The Talisman by Walter Scott (best novels of all time txt) 📕

He paused again for a moment, and turning to the Scottish knight, said, in a firmer tone of voice, “You bring me a greeting from Richard of England?”

“I come from the Council of Christian Princes,” said the knight; “but the King of England being indisposed, I am not honoured with his Majesty's commands.”

“Your token?” demanded the recluse.

Sir Kenneth hesitated. Former suspicions, and the marks of insanity which the hermit had formerly exhibited, rushed suddenly on his thoughts; but how suspect a man whose manners were so saintly? “My password,” he said at length, “is this—Kings begged of a beggar.”

“It is right,” said the hermit, while he paused. “I know you well; but the sentinel upon his post—and mine is an important one—challenges friend as well as foe.”

He then moved forward with the lamp, leading the way into the room which they had left. The Saracen lay on his couch, still fast asleep. The hermit paused by his side, and looked down on him.

“He sleeps,” he said, “in darkness, and must not be awakened.”

The attitude of the Emir did indeed convey the idea of profound repose. One arm, flung across his body, as he lay with his face half turned to the wall, concealed, with its loose and long sleeve, the greater part of his face; but the high forehead was yet visible. Its nerves, which during his waking hours were so uncommonly active, were now motionless, as if the face had been composed of dark marble, and his long silken eyelashes closed over his piercing and hawklike eyes. The open and relaxed hand, and the deep, regular, and soft breathing, all gave tokens of the most profound repose. The slumberer formed a singular group along with the tall forms of the hermit in his shaggy dress of goat-skins, bearing the lamp, and the knight in his close leathern coat—the former with an austere expression of ascetic gloom, the latter with anxious curiosity deeply impressed on his manly features.

“He sleeps soundly,” said the hermit, in the same low tone as before; and repeating the words, though he had changed the meaning from that which is literal to a metaphorical sense—“he sleeps in darkness, but there shall be for him a dayspring.—O Ilderim, thy waking thoughts are yet as vain and wild as those which are wheeling their giddy dance through thy sleeping brain; but the trumpet shall be heard, and the dream shall be dissolved.”

So saying, and making the knight a sign to follow him, the hermit went towards the altar, and passing behind it, pressed a spring, which, opening without noise, showed a small iron door wrought in the side of the cavern, so as to be almost imperceptible, unless upon the most severe scrutiny. The hermit, ere he ventured fully to open the door, dropped some oil on the hinges, which the lamp supplied. A small staircase, hewn in the rock, was discovered, when the iron door was at length completely opened.

“Take the veil which I hold,” said the hermit, in a melancholy tone, “and blind mine eyes; For I may not look on the treasure which thou art presently to behold, without sin and presumption.”

Without reply, the knight hastily muffled the recluse's head in the veil, and the latter began to ascend the staircase as one too much accustomed to the way to require the use of light, while at the same time he held the lamp to the Scot, who followed him for many steps up the narrow ascent. At length they rested in a small vault of irregular form, in one nook of which the staircase terminated, while in another corner a corresponding stair was seen to continue the ascent. In a third angle was a Gothic door, very rudely ornamented with the usual attributes of clustered columns and carving, and defended by a wicket, strongly guarded with iron, and studded with large nails. To this last point the hermit directed his steps, which seemed to falter as he approached it.

“Put off thy shoes,” he said to his attendant; “the ground on which thou standest is holy. Banish from thy innermost heart each profane and carnal thought, for to harbour such while in this place were a deadly impiety.”

The knight laid aside his shoes as he was commanded, and the hermit stood in the meanwhile as if communing with his soul in secret prayer, and when he again moved, commanded the knight to knock at the wicket three times. He did so. The door opened spontaneously—at least Sir Kenneth beheld no one—and his senses were at once assailed by a stream of the purest light, and by a strong and almost oppressive sense of the richest perfumes. He stepped two or three paces back, and it was the space of a minute ere he recovered the dazzling and overpowering effects of the sudden change from darkness to light.

When he entered the apartment in which this brilliant lustre was displayed, he perceived that the light proceeded from a combination of silver lamps, fed with purest oil, and sending forth the richest odours, hanging by silver chains from the roof of a small Gothic chapel, hewn, like most part of the hermit's singular mansion, out of the sound and solid rock. But whereas, in every other place which Sir Kenneth had seen, the labour employed upon the rock had been of the simplest and coarsest description, it had in this chapel employed the invention and the chisels of the most able architects. The groined roofs rose from six columns on each side, carved with the rarest skill; and the manner in which the crossings of the concave arches were bound together, as it were, with appropriate ornaments, were all in the finest tone of the architecture of the age. Corresponding to the line of pillars, there were on each side six richly-wrought niches, each of which contained the image of one of the twelve apostles.

At the upper and eastern end of the chapel stood the altar, behind which a very rich curtain of Persian silk, embroidered deeply with gold, covered a recess, containing, unquestionably, some image or relic of no ordinary sanctity, in honour of which this singular place of worship had been erected, Under the persuasion that this must be the case, the knight advanced to the shrine, and kneeling down before it, repeated his devotions with fervency, during which his attention was disturbed by the curtain being suddenly raised, or rather pulled aside, how or by whom he saw not; but in the niche which was thus disclosed he beheld a cabinet of silver and ebony, with a double folding-door, the whole formed into the miniature resemblance of a Gothic church.

As he gazed with anxious curiosity on the shrine, the two folding-doors also flew open, discovering a large piece of wood, on which were blazoned the words, VERA CRUX; at the same time a choir of female voices sung GLORIA PATRI. The instant the strain had ceased, the shrine was closed, and the curtain again drawn, and the knight who knelt at the altar might now continue his devotions undisturbed, in honour of the holy relic which had been just disclosed to his view. He did this under the profound impression of one who had witnessed, with his own eyes, an awful evidence of the truth of his religion; and it was some time ere, concluding his orisons, he arose, and ventured to look around him for the hermit, who had guided him to this sacred and mysterious spot. He beheld him, his head still muffled in the veil which he had himself wrapped around it, crouching, like a rated hound, upon the threshold of the chapel; but, apparently, without venturing to cross it—the holiest reverence, the