The Doomsman by Van Tassel Sutphen (books to get back into reading .txt) 📕

"Esmay!" shrieked a voice in her ear. "Esmay!"

Loudly as the call must have been uttered, it came to her, as though from a great distance, thin and of an infinite littleness. Yet she allowed herself to be drawn back into the room, and made no demur to the closing of the window.

It was a tall, finely built woman of thirty or thereabouts who stood beside her—a woman with a dark, passionate face shaded by a mop of raven hair as coarse as a horse's mane. "Esmay!" she said again, with an accent of wondering reproach.

The girl stood silent, motionless for a moment; then, with a swift intake of her breath:

"Don't be angry, Nanna, but something is going to happen. I've got to laugh or to cry—I don't know which."

It was a laugh, low but genuine, and full of a silver trickle of sound. The elder woman caught up the girl impetuously into a close embrace.

"My dear! my dear! is it really you? I can't believe it. After these dreadful three months in which you have hardly said as many words. It would be a miracle, if there were any saints in Doom to work one."

She drew away for a moment, her eyes ablaze with excitement. There was a smooth, graceful strength in her every movement that was almost animal-like; she suggested the idea of a big cat as she alternately released the girl and then returned, in a half-circle, to take renewed possession of her. "A miracle!" she repeated.

"Indeed, it almost needed that to bring me to my[Pg 97]self," said the girl, gravely. "But now I see things clearly; it seems almost as though the mother herself had stood beside me and drawn the veil away. It was Ugo, though, who really did it," she added, and laughed again softly.

"Ugo!" echoed the other, indignantly. "And, if you please, where is the fellow? The candles have not been lighted, the fire is dying out, and not a sign of supper visible. It is unbearable, Esmay, and he shall pack this very night."

"But Nanna!"

"I won't listen to a word."

"You will. He has gone already."

She pushed the elder woman into a chair. "Now don't dare to move until I am back with wood and a light. Not a word, sister mine—if you love me." Taken by surprise, Nanna let her go, and sat waiting.

The girl returned in a few minutes with a basket containing several lumps of sea-coal.

"This is a thousand times better than Ugo's boards and barrel-staves," said Esmay, triumphantly, and transferred the fuel to the hearth, where it presently burst into a cheerful flame. "There are three or four boxes of the stuff in the cellar, enough to last us all winter. Now for the lamp."

On the mantel-piece stood a shallow dish containing a small quantity of cotton-seed oil and a piece of lampwick. Esmay took down the vessel and inspected it with a calculating eye. "It will last until bedtime," she announced, and lit it with a spill of paper.

Nanna looked at her half-sister questioningly, but did not offer to speak. She had never seen Esmay just like this, and the change was especially notice[Pg 98]able after the silence and apathy of the past months. Her thoughts travelled back to the human link that had united them for so long—the woman whom each had called mother, although to Nanna it had been only a step-relationship. How impossible it had once seemed that there could be any new adjustment of life's machinery; how difficult the realization that nature is accustomed to settle these matters in her own time and way, and invariably does so! Yet here was Esmay suddenly returned to herself, moving about, alert and eager, knitting her brows over the one important problem of the moment, the question of supper.

"You'll have to make out with the firelight for a little while," said Esmay, picking up the rude lamp. "But you won't mind, dear?" She stooped, kissed her sister, and was gone again.

The elder woman felt her eyes brimming saltily. The girl, so far as years were concerned, might almost have been her daughter, since Nanna had been both wife and widow at seventeen. For all that, the sisterly relation was the true one between them; they were of the same strong breed, even if Esmay were only in half a daughter of the Doomsmen. Nanna had never been able to forget that her father's second wife had been of the blood of the despised House People. In spite of herself she had learned to love the dead Elena; she adored Esmay as a part of herself. A primitive emotion, but then Nanna was the elemental woman.

When Esmay returned she brought with her a bowl containing a small quantity of cottage cheese, hard and yellow with age. Surmounting the bowl was a[Pg 99] plate upon which were some crusts of bread and a knuckle of ham, the latter being little more than the bare bone. A table stood in the middle of the room, a handsome piece of buhl-work. Esmay drew it forward to the fire and proceeded to arrange her feast. Scanty enough it seemed, but the cloth covering the table was of the finest damask, the plates that she took from a glazed cabinet were of the precious china of Sèvres, the knives and forks were in solid silver, and the drinking-cups of silver-gilt had been fashioned by a great artist. A strange contrast! beggar's fare served so royally; but hunger is not nice about trifles one way or the other. And so it was upon the viands that Nanna's attention was immediately concentrated. She glanced suspiciously at the cheese, despairingly at the knuckle-bone, and then said, solemnly:

"Tell me, Esmay, what does it mean? Where is Ugo?"

"Ugo has deserted us—like the rats," answered the girl. "And the situation—it is just this." She stopped and took a swallow of water. "It is three months now since she—the mother—slipped away from our arms, and of course the pension stopped with her. I gave the last handful of tokens to Ugo to settle up his wages. So you see I'm a beggar. It's a woman against the world, and one of us will have to devour the other. Lucky, isn't it, that I woke up desperately hungry? That means that I'll make a fight for it. Have the first bite."

"Esmay! You know that I have still my widow's rate."

"Yes, and I also know that it is barely enough to keep one body and soul together; the two of us would[Pg 100] only starve by inches. No use, Nanna, we must take things as we find them. But isn't it strange—" She stopped abruptly and let her glance wander over the luxurious table-service, the gleaming surface of the silver reflecting her troubled eyes. She went on slowly:

"All this meant something once—this array of silver and jewelled glass, the tapestries on the walls, the fur cloak about my shoulders. Think of it, Nanna! These things must have been the envied treasures of the rich, the luxuries of life. And now any one may possess them who cares to fight their battle with moth and rust."

"While a single one of Dom Gillian's brass tokens outweighs it all," rejoined Nanna, nodding her head wisely. "It is not hard to understand why, for with the token any one may buy a quarterweight of flour at the public stores or a fore-shoulder of mutton."

"And bread and meat mean life, don't they? Well, and suppose one doesn't happen to possess a long purse-string laden with these wonderful, miracle-working bits of token-money, what then? A woman can't put on a quilted coat and steel cap and go out with the raiders to earn her share of the loot. Fancy my teaching a fat House-dweller how to dance on a red-hot plate or riding the toll roads of the West Inch in a jacket full of arrow-holes."

"That is true," agreed Nanna, gravely.

Esmay rose and walked excitedly up and down the long room.

"It's just hopeless, Nanna, to stay on here in this city of the dead."

She stopped and faced her sister.

"So I have decided; I am going back to my mother's people. There is a chance in their world for a woman[Pg 101] to secure her own living; here she can only starve or accept some man's protection."

The elder woman remonstrated feebly, but the girl swept her aside.

"Listen to me, Nanna. You know that Messer Hugolin, Councillor Primus of Croye, is my uncle, my mother's own brother. She ever insisted that in his charity I had a final resource. He might not offer it, but surely he could not deny me, if I sought it. Nanna, you recall what the mother herself said—how she always believed that the message would reach him. My own uncle and Councillor Primus of Croye," she concluded, hopefully.

But Nanna was not to be so easily convinced. "But, Esmay, it is impossible," she exclaimed. "You could never escape from Doom."

"But I will."

"You cannot. The High Bridge to the north is always guarded, and on the other three sides of the city there is deep water."

"I shall manage it," returned the girl, confidently. "It is simply a question of my going empty-handed to my uncle's house. Now gold among the House-dwellers has a value that it does not possess with us; so Ulick once told me. They use it as money."

"Here in Doom it is nothing," assented Nanna, "save that we women like the pretty things that the ancients fashioned from it."

"Precisely; and as you know there is not much of it in existence, even here in Doom, where silver is almost as common as iron."

"Well, and then?"

[Pg 102]

"Don't you see? If only golden tongues could plead my cause in Croye I should be independent, even of my uncle Hugolin. Now there is store of this gold somewhere in Doom. It must be so, for the war-galleys always carry a money-chest when they sail to the northern colonies."

"A treasure," said Nanna, slowly. "Who would know of it here in Doom? Dom Gillian himself—or perhaps——"

"Master Quinton Edge," supplied Esmay, and thereupon silence fell between them.

The minutes passed away. Then, suddenly, Esmay stopped in her monotonous pacing of the room and flung herself on her knees by her sister's chair.

"You goose!" she exclaimed, with tender suspicion. "I believe you have been crying."

"Not a bit of it," returned Nanna, sitting bolt upright and staring hard at the ceiling. "I only want you to be sure and let me know before you go. Or couldn't you take me with you?" she added, wistfully, as though the idea had but just occurred to her.

"Why, Nanna, as though I could have dreamed of anything else! Go without you! Don't you see yourself how ridiculous that would be?"

"Then nothing else matters," said Nanna, comfortably, and openly wiped her eyes. "When do you want to go—to-night?"

"Foolish one! But then you love me, and I can forgive you. Now let me be quiet; I want to think out my—our plan."

Nanna left the room softly. Esmay sat looking into the fire, her small, firm chin propped in her palm. So violent was the storm that she did not hear the opening and closing of the street-door, but the flicker[Pg 103]ing of the lamp in the swirl of a current from the outer air warned her that she had a visitor. She recognized him instantly as he came forward, his laced hat in the hollow of his arm. There was no one in Doom besides Master Quinton Edge who bowed with so easy a grace—a woman has a quick eye for such trifles.

"You are Esmay, daughter of Mad Scarlett," he began, gently. "My intrusion is unseasonable, perhaps, but none the less unavoidable."

The girl made no answer.

"I will speak to the point," he went on. "Are you ready to make choice, to-night, between young Ulick and his oafish cousin Boris? I have a reason for asking, believe me."

Esmay flushed with annoyance. "I will not listen to either of them," she said. "Boris I detest, and Ulick is only a boy, and a silly one; I have told him so a score of times."

"I thought as much, but I wanted the confirmation of your own lips, my dear child. The knowledge emboldens me to offer you an asylum under my own roof for the next few months—or longer. Ulick, as you say, is but a boy, half hot, half muddle-head. He, perhaps, could be kept in check——"

"I can manage that sufficiently well," broke in the girl, haughtily.

"No doubt, no doubt; but with Boris also in the field the situation becomes a complicated one. Accordingly, I have concluded to offer you