A Trip to Venus: A Novel by John Munro (summer books txt) 📕

nature of things its own reward or punishment, here or hereafter. Their ideals of childlike innocence, and the reign of love, seem to be essentially Christian. Their solicitude and kindness extends to all that lives and suffers, and they regard the world around them as a divine work which they are to reverence and perfect.

Our visit fell during a great religious festival and holiday, which they keep once a year, and by the courtesy of Dinus, or his son, we witnessed many of their sacred concerts, dances, games, and other celebrations. Of these, however, I shall only describe the principal ceremony, which is called "Plucking the Flower," and appears to symbolise the passage of the soul into a higher life.

CHAPTER IX. THE FLOWER OF THE SOUL.

Early on the chief day of the festival Otāré came and took us to see the mystical rite of cutting the "Flower of the Soul."

The morning was fine, and the clear waters of the lake were bright with boats filled with joyous parties bound like ourselves for the Holy Island.

Landing at a noble quay of red granite, we climbed the steep and shaggy sides of the mountain by a sacred and winding avenue, bordered with blooming trees and statuary. Most of the figures were exquisitely carved in a white wood or stone, having a pearly sheen, and represented the former priestesses of the Temple, or illustrated the animating spirit of the cult.

On gaining the summit we found ourselves at the brim of a spacious hollow or basin, which in past ages must have been the crater of the volcanic peak. The grassy slopes of the basin were laid out in flower gardens and terraces of coloured marbles, shaded with sombre trees, and ornamented with sculpture. In the bottom lay an oval sheet of water a mile long or more, and from the midst of it, towards the near end, a beautiful islet, crowned by a magnificent temple, rose like a mirage to the view, and seemed to float on its glassy bosom.

Words of mine cannot give any idea of that sublime architecture, which resembled no earthly order, though it seemed to partake of both the Saracenic and the Indian. Fragrant timber, precious stones, and burnished metals; in fine, the richest materials known to the builders, had been united with consummate art into one harmonious emblem of their faith. The first beams of the rising sun blazed on its golden roof and fretted pinnacles of diamond, and ruby, sapphire, topaz, and emerald; but the lower part was still in shadow. Nevertheless, we could distinguish a grand portal in the southern front, which faced the sun, and a broad flight of marble steps descending from it into the water; but the massive doors were shut, and not a soul was to be seen about the temple.

As the worshippers arrived they seated themselves on the turf amongst the flowering shrubs, or on the benches along the terraces, and either spoke in subdued tones, or preserved a religious silence. Otāré led us to a kind of throne or stand facing the temple, and raised above the other seats, where his father, as chief of the community, sat in state. Dinus received us with his usual gracious dignity, and gave us chairs on his right and left hand.

From this height we enjoyed a splendid panorama of the Craterland, at least that portion which had already caught the sunshine. It lay beneath us like a picture, the surface rising in a series of zones from the central sea, which mirrored the serene azure and plume-like vapours of the heavens, through the sweet meadows, and the smiling gardens, to the luxuriant wilderness beyond; and we could plainly see the shadow of the bounding rampart shrink towards the south as the sun mounted higher and higher.

It was a lovely dawn. A rosy mist hung like a veil of gauze over the southern sky, and from behind a bar of purple cloud, lined with gold, which rested on the summit of the cliffs, a coronet of auroral beams or crepuscular rays, blue on a pink ground, shot upwards, heralding the advent of the sun, and reminding me of the ancient simile of the earth as a bride awaiting the arrival of her lord.

At length the first glowing tip of the solar disc peeped over the rim of the crater, and a deep low murmur, swelling to a shrill cry, ascended from the passive multitude.

All the people rose to their feet, and every eye was turned on the south front of the temple, which was now illuminated to the edge of the water. As the sunlight crept over the surface it sparkled on the dense foliage of what seemed a bed of water-lilies flourishing quite close to the marble stairs.

Presently a rich and stately barge, moved by crimson oars, and enlivened with young girls draped in sky-blue, was seen to glide round a corner of the temple, and come to rest beside the water-lilies.

A deep silence, as of breathless expectation, fell upon the vast assembly, and then, without other warning, the great purple doors of the temple swung open, and revealed a white-robed figure walking at the head of a glittering procession of maidens decked in jewels and luminous scarves, which vied with the colours of the rainbow. It was the young priestess and her train of virgins.

Simultaneously the immense multitude raised their voices in a sacred hymn of melting sweetness, very low at first, but gathering volume as the priestess descended the marble stairs to the waterside.

Here, on the lowest of the steps, one of her maidens put into her hand a sacred knife or sickle, which, as Otāré informed us had a blade of gold, and a handle of opal. The woman then retired, and we saw her stand erect for a moment in the full blaze of the mellow sunlight, with her golden hair falling about her in a kind of glory, and stretch out her arms towards the sun in a superb attitude of adoration. Then, with a slow and swan-like movement, she entered the water, and wading among the lilies, cut the sacred blossom, and held it aloft in triumph, while the music swelled to a mighty pæan of thanksgiving and praise.

After that she went on board the barge, which had been waiting for her, and was rowed around the border of the lake not far from the shore, so that the onlookers might see the loveliness of the flower, and even smell its perfume. The barge was not unlike an ancient galley in shape, but ornately curved like the proa of a South Sea Islander. The rowers were concealed underneath the deck, but the crimson oars kept time to the music of their voices, and the spectators joined in the song as the vessel glided onwards.

As for the priestess, she lay reclining under a golden canopy on the poop, with her face half turned towards the people, and holding the sacred lily in her hand, whilst two of her maidens fanned her with brilliant plumes,