The Last of the Barons — Complete by Baron Edward Bulwer Lytton Lytton (books to read for self improvement TXT) 📕

himself from the ground, and at length succeeded. He was alone; the place where he had lain was damp and red with stiffening blood. He tottered on for several paces, and perceived from a lattice, at a little distance, a light still burning. Now reeling, now falling, he still dragged on his limbs as the instinct attracted him to that sign of refuge. He gained the doorway of a detached and gloomy house, and sank on the stone before it to cry aloud; but his voice soon sank into deep groans, and once more, as his efforts increased the rapid gush of the blood, became insensible. The man styled Robin, who had so opportunely saved his life, now approached from the shadow of a wall, beneath which he had watched Marmaduke’s movements. He neared the door of the house, and cried, in a sharp, clear voice, “Open, for the love of Christ!”

A head was now thrust from the lattice, the light vanished; a minute more, the door opened; and Robin, as if satisfied, drew hastily back, and vanished, saying to himself, as he strode along, “A young man’s life must needs be dear to him; yet had the lad been a lord, methinks I should have cared little to have saved for the people one tyrant more.”

After a long interval, Marmaduke again recovered, and his eyes turned with pain from the glare of a light held to his face.

“He wakes, Father,—he will live!” cried a sweet voice. “Ay, he will live, child!” answered a deeper tone; and the young man muttered to himself, half audibly, as in a dream, “Holy Mother be blessed! it is sweet to live.” The room in which the sufferer lay rather exhibited the remains of better fortunes than testified to the solid means of the present possessor. The ceiling was high and groined, and some tints of faded but once gaudy painting blazoned its compartments and hanging pendants. The walls had been rudely painted (for arras [Mr. Hallam (“History of the Middle Ages,” chap. ix. part 2) implies a doubt whether great houses were furnished with hangings so soon as the reign of Edward IV.; but there is abundant evidence to satisfy our learned historian upon that head. The Narrative of the “Lord of Grauthuse,” edited by Sir F. Madden, specifies the hangings of cloth of gold in the apartments in which that lord was received by Edward IV.; also the hangings of white silk and linen in the chamber appropriated to himself at Windsor. But long before this period (to say nothing of the Bayeux Tapestry),—namely, in the reign of Edward III. (in 1344),—a writ was issued to inquire into the mystery of working tapestry; and in 1398 Mr. Britton observes that the celebrated arras hangings at Warwick Castle are mentioned. (See Britton’s “Dictionary of Architecture and Archaelogy,” art. “Tapestry.”)] then was rare, even among the wealthiest); but the colours were half obliterated by time and damp. The bedstead on which the wounded man reclined was curiously carved, with a figure of the Virgin at the head, and adorned with draperies, in which were wrought huge figures from scriptural subjects, but in the dress of the date of Richard II.,—Solomon in pointed upturned shoes, and Goliath, in the armour of a crusader, frowning grimly upon the sufferer. By the bedside stood a personage, who, in reality, was but little past the middle age, but whose pale visage, intersected with deep furrows, whose long beard and hair, partially gray, gave him the appearance of advanced age: nevertheless there was something peculiarly striking in the aspect of the man. His forehead was singularly high and massive; but the back of the head was disproportionately small, as if the intellect too much preponderated over all the animal qualities for strength in character and success in life. The eyes were soft, dark, and brilliant, but dreamlike and vague; the features in youth must have been regular and beautiful, but their contour was now sharpened by the hollowness of the cheeks and temples. The form, in the upper part, was nobly shaped, sufficiently muscular, if not powerful, and with the long throat and falling shoulders which always gives something of grace and dignity to the carriage; but it was prematurely bent, and the lower limbs were thin and weak, as is common with men who have sparely used them; they seemed disproportioned to that broad chest, and still more to that magnificent and spacious brow. The dress of this personage corresponded with the aspect of his abode. The materials were those worn by the gentry, but they were old, threadbare, and discoloured with innumerable spots and stains. His hands were small and delicate, with large blue veins, that spoke of relaxed fibres; but their natural whiteness was smudged with smoke-stains, and his beard—a masculine ornament utterly out of fashion among the younger race in King Edward’s reign, but when worn by the elder gentry carefully trimmed and perfumed—was dishevelled into all the spiral and tangled curls displayed in the sculptured head of some old Grecian sage or poet.

On the other side of the bed knelt a young girl of about sixteen, with a face exquisitely lovely in its delicacy and expression. She seemed about the middle stature, and her arms and neck, as displayed by the close-fitting vest, had already the smooth and rounded contour of dawning womanhood, while the face had still the softness, innocence, and inexpressible bloom of a child. There was a strong likeness between her and her father (for such the relationship, despite the difference of sex and years),—the same beautiful form of lip and brow, the same rare colour of the eyes, dark-blue, with black fringing lashes; and perhaps the common expression, at that moment, of gentle pity and benevolent anxiety contributed to render the resemblance stronger.

“Father, he sinks again!” said the girl.

“Sibyll,” answered the man, putting his finger upon a line in a manuscript book that he held, “the authority saith, that a patient so contused should lose blood, and then the arm must be tightly bandaged. Verily we lack the wherewithal.”

“Not so, Father!” said the girl, and blushing, she turned aside, and took off the partelet of lawn, upon which holiday finery her young eyes perhaps that morning had turned with pleasure, and white as snow was the neck which was thus displayed; “this will suffice to bind his arm.”

“But the book,” said the father, in great perplexity—“the book telleth us not how the lancet should be applied. It is easy to say, ‘Do this and do that;’ but to do it once, it should have been done before. This is not among my experiments.”

Luckily, perhaps, for Marmaduke, at this moment there entered an old woman, the solitary servant of the house, whose life, in those warlike times, had made her pretty well acquainted with the simpler modes of dealing with a wounded arm and a broken head. She treated with great disdain the learned authority referred to by her master; she bound the arm, plastered the head, and taking upon herself the responsibility to promise a rapid cure, insisted upon the retirement of father and child, and took her solitary watch beside the bed.

“If it had been any other mechanism than that of the vile human body!” muttered the philosopher, as if apologizing to himself; and with that he recovered his self-complacency and looked round him proudly.