Marietta: A Maid of Venice by F. Marion Crawford (novels to read for beginners .txt) 📕

In those days there was no formal betrothal before marriage, at which the intended bride and bridegroom joined hands or exchanged the rings which were to be again exchanged at the wedding. When a marriage had been arranged, the parents or guardians of the young couple signed the contract before a notary, a strictly commercial and legal formality, and the two families then announced the match to their respective relatives who were invited for the purpose, and were hospitably entertained. The announcement was final, and to break off a marriage after it had been announced was a deadly offence and was generally an irreparable injury to the bride.

In Beroviero's house the richest carpets were taken from the storerooms and spread upon the pavement and the stairs, tapestries of great worth and beauty were hung upon the walls, the servants were arrayed in their high-day liveries and spoke in whispers when they spoke at all, the silver dishes were piled with sweetmeats and early fruits, and the silver plates had been not only scoured, but had been polished with leather, which was not done every day. In all the rooms that were opened, silken curtains had been hung before the windows, in place of those used at other times. In a word, the house had been prepared in a few hours for a great family festivity, and when Marietta got out of the gondola, she set her foot upon a thick carpet that covered the steps and was even allowed to hang down and dip itself in the water of the canal by way of showing what little value was set upon it by the rich man.

Zorzi had known that the preparations were going forward, and he knew what they meant. He would rather see nothing of them, and when the guests were gone, old Beroviero would come over and give him some final instructions before beginning his journey; until then he could be alone in the laboratory, where only the low roar of the fire in the furnace broke the silence.

Marietta's head was aching and she felt as if the hard, hot fingers of some evil demon were pressing her eyeballs down into their sockets. She sat in an inner chamber, to which only women were admitted. There she sat, in a sort of state, a circlet of gold set upon her loosened hair, her dress all of embroidered white silk, her shoulders covered with a wide mantle of green and gold brocade that fell in heavy folds to the floor. She wore many jewels, too, such as she would not have worn in public before her marriage. They had belonged to her mother, like the mantle, and were now brought out for the first time. It was very hot, but the windows were shut lest the sound of the good ladies' voices should be heard without; for the news that Marietta was to be married had suddenly gone abroad through Murano, and all the idlers, and the men from the furnaces, where no work was done on Sunday, as well as all the poor, were assembled on the footway and the bridge, and in the narrow alleys round the house. They all pushed and jostled each other to see Beroviero's friends and relations, as they emerged from beneath the black 'felse' of their gondolas to enter the house. In the hall the guests divided, and the men gathered in a large lower chamber, while the women went upstairs to offer their congratulations to Marietta, with many set compliments upon her beauty, her clothes and her jewels, and even with occasional flattering allusions to the vast dowry her husband was to receive with her.

She listened wearily, and her head ached more and more, so that she longed for the coolness of her own room and for Nella's soothing chatter, to which she was so much accustomed that she missed it if the little brown woman chanced to be silent.

The sun went down and wax candles were brought, instead of the tall oil lamps that were used on ordinary days. It grew hotter and hotter, the compliments of the ladies seemed more and more dull and stale, her mantle was heavy and even the gold circlet on her hair was a burden. Worse than all, she knew that every minute was carrying her further and further into the dominion of the irrevocable whence she could never return.

She had looked at the palaces she had passed in Venice that morning, some in shadow, some in sunlight, some with gay faces and some grave, but all so different from the big old house in Murano, that she did not wish to live in them at all. It would have been much easier to submit if she had been betrothed to a foreigner, a Roman, or a Florentine. She had been told that Romans were all wicked and gloomy, and that Florentines were all wicked and gay. That was what Nella had heard. But in a sense they were free, for they probably did what was good in their own eyes, as wicked people often do. Life in Venice was to be lived by rule, and everything that tasted of freedom was repressed by law. If it pleased women to wear long trains the Council forbade them; if they took refuge in long sleeves, thrown back over their shoulders, a law was passed which set a measure and a pattern for all sleeves that might ever be worn. If a few rich men indulged their fancy in the decoration of their gondolas, now that riding was out of fashion, the Council immediately determined that gondolas should be black and that they should only be gilt and adorned inside. As for freedom, if any one talked of it he was immediately tortured until he retracted all his errors, and was then promptly beheaded for fear that he should fall again into the same mistake. Nella said so, and told hideous tales of the things that had been done to innocent men in the little room behind the Council chamber in the Palace. Besides, if one talked of justice, there was Zorzi's case to prove that there was no justice at all in Venetian law. Marietta suddenly wished that she were wicked, like the Romans and the Florentines; and even when she reflected that it was a sin to wish that one were bad, she was not properly repentant, because she had a very vague notion of what wickedness really was. Righteousness seemed just now to consist in being smothered in heavy clothes, in a horribly hot room, while respectable women of all ages, fat, thin, fair, red-haired, dark, ugly and handsome, all chattered at her and overwhelmed her with nauseous flattery.

She thought of that morning in the garden, three days ago, when something she did not understand had been so near, just before disappearing for ever. Then her throat tightened and she saw indistinctly, and her lips were suddenly dry. After that, she remembered little of what happened on that evening, and by and by she was alone in her own room without a light, standing at the open window with bare feet on the cold pavement, and the night breeze stirred her hair and brought her the scent of the rosemary and lavender, while she tried to listen to the stars, as if they were speaking to her, and lost herself in her thoughts for a few moments before going to sleep.

Zorzi was still sitting in the big chair against the wall when he heard a footstep in the garden, and as he rose to look out Beroviero entered. The master was wrapped in a long cloak that covered something which he was carrying. There was no lamp in the laboratory, but the three fierce eyes of the furnace shed a low red glare in different directions. Beroviero had given orders that the night boys should not come until he sent for them.

"I thought it wiser to bring this over at night," he said, setting a small iron box on the table.

It contained the secrets of Paolo Godi, which were worth a great fortune in those times.

"Of all my possessions," said the old man, laying his hands upon the casket, "these are the most valuable. I will not hide them alone, as I might, because if any harm befell me they would be lost, and might be found by some unworthy person."

"Could you not leave them with some one else, sir?" asked Zorzi.

"No. I trust no one else. Let us hide them together to-night, for to-morrow I must leave Venice. Take up one of the large flagstones behind the annealing oven, and dig a hole underneath it in the ground. The place will be quite dry, from the heat of the oven."

Zorzi lit a lamp with a splinter of wood which he thrust into the 'bocca' of the furnace; he took a small crowbar from the corner and set to work. The laboratory contained all sorts of builder's tools, used when the furnace needed repairing. He raised one of the slabs with difficulty, turned it over, propped it with a billet of beech wood, and began to scoop out a hole in the hard earth, using a mason's trowel. Beroviero watched him, holding the box in his hands.

"The lock is not very good," he said, "but I thought the box might keep the packet from dampness."

"Is the packet properly sealed?" asked Zorzi, looking up.

"You shall see," answered the master, and he set down the box beside the lamp, on the broad stone at the mouth of the annealing oven. "It is better that you should see for yourself."

He unlocked the box and took out what seemed to be a small book, carefully tied up in a sheet of parchment. The ends of the silk cord below the knot were pinched in a broad red seal. Zorzi examined the wax.

"You sealed it with a glass seal," he observed. "It would not be hard to make another."

"Do you think it would be so easy?" asked Beroviero, who had made the seal himself many years ago.

Zorzi held the impression nearer to the lamp and scrutinised it closely.

"No one will have a chance to try," he said, with a slight gesture of indifference. "It might not be so easy."

The old man looked at him a moment, as if hesitating, and then put the packet back into the box and locked the latter with the key that hung from his neck by a small silver chain.

"I trust you," he said, and he gave the box to Zorzi, to be deposited in the hole.

Zorzi stood up, and taking a little tow from the supply used for cleaning the blow-pipes, he dipped it into the oil of the lamp and proceeded to grease the box carefully before hiding it.

"It would rust," he explained.

He laid the box in the hole and covered it with earth before placing the stone over it.

"Be careful to make the stone lie quite flat," said Angelo, bending down and gathering his gown off the floor in a bunch at his knees. "If it does not lie flat, the stone will move when the boys tread on it, and they may think of taking it up."

"It is very heavy," answered the young man. "It was as much as I could do to heave it up. You need not be afraid of the boys."

"It is not a very safe place, I fear, after all," returned Beroviero doubtfully. "Be sure to leave no marks of the crowbar, and no loose earth near it."

The heavy slab slipped into its bed with a soft thud. Zorzi took the lamp and examined the edges. One of them was a little chipped by the crowbar, and he rubbed it with the greasy tow and scattered dust over it. Then he got a cypress broom and swept the earth carefully away into a heap. Beroviero himself brought the shovel and held it close to the stones while Zorzi pushed the loose earth upon it.

"Carry it out and scatter it in the garden," said the old man.

It was the first time that he had allowed his affection for Zorzi to express itself so strongly, for he was generally a very cautious person. He took the young man's hand and held it a moment, pressing it kindly.

"It was not I who made the law against strangers, and it was not meant for men like you," he added.

Zorzi knew how much this meant from such a master and he would have found words for thanks, had he been able; but when he tried, they would not come.

"You may trust me," was all he could say.

Beroviero left him, and went down the dark corridor with the firm step of a man who knows his way without light.

In the morning, when he