The Virginians by William Makepeace Thackeray (top books to read txt) 📕

On the night of the production of the piece, Mr. Warrington gave an elegant entertainment to his friends at the Bedford Head, in Covent Garden, whence they adjourned in a body to the theatre; leaving only one or two with our young author, who remained at the coffee-house, where friends from time to time came to him with an account of the performance. The part of Carpezan was filled by Barry, Shuter was the old nobleman, Reddish, I need scarcely say, made an excellent Ulric, and the King of Bohemia was by a young actor from Dublin, Mr. Geoghegan, or Hagan as he was called on the stage, and who looked and performed the part to admiration. Mrs. Woffington looked too old in the first act as the heroine, but her murder in the fourth act, about which great doubts were expressed, went off to the terror and delight of the audience. Miss Wayn sang the ballad which is supposed to be sung by the king's page, just at the moment of the unhappy wife's execution, and all agreed that Barry was very terrible and pathetic as Carpezan, especially in the execution scene. The grace and elegance of the young actor, Hagan, won general applause. The piece was put very elegantly on the stage by Mr. Rich, though there was some doubt whether, in the march of Janissaries in the last, the manager was correct in introducing a favourite elephant, which had figured in various pantomimes, and by which one of Mr. Warrington's black servants marched in a Turkish habit. The other sate in the footman's gallery, and uproariously wept and applauded at the proper intervals.

The execution of Sybilla was the turning-point of the piece. Her head off, George's friends breathed freely, and one messenger after another came to him at the coffee-house, to announce the complete success of the tragedy. Mr. Barry, amidst general applause, announced the play for repetition, and that it was the work of a young gentleman of Virginia, his first attempt in the dramatic style.

We should like to have been in the box where all our friends were seated during the performance, to have watched Theo's flutter and anxiety whilst the success of the play seemed dubious, and have beheld the blushes and the sparkles in her eyes, when the victory was assured. Harry, during the little trouble in the fourth act, was deadly pale—whiter, Mrs. Lambert said, than Barry, with all his chalk. But if Briareus could have clapped hands, he could scarcely have made more noise than Harry at the end of the piece. Mr. Wolfe and General Lambert huzzayed enthusiastically. Mrs. Lambert, of course, cried: and though Hetty said, “Why do you cry, mamma? I you don't want any of them alive again; you know it serves them all right”—the girl was really as much delighted as any person present, including little Charley from the Chartreux, who had leave from Dr. Crusius for that evening, and Miss Lucy, who had been brought from boarding-school on purpose to be present on the great occasion. My Lord Castlewood and his sister, Lady Maria, were present; and his lordship went from his box and complimented Mr. Barry and the other actors on the stage; and Parson Sampson was invaluable in the pit, where he led the applause, having, I believe, given previous instructions to Gumbo to keep an eye upon him from the gallery, and do as he did.

Be sure there was a very jolly supper of Mr. Warrington's friends that night—much more jolly than Mr. Garrick's, for example, who made but a very poor success with his Agis and its dreary choruses, and who must have again felt that he had missed a good chance, in preferring Mr. Home's tragedy to our young author's. A jolly supper, did we say?—Many jolly suppers. Mr. Gumbo gave an entertainment to several gentlemen of the shoulder-knot, who had concurred in supporting his master's masterpiece: Mr. Henry Warrington gave a supper at the Star and Garter, in Pall Mall, to ten officers of his new regiment, who had come up for the express purpose of backing Carpezan; and finally, Mr. Warrington received the three principal actors of the tragedy, our family party from the side box, Mr. Johnson and his ingenious friend, Mr. Reynolds the painter, my Lord Castlewood and his sister, and one or two more. My Lady Maria happened to sit next to the young actor who had performed the part of the King. Mr. Warrington somehow had Miss Theo for a neighbour, and no doubt passed a pleasant evening beside her. The greatest animation and cordiality prevailed, and when toasts were called, Lady Maria gaily gave “The King of Hungary” for hers. That gentleman, who had plenty of eloquence and fire, and excellent manners, on as well as off the stage, protested that he had already suffered death in the course of the evening, hoped that he should die a hundred times more on the same field; but, dead or living, vowed he knew whose humble servant he ever should be. Ah, if he had but a real crown in place of his diadem of pasteboard and tinsel, with what joy would he lay it at her ladyship's feet! Neither my lord nor Mr. Esmond were over well pleased with the gentleman's exceeding gallantry—a part of which they attributed, no doubt justly, to the wine and punch, of which he had been partaking very freely. Theo and her sister, who were quite new to the world, were a little frightened by the exceeding energy of Mr. Hagan's manner—but Lady Maria, much more experienced, took it in perfectly good part. At a late hour coaches were called, to which the gentlemen attended the ladies, after whose departure some of them returned to the supper-room, and the end was that Carpezan had to be carried away in a chair, and that the King of Hungary had a severe headache; and that the Poet, though he remembered making a great number of speeches, was quite astounded when half a dozen of his guests appeared at his house the next day, whom he had invited overnight to come and sup with him once more.

As he put Mrs. Lambert and her daughters into their coach on the night previous, all the ladies were flurried, delighted, excited; and you may be sure our gentleman was with them the next day, to talk of the play and the audience, and the actors, and the beauties of the piece, over and over again. Mrs. Lambert had heard that the ladies of the theatre were dangerous company for young men. She hoped George would have a care, and not frequent the greenroom too much.

George smiled, and said he had a preventive against all greenroom temptations, of which he was not in the least afraid; and as he spoke he looked in Theo's face, as if in those eyes lay the amulet which was to preserve him from all danger.

“Why should he be afraid, mamma?” asks the maiden simply. She had no idea of danger or of guile.

“No, my darling, I don't think he need be afraid,” says the mother, kissing her.

“You don't suppose Mr. George would fall in love with that painted old creature who performed the chief part?” asks Miss Hetty, with a toss of her head. “She must be old enough to be his mother.”

“Pray, do you suppose that at our age nobody can care for us, or that we have no hearts left?” asks mamma, very tartly. “I believe, or I may say, I hope and trust, your father thinks otherwise. He is, I imagine, perfectly satisfied, miss. He does not sneer at age, whatever little girls out of the schoolroom may do. And they had much better be back there, and they had much better remember what the fifth commandment is—that they had, Hetty!”

“I didn't think I was breaking it by saying that an actress was as old as George's mother,” pleaded Hetty.

“George's mother is as old as I am, miss!—at least