Quo Vadis: A Narrative of the Time of Nero by Henryk Sienkiewicz (nonfiction book recommendations .txt) 📕

sacrifices were ordered in the temple of Jupiter Salvator. The priests of Ceres spread a report that the anger of the gods was turned on the city because of the too hasty punishment of Christians; hence crowds began to insist that the spectacles be given without reference to weather. Delight seized all Rome when the announcement was made at last that the ludus would begin again after three days’ interval.

Meanwhile beautiful weather returned. The amphitheatre was filled at daybreak with thousands of people. Cæsar came early with the vestals and the court. The spectacle was to begin with a battle among the Christians, who to this end were arrayed as gladiators and furnished with all kinds of weapons which served gladiators by profession in offensive and defensive struggles. But here came disappointment. The Christians threw nets, darts, tridents, and swords on the arena, embraced and encouraged one another to endurance in view of torture and death. At this deep indignation and resentment seized the hearts of the multitude. Some reproached the Christians with cowardice and pusillanimity; others asserted that they refused to fight through hatred of the people, so as to deprive them of that pleasure which the sight of bravery produces. Finally, at command of Cæsar, real gladiators were let out, who despatched in one twinkle the kneeling and defenceless victims.

When these bodies were removed, the spectacle was a series of mythologic pictures,—Cæsar’s own idea. The audience saw Hercules blazing in living fire on Mount Oeta. Vinicius had trembled at the thought that the role of Hercules might be intended for Ursus; but evidently the turn of Lygia’s faithful servant had not come, for on the pile some other Christian was burning,—a man quite unknown to Vinicius. In the next picture Chilo, whom Cæsar would not excuse from attendance, saw acquaintances. The death of Dædalus was represented, and also that of Icarus. In the rôle of Dædalus appeared Euricius, that old man who had given Chilo the sign of the fish; the role of Icarus was taken by his son, Quartus. Both were raised aloft with cunning machinery, and then hurled suddenly from an immense height to the arena. Young Quartus fell so near Cæsar’s podium that he spattered with blood not only the external ornaments but the purple covering spread over the front of the podium. Chilo did not see the fall, for he closed his eyes; but he heard the dull thump of the body, and when after a time he saw blood there close to him, he came near fainting a second time.

The pictures changed quickly. The shameful torments of maidens violated before death by gladiators dressed as wild beasts, delighted the hearts of the rabble. They saw priestesses of Cybele and Ceres, they saw the Danaides, they saw Dirce and Pasiphaë; finally they saw young girls, not mature yet, torn asunder by wild horses. Every moment the crowd applauded new ideas of Nero, who, proud of them, and made happy by plaudits, did not take the emerald from his eye for one instant while looking at white bodies torn with iron, and the convulsive quivering of victims.

Pictures were given also from the history of the city. After the maidens they saw Mucius Scævola, whose hand fastened over a fire to a tripod filled the amphitheatre with the odor of burnt flesh; but this man, like the real Scævola, remained without a groan, his eyes raised and the murmur of prayer on his blackening lips. When he had expired and his body was dragged to the spoliarium, the usual midday interlude followed. Cæsar with the vestals and the Augustians left the amphitheatre, and withdrew to an immense scarlet tent erected purposely; in this was prepared for him and the guests a magnificent prandium. The spectators for the greater part followed his example, and, streaming out, disposed themselves in picturesque groups around the tent, to rest their limbs wearied from long sitting, and enjoy the food which, through Cæsar’s favor, was served by slaves to them. Only the most curious descended to the arena itself, and, touching with their fingers lumps of sand held together by blood, conversed, as specialists and amateurs, of that which had happened and of that which was to follow. Soon even these went away, lest they might be late for the feast; only those few were left who stayed not through curiosity, but sympathy for the coming victims. Those concealed themselves behind seats or in the lower places.

Meanwhile the arena was levelled, and slaves began to dig holes one near the other in rows throughout the whole circuit from side to side, so that the last row was but a few paces distant from Cæsar’s podium. From outside came the murmur of people, shouts and plaudits, while within they were preparing in hot haste for new tortures. The cunicula were opened simultaneously, and in all passages leading to the arena were urged forward crowds of Christians naked and carrying crosses on their shoulders. The whole arena was filled with them. Old men, bending under the weight of wooden beams, ran forward; at the side of these went men in the prime of life, women with loosened hair behind which they strove to hide their nakedness, small boys, and little children. The crosses, for the greater part, as well as the victims, were wreathed with flowers. The servants of the amphitheatre beat the unfortunates with clubs, forcing them to lay down their crosses near the holes prepared, and stand themselves there in rows. Thus were to perish those whom executioners had had no chance to drive out as food for dogs and wild beasts the first day of the games. Black slaves seized the victims, laid them face upward on the wood, and fell to nailing their hands hurriedly and quickly to the arms of the crosses, so that people returning after the interlude might find all the crosses standing. The whole amphitheatre resounded with the noise of hammers which echoed through all the rows, went out to the space surrounding the amphitheatre, and into the tent where Cæsar was entertaining his suite and the vestals. There he drank wine, bantered with Chilo, and whispered strange words in the ears of the priestesses of Vesta; but on the arena the work was seething,—nails were going into the hands and feet of the Christians; shovels moved quickly, filling the holes in which the crosses had been planted.

Among the new victims whose turn was to come soon was Crispus. The lions had not had time to rend him; hence he was appointed to the cross. He, ready at all times for death, was delighted with the thought that his hour was approaching. He seemed another man, for his emaciated body was wholly naked,—only a girdle of ivy encircled his hips, on his head was a garland of roses. But in his eyes gleamed always that same exhaustless energy; that same fanatical stern face gazed from beneath the crown of roses. Neither had his heart changed; for, as once in the cuniculum he had threatened with the wrath of God his brethren sewed up in the skins of wild beasts, so to-day he thundered in place of consoling them.

“Thank the Redeemer,” said Crispus, “that He permits you to die the same death that He Himself died. Maybe a part of your sins will be remitted for this cause; but tremble, since justice must be satisfied, and there cannot be one reward for the just and the wicked.”

His words were accompanied by the sound of the hammers nailing the hands and feet of victims. Every moment more crosses were raised on the arena; but he, turning to the crowd standing each man by his own cross, continued,—

“I see heaven open, but I see also the yawning abyss. I know not what account of my life to give the Lord, though I have believed, and hated evil. I fear, not death, but resurrection; I fear, not torture, but judgment, for the day of wrath is at hand.”