until the previous night, when Mr. Ronald had occupied the room next to him. At this end of the passage another and narrower passage ran at right angles from it along the back of the house, with several rooms opening off it on one side only. The first of these rooms was empty; the next room contained a small iron bedstead, a chair, and a table, and the innkeeper said that it was his bedroom. At the next door he paused, and turning to Mr. Cromering hesitatingly remarked:

"This is my mother's room, sir. She is an invalid."

"We will not disturb your mother, we will merely glance into the room," said the kindly chief constable.

"It is not that, sir. She is——" He broke off abruptly, and knocked at the door.

After a few moments' pause there was the sound of somebody within turning a key in the lock, then the door was opened by a young girl, who, at the sight of the visitors, walked hurriedly across to a bedstead at the far end of the room, on which something grey was moving, and stood in front of it as though she would guard the occupant of the bed from the intruding eyes of strangers.

"It's all right, Peggy," said the innkeeper. "We shall not be here long. My daughter is afraid you will disturb her grandmother," he said turning to the gentlemen. "My mother is——" A motion of his finger towards his forehead completed the sentence more significantly than words.

The figure on the bed in the corner was in the shadow,[Pg 74] but