Les Misérables by Victor Hugo (knowledgeable books to read txt) 📕
BOOK SEVENTH.--PARENTHESIS
I. The Convent as an Abstract IdeaII. The Convent as an Historical FactIII. On What Conditions One can respect the PastIV. The Convent from the Point of View of PrinciplesV. PrayerVI. The Absolute Goodness of PrayerVII. Precautions to be observed in BlameVIII. Faith, Law
BOOK EIGHTH.--CEMETERIES TAKE THAT WHICH IS COMMITTED THEM
I. Which treats of the Manner of entering a ConventII. Fauchelevent in the Presence of a DifficultyIII. Mother InnocenteIV. In which Jean Valjean has quite the Air of having readAustin CastillejoV. It is not Necessary to be Drunk in order to be ImmortalVI. Between Four PlanksVII. In which will be found the Origin of the Saying: Don'tlose the CardVIII. A Successful InterrogatoryIX. Cloister
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Towards the end of the Restoration, these same passers-by might have noticed that the bill had disappeared, and even that the shutters on the first floor were open. The house was occupied, in fact. The windows had short curtains, a sign that there was a woman about.
In the month of October, 1829, a man of a certain age had presented himself and had hired the house just as it stood, including, of course, the back building and the lane which ended in the Rue de Babylone. He had had the secret openings of the two doors to this passage repaired. The house, as we have just mentioned, was still very nearly furnished with the justice’s old fitting; the new tenant had ordered some repairs, had added what was lacking here and there, had replaced the paving-stones in the yard, bricks in the floors, steps in the stairs, missing bits in the inlaid floors and the glass in the lattice windows, and had finally installed himself there with a young girl and an elderly maid-servant, without commotion, rather like a person who is slipping in than like a man who is entering his own house. The neighbors did not gossip about him, for the reason that there were no neighbors.
This unobtrusive tenant was Jean Valjean, the young girl was Cosette. The servant was a woman named Toussaint, whom Jean Valjean had saved from the hospital and from wretchedness, and who was elderly, a stammerer, and from the provinces, three qualities which had decided Jean Valjean to take her with him. He had hired the house under the name of M. Fauchelevent, independent gentleman. In all that has been related heretofore, the reader has, doubtless, been no less prompt than Thénardier to recognize Jean Valjean.
Why had Jean Valjean quitted the convent of the Petit-Picpus? What had happened?
Nothing had happened.
It will be remembered that Jean Valjean was happy in the convent, so happy that his conscience finally took the alarm. He saw Cosette every day, he felt paternity spring up and develop within him more and more, he brooded over the soul of that child, he said to himself that she was his, that nothing could take her from him, that this would last indefinitely, that she would certainly become a nun, being thereto gently incited every day, that thus the convent was henceforth the universe for her as it was for him, that he should grow old there, and that she would grow up there, that she would grow old there, and that he should die there; that, in short, delightful hope, no separation was possible. On reflecting upon this, he fell into perplexity. He interrogated himself. He asked himself if all that happiness were really his, if it were not composed of the happiness of another, of the happiness of that child which he, an old man, was confiscating and stealing; if that were not theft? He said to himself, that this child had a right to know life before renouncing it, that to deprive her in advance, and in some sort without consulting her, of all joys, under the pretext of saving her from all trials, to take advantage of her ignorance of her isolation, in order to make an artificial vocation germinate in her, was to rob a human creature of its nature and to lie to God. And who knows if, when she came to be aware of all this some day, and found herself a nun to her sorrow, Cosette would not come to hate him? A last, almost selfish thought, and less heroic than the rest, but which was intolerable to him. He resolved to quit the convent.
He resolved on this; he recognized with anguish, the fact that it was necessary. As for objections, there were none. Five years’ sojourn between these four walls and of disappearance had necessarily destroyed or dispersed the elements of fear. He could return tranquilly among men. He had grown old, and all had undergone a change. Who would recognize him now? And then, to face the worst, there was danger only for himself, and he had no right to condemn Cosette to the cloister for the reason that he had been condemned to the galleys. Besides, what is danger in comparison with the right? Finally, nothing prevented his being prudent and taking his precautions.
As for Cosette’s education, it was almost finished and complete.
His determination once taken, he awaited an opportunity. It was not long in presenting itself. Old Fauchelevent died.
Jean Valjean demanded an audience with the revered prioress and told her that, having come into a little inheritance at the death of his brother, which permitted him henceforth to live without working, he should leave the service of the convent and take his daughter with him; but that, as it was not just that Cosette, since she had not taken the vows, should have received her education gratuitously, he humbly begged the Reverend Prioress to see fit that he should offer to the community, as indemnity, for the five years which Cosette had spent there, the sum of five thousand francs.
It was thus that Jean Valjean quitted the convent of the Perpetual Adoration.
On leaving the convent, he took in his own arms the little valise the key to which he still wore on his person, and would permit no porter to touch it. This puzzled Cosette, because of the odor of embalming which proceeded from it.
Let us state at once, that this trunk never quitted him more. He always had it in his chamber. It was the first and only thing sometimes, that he carried off in his moving when he moved about. Cosette laughed at it, and called this valise his inseparable, saying: “I am jealous of it.”
Nevertheless, Jean Valjean did not reappear in the open air without profound anxiety.
He discovered the house in the Rue Plumet, and hid himself from sight there. Henceforth he was in the possession of the name:—Ultime Fauchelevent.
At the same time he hired two other apartments in Paris, in order that he might attract less attention than if he were to remain always in the same quarter, and so that he could, at need, take himself off at the slightest disquietude which should assail him, and in short, so that he might not again be caught unprovided as on the night when he had so miraculously escaped from Javert. These two apartments were very pitiable, poor in appearance, and in two quarters which were far remote from each other, the one in the Rue de l’Ouest, the other in the Rue de l’Homme Armé.
He went from time to time, now to the Rue de l’Homme Armé, now to the Rue de l’Ouest, to pass a month or six weeks, without taking Toussaint. He had himself served by the porters, and gave himself out as a gentleman from the suburbs, living on his funds, and having a little temporary resting-place in town. This lofty virtue had three domiciles in Paris for the sake of escaping from the police.
CHAPTER II—JEAN VALJEAN AS A NATIONAL GUARD
However, properly speaking, he lived in the Rue Plumet, and he had arranged his existence there in the following fashion:—
Cosette and the servant occupied the pavilion; she had the big sleeping-room with the painted pier-glasses, the boudoir with the gilded fillets, the justice’s drawing-room furnished with tapestries and vast armchairs; she had the garden. Jean Valjean had a canopied bed of antique damask in three colors and a beautiful Persian rug purchased in the Rue du Figuier-Saint-Paul at Mother Gaucher’s, put into Cosette’s chamber, and, in order to redeem the severity of these magnificent old things, he had amalgamated with this bric-à -brac all the gay and graceful little pieces of furniture suitable to young girls, an étagère, a bookcase filled with gilt-edged books, an inkstand, a blotting-book, paper, a work-table incrusted with mother of pearl, a silver-gilt dressing-case, a toilet service in Japanese porcelain. Long damask curtains with a red foundation and three colors, like those on the bed, hung at the windows of the first floor. On the ground floor, the curtains were of tapestry. All winter long, Cosette’s little house was heated from top to bottom. Jean Valjean inhabited the sort of porter’s lodge which was situated at the end of the back courtyard, with a mattress on a folding-bed, a white wood table, two straw chairs, an earthenware water-jug, a few old volumes on a shelf, his beloved valise in one corner, and never any fire. He dined with Cosette, and he had a loaf of black bread on the table for his own use.
When Toussaint came, he had said to her: “It is the young lady who is the mistress of this house.”—“And you, monsieur?” Toussaint replied in amazement.—“I am a much better thing than the master, I am the father.”
Cosette had been taught housekeeping in the convent, and she regulated their expenditure, which was very modest. Every day, Jean Valjean put his arm through Cosette’s and took her for a walk. He led her to the Luxembourg, to the least frequented walk, and every Sunday he took her to mass at Saint-Jacques-du-Haut-Pas, because that was a long way off. As it was a very poor quarter, he bestowed alms largely there, and the poor people surrounded him in church, which had drawn down upon him Thénardier’s epistle: “To the benevolent gentleman of the church of Saint-Jacques-du-Haut-Pas.” He was fond of taking Cosette to visit the poor and the sick. No stranger ever entered the house in the Rue Plumet. Toussaint brought their provisions, and Jean Valjean went himself for water to a fountain nearby on the boulevard. Their wood and wine were put into a half-subterranean hollow lined with rock-work which lay near the Rue de Babylone and which had formerly served the chief-justice as a grotto; for at the epoch of follies and “Little Houses” no love was without a grotto.
In the door opening on the Rue de Babylone, there was a box destined for the reception of letters and papers; only, as the three inhabitants of the pavilion in the Rue Plumet received neither papers nor letters, the entire usefulness of that box, formerly the go-between of a love affair, and the confidant of a love-lorn lawyer, was now limited to the tax-collector’s notices, and the summons of the guard. For M. Fauchelevent, independent gentleman, belonged to the national guard; he had not been able to escape through the fine meshes of the census of 1831. The municipal information collected at that time had even reached the convent of the Petit-Picpus, a sort of impenetrable and holy cloud, whence Jean Valjean had emerged in venerable guise, and, consequently, worthy of mounting guard in the eyes of the town-hall.
Three or four times a year, Jean Valjean donned his uniform and mounted guard; he did this willingly, however; it was a correct disguise which mixed him with every one, and yet left him solitary. Jean Valjean had just attained his sixtieth birthday, the age of legal exemption; but he did not appear to be over fifty; moreover, he had no desire to escape his sergeant-major nor to quibble with Comte de Lobau; he possessed no civil status, he was concealing his name, he was concealing his identity, so he concealed his age, he concealed everything; and, as we have just said, he willingly did his duty as a national guard; the sum of his ambition lay in resembling any other man who paid his
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