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put Juliet into her coach, or hand Monimia to her chair, are privileges which would delight most young men of a poetic turn; and no wonder George Warrington loved the theatre. Then he had the satisfaction of thinking that his mother only half approved of plays and playhouses, and of feasting on fruit forbidden at home. He gave more than one elegant entertainment to the players, and it was even said that one or two distinguished geniuses had condescended to borrow money of him.

And as he polished and added new beauties to his masterpiece, we may be sure that he took advice of certain friends of his, and that they gave him applause and counsel. Mr. Spencer, his new acquaintance, of the Temple, gave a breakfast at his chambers in Fig Tree Court, when Mr. Warrington read part of his play, and the gentlemen present pronounced that it had uncommon merit. Even the learned Mr. Johnson, who was invited, was good enough to say that the piece had showed talent. It warred against the unities, to be sure; but these had been violated by other authors, and Mr. Warrington might sacrifice them as well as another. There was in Mr. W.'s tragedy a something which reminded him both of Coriolanus and Othello. β€œAnd two very good things too, sir!” the author pleaded. β€œWell, well, there was no doubt on that point; and 'tis certain your catastrophe is terrible, just, and being in part true, is not the less awful,” remarks Mr. Spencer.

Now the plot of Mr. Warrington's tragedy was quite full indeed of battle and murder. A favourite book of his grandfather had been the life of old George Frundsberg of Mindelheim, a colonel of foot-folk in the Imperial service at Pavia fight, and during the wars of the Constable Bourbon: and one of Frundsberg's military companions was a certain Carpzow, or Carpezan, whom our friend selected as his tragedy hero. His first act, as it at present stands in Sir George Warrington's manuscript, is supposed to take place before a convent on the Rhine, which the Lutherans, under Carpezan, are besieging. A godless gang these Lutherans are. They have pulled the beards of Roman friars, and torn the veils of hundreds of religious women. A score of these are trembling within the walls of the convent yonder, of which the garrison, unless the expected succours arrive before midday, has promised to surrender. Meanwhile there is armistice, and the sentries within look on with hungry eyes, as the soldiers and camp people gamble on the grass before the gate. Twelve o'clock, ding, ding, dong! it sounds upon the convent bell. No succours have arrived. Open gates, warder! and give admission to the famous Protestant hero, the terror of Turks on the Danube, and Papists in the Lombard plainsβ€”Colonel Carpezan! See, here he comes, clad in complete steel, his hammer of battle over his shoulder, with which he has battered so many infidel sconces, his flags displayed, his trumpets blowing. β€œNo rudeness, my men,” says Carpezan; β€œthe wine is yours, and the convent larder and cellar are good: the church plate shall be melted: any of the garrison who choose to take service with Gaspar Carpezan are welcome, and shall have good pay. No insult to the religious ladies! I have promised them a safe-conduct, and he who lays a finger on them, hangs! Mind that Provost Marshal!” The Provost Marshal, a huge fellow in a red doublet, nods his head.

β€œWe shall see more of that Provost Marshal, or executioner,” Mr. Spencer explains to his guests.

β€œA very agreeable acquaintance, I am sure,β€”shall be delighted to meet the gentleman again!” says Mr. Johnson, wagging his head over his tea. β€œThis scene of the mercenaries, the camp followers, and their wild sports, is novel and stirring, Mr. Warrington, and I make you my compliments on it. The Colonel has gone into the convent, I think? Now let us hear what he is going to do there.”

The Abbess, and one or two of her oldest ladies, make their appearance before the conqueror. Conqueror as he is, they heard him in their sacred halls. They have heard of his violent behaviour in conventual establishments before. That hammer, which he always carries in action, has smashed many sacred images in religious houses. Pounds and pounds of convent plate is he known to have melted, the sacrilegious plunderer! No wonder the Abbess-Princess of St. Mary's, a lady of violent prejudices, free language, and noble birth, has a dislike to the lowborn heretic who lords it in her convent, and tells Carpezan a bit of her mind, as the phrase is. This scene, in which the lady gets somewhat better of the Colonel, was liked not a little by Mr. Warrington's audience at the Temple. Terrible as he might be in war, Carpezan was shaken at first by the Abbess's brisk opening charge of words; and, conqueror as he was, seemed at first to be conquered by his actual prisoner. But such an old soldier was not to be beaten ultimately by any woman. β€œPray, madam,” says he, β€œhow many ladies are there in your convent, for whom my people shall provide conveyance?” The Abbess, with a look of much trouble and anger, says that, β€œbesides herself, the noble sisters of Saint Mary's House are twentyβ€”twenty-three.” She was going to say twenty-four, and now says twenty-three? β€œHa! why this hesitation?” asks Captain Ulric, one of Carpezan's gayest officers.

The dark chief pulls a letter from his pocket. β€œI require from you, madam,” he says sternly to the Lady Abbess, β€œthe body of the noble lady Sybilla of Hoya. Her brother was my favourite captain, slain by my side, in the Milanese. By his death, she becomes heiress of his lands. 'Tis said a greedy uncle brought her hither; and fast immured the lady against her will. The damsel shall herself pronounce her fateβ€”to stay a cloistered sister of Saint Mary's, or to return to home and liberty, as Lady Sybil, Baroness of β€”β€”β€”.” Ha! The Abbess was greatly disturbed by this question. She says, haughtily: β€œThere is no Lady Sybil in this house: of which every inmate is under your protection, and sworn to go free. The Sister Agnes was a nun professed, and what was her land and wealth revert to this Order.”

β€œGive me straightway the body of the Lady Sybil of Hoya!” roars Carpezan, in great wrath. β€œIf not, I make a signal to my Reiters, and give you and your convent up to war.”

β€œFaith, if I lead the storm, and have my right, 'tis not my Lady Abbess that I'll choose,” says Captain Ulric, β€œbut rather some plump, smiling, red-lipped maid likeβ€”like——” Here, as he, the sly fellow, is looking under the veils of the two attendant nuns, the stern Abbess cries, β€œSilence, fellow, with thy ribald talk! The lady, warrior, whom you ask of me is passed away from sin, temptation, vanity, and three days since our Sister Agnesβ€”died.”

At this announcement Carpezan is immensely agitated. The Abbess calls upon the chaplain to confirm her statement. Ghastly and pale, the old man has to own that three days since the wretched Sister Agnes was buried.

This is too much! In the pocket of his coat of mail Carpezan has a letter from Sister Agnes herself, in which she announces that she is going to be buried indeed, but in an oubliette of the convent, where she may either be kept on water and bread, or die starved outright. He seizes the unflinching Abbess by the arm, whilst Captain Ulric lays hold of the chaplain by the throat. The Colonel blows a blast upon his horn: in rush his furious Lanzknechts from without. Crash, bang! They knock the convent walls about. And in the midst of flames, screams, and slaughter, who is presently brought in by Carpezan himself, and fainting on his shoulder, but Sybilla herself? A little sister nun (that gay one with the red lips) had pointed out to the Colonel and Ulric the way to Sister

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