Barbara Blomberg — Complete by Georg Ebers (phonics reading books .TXT) 📕

William of Orange, had been too much for her and, when it happened, seemed like a miracle.

What spirits were aiding the Prince of Orange to resist the King and the power of the Church so successfully? He was in league with hell, her old confessor said, and there were rumours that his Majesty was trying to have the abominable mischief-maker secretly put out of the world. But this would have been unworthy of a King, and Barbara would not believe it.

In the northern provinces the Spanish power was only a shadow, but in the southern ones also hatred of the Spaniards was already bursting into flames, and Requesens was too weak to extinguish them.

The King and Barbara’s political friends perceived that Alba’s pitiless, murderous severity had injured the cause of the crown and the Church far more than it had benefited them. Personally, he had treated her on the whole kindly, but he had inflicted two offences which were hard to conquer. In the first place, he urged her to leave Brussels and settle in Mons; and, secondly, he had refused to receive her Conrad, who had grown up into a steady, good-looking, but in no respect remarkable young man, in one of his regiments, with the prospect of promotion to the rank of officer.

In both cases she had not remained quiet and, at the second audience which the duke gave her, her hot blood, though it had grown so much cooler, played her a trick, and she became involved in a vehement argument with him. In the course of this he had been compelled to be frank, and she now knew that Alba had persuaded her to change her residence at the King’s desire, and why it was done.

She afterward learned from acquaintances that the duke had said one was apt to be the loser in a dispute with her; yet she had yielded, though solely and entirely to benefit her John, but she could not help confessing to herself that her residence in the capital could not be agreeable to him. The highest Spanish officials and military commanders lived there, as well as the ambassadors of foreign powers, and it was not desirable to remind them of the maternal descent of the general who now belonged to the King’s family.

The case was somewhat similar, as Alba himself had confessed to her, with regard to her son Conrad’s promotion to the rank of an officer; for if he attained that position he might, as the brother of Don John of Austria, make pretensions which threatened to place the hero of Lepanto in a false, nay, perhaps unpleasant position. This, too, she did not desire. But in removing from Brussels she had possibly rendered Don John a greater service than she admitted to herself, for, since her son’s brilliant successes had made her happy and her external circumstances had permitted it, she had emerged from the miserable seclusion of former years.

Her dress, too, she now suited to the position which she arrogated to herself. But in doing so she had become a personage who could scarcely be overlooked, and she rarely failed to be present on the very occasions which brought together the most aristocratic Spanish society in Brussels.

So, after a fresh dispute with Alba, in which the victor on many a battlefield was forced to yield, she had obtained his consent to retire to Ghent instead of Mons.

True, the duke would have preferred to induce her to go to Spain, and tried to persuade her to do so by the assurance that the King himself desired to receive her there.

But she had been warned.

Through Hannibal Melas and other members of her own party she had learned that Philip intended, if she came to Spain, to remove her from the eyes of the world by placing her in a convent, and never had she felt less inclination to take the veil.

Her departure from Brussels had done Alba and his functionaries a service, for she had constantly forced herself into the government building to obtain news of her son.

The great and opulent city of Ghent, the birthplace of the Emperor Charles, of which he had once said to Francis I, the King of France, that Paris would go into his glove (Gant), had been chosen by Barbara for several reasons. The principal one was that she would find there several old friends of former days, one of whom, her singing-master Feys, had promised to accept her voice and enable her to serve her art again with full pleasure.

The other was Hannibal Melas, who before Granvelle’s fall had been transferred there as one of the higher officials of the government.

She also entered into relations with other heads of the Spanish party, and thus found in Ghent what she sought. The pension allowed her enabled her to hire a pretty house, and to furnish it with a certain degree of splendour. A companion, for whom she selected an elderly unmarried lady who belonged to an impoverished noble family, accompanied her in her walks; a major-domo governed the four men-servants and the maids of the household; Frau Lamperi retained her position as lady’s maid; the steward and cook attended to the kitchen and the cellar; and two pages, with a pretty one-horse carriage, lent an air of elegance to her style of living.

For the religious service, which was directed by her own chaplain, she had had a chapel fitted up in the house, according to the Ratisbon fashion. The poor were never turned from her door without alms, and where she encountered great want she often relieved it with a generosity far beyond her means. Under the instruction of Maestro Feys, she eagerly devoted herself to new exercises in singing. Doubtless she realized that time and the long period of hoarseness had seriously injured her voice, but even now she could compare with the best singers in the city.

Thus Barbara saw her youthful dreams of fortune realized—nay, surpassed—and in the consciousness of liberty which she now enjoyed, elevated by the success gained by the person she loved best, she again followed her lover’s motto. With the impelling “More, farther” before her eyes, she took care that she did not lack the admiration for which she had never ceased to long, and to which, in better days, she had possessed so well-founded a claim.

Now a lavish and gracious hospitality, as well as her relationship to the greatest and most popular hero of his time, must give her what she had formerly obtained through her art; for she rarely sang in large companies, and when she did so, no matter how loudly her hearers expressed their delight, she could not regain the old confident security that she was justly entitled to it. But she could believe all the more firmly that the acknowledgments of pleasure which she reaped from her little evening parties were sincere. They even gained a certain degree of celebrity, for the kitchen in her house was admirably managed, and whatever came from it found approval even in the home of the finest culinary achievements. But it was especially the freedom—though not the slightest indecorum was permitted—with which people met at “Madame de Blomberg’s,” as she now styled herself, that lent her house so great an attraction, and finally added the more aristocratic members of her party to the number of her guests.

The very different elements assembled in her home were united by Barbara’s unaffected vivacity and frank, enthusiastic temperament, receptive to the veriest trifle. These evening entertainments rarely lacked music; but she had learned to retire into the background, and when there were talented