Mary Wollaston by Henry Kitchell Webster (best story books to read txt) 📕

don't see how you live through horrors like that. But there must be other people--somebody who can take your work for you for a while. It can't make all that difference."

"It wouldn't," he admitted, "nine times out of ten. That call I got last evening that broke up the dinner party,--an intern at the County Hospital would have done just as well as I. There was nothing to it at all. Oh, it was a sort of satisfaction to the husband's feelings, I suppose, to pay me a thousand dollars and be satisfied that nobody in town could have paid more and got anything better. But you see, you never can tell. The case I was called in on at four o'clock this morning was another thing altogether." A gleam had come into his eyes again as over the memory of some brilliantly successful audacity. The gray old look had gone out of his face.

"I don't altogether wonder that Pollard blew up," he added, "except that a man in that profession has got no business to--ever."

The coffee urn offered Miss Wollaston her only means of escape but she didn't avail herself of it. She let herself go on looking for a breathless minute into her brother's face. Then she asked weakly, "What was it?"

"Why, Pollard...." John Wollaston began but then he stopped short and listened. "I thought I heard Paula coming," he explained.

"Paula won't be down for hours," Miss Wollaston said, "but I do not see why she shouldn't hear, since she is a married woman and your own wife...."

Her brother's "Precisely" cut across that sentence with a snick like a pair of shears and left a little silence behind it.

"I think she'll be along in a minute," he went on. "She always does come to breakfast. Why did you think she wouldn't to-day?"

This was one of Miss Wollaston's minor crosses. The fact was that on the comparatively rare occasions when Doctor John himself was present for the family breakfast at the custom-consecrated hour, Paula managed about two times in five to put in a last-minute appearance. This was not what annoyed Miss Wollaston. She was broad-minded enough to be aware that to an opera singer, the marshaling of one's whole family in the dining-room at eight o'clock in the morning might seem a barbarous and revolting practise and even occasional submissions to it, acts of real devotion. She was not really bitterly annoyed either by Paula's oft repeated assertion that she always came to breakfast. Paula was one of those temperamental persons who have to be forgiven for treating their facts--atmospherically. But that John, a man of science, enlisted under the banner of truth, should back this assertion of his wife's, in the face of overwhelming evidence to the contrary, really required resignation to put up with; argued a blindness, an infatuation, which seemed to his sister hardly decent. Because after all, facts were facts, and you didn't alter them by pretending that they did not exist.

So instead of answering her brother's question, she sat a little straighter in her chair, and compressed her lips.

He smiled faintly at that and added, "Anyhow she said she'd be along in a minute or two."

"Oh," said Miss Wollaston, "you have wakened her then. I would have suggested that the poor child be left asleep this morning."

Now he saw that she had something to tell him. "Nothing went wrong last night after I left, I hope."

"Oh, not wrong," Miss Wollaston conceded, "only the Whitneys went of course, when you did and the Byrnes, and Wallace Hood, but Portia Stanton and that new husband of hers stayed. It was his doing, I suppose. You might have thought he was waiting all the evening for just that thing to happen. They went up to Paula's studio--Paula invited me, of course, but I excused myself--and they played and sang until nearly two o'clock this morning. It was all perfectly natural, I suppose. And still I did think that Paula might have sung earlier, down in the drawing-room when you asked her to."

"She was perfectly right to refuse." He caught his sister up rather short on that, "I shouldn't have asked her. It was very soon after dinner. They weren't a musical crowd anyway, except Novelli. It's utterly unfair to expect a person like Paula to perform unless she happens to be in the mood for it. At that she's extremely amiable about it; never refuses unless she has some real reason. What her reason was last night, I don't know, but you may be perfectly sure it was sufficient."

He would have realized that he was protesting too much even if he had not read that comment in his sister's face. But somehow he couldn't have pulled himself up but for old Nat's appearance with the platter of ham and eggs and the first installment of the wheat cakes. He was really hungry and he settled down to them in silence.

And, watching him between the little bites of dry toast and sips of coffee, Miss Wollaston talked about Portia Stanton. Everybody, indeed, was talking about Portia these days but Miss Wollaston had a special privilege. She had known Portia's mother rather well,--Naomi Rutledge Stanton, the suffrage leader, she was--and she had always liked and admired Portia; liked her better than the younger and more sensational daughter, Rose.

Miss Wollaston hoped, hoped with all her heart that Portia had not made a tragic mistake in this matter of her marriage. She couldn't herself quite see how a sensible girl like Portia could have done anything so reckless as to marry a romantic young Italian pianist, ten years at least her junior. It couldn't be denied that the experiment seemed to have worked well so far. Portia certainly seemed happy enough last night; contented. There was a sort of glow about her there never was before. But the question was how long would it last. How long would it be before those big brown Italian eyes began looking soulfully at somebody else; somebody more....

It was here that Miss Wollaston chopped herself off short, hearing--this time it was no false alarm--Paula's step in the hall. She'd have been amazed, scandalized, profoundly indignant, dear good-hearted lady that she was, had some expert in the psychology of the unconscious pointed out to her that the reason she had begun talking about Portia was that it gave her an outlet for expressing her misgivings about her own brother's marriage. Paula, of course, was a different thing altogether.

What a beautiful creature she was, even at eight o'clock in the morning at the end of an abruptly terminated night's sleep. She looked lovelier than ever as she came in through the shadowy doorway. She wasn't a true blonde like Mary. Her thick strong hair was a sort of golden glorification of brown, her skin a warm tone of ivory. Her eyes, set wide apart, were brown, and the lashes, darker than her hair, enhanced the size of them. The look of power about Paula, inseparable from her beauty, was not one of Miss Wollaston's feminine ideals. It spoke in every line of her figure as well as in the lineaments of her face; in the short, rather broad, yet cleanly defined nose; in the generous width of her mouth; in the sculpturesque poise of her neck upon her shoulders.

Paula's clothes, too, worried her elderly sister-in-law a little, especially the house-dresses that she affected. They were beautiful, heaven knew; more simply beautiful perhaps than it was right that clothes should be. There was nothing indecent about them. Dear Paula was almost surprisingly nice in those ways. But that thing she had on now, for instance;--a tunic of ecru colored silk that she had pulled on over her head, with a little over-dress of corn colored tulle, weighted artfully here and there that it mightn't fly away. And a string of big lumpish amber beads. She could have got into that costume in about two minutes and there was probably next to nothing under it. From the on-looker's point of view, it mightn't violate decorum at all; indeed, clearly did not. But Miss Wollaston herself, if she hadn't been more or less rigidly laced, stayed, gartered, pinched, pried and pulled about; if she could have moved freely in any direction without an admonitory--"take care"--from some bit of whalebone somewhere, wouldn't have felt dressed at all. There ought to be something perpetually penitential about clothes. The biblical story of the fall of man made that clear, didn't it?

John sprang up as his wife came into the room; went around the table and held her chair for her. "My dear, I didn't know I was robbing you of half a night's sleep," he said. "You should have turned me out."

She reached up her strong white arms (the tulle sleeves did fall away from them rather alarmingly, and Miss Wollaston concentrated her attention on the spiggot of the coffee urn) for his head as he bent over her and pulled it down for a kiss.

"I didn't need any more sleep. I had such a joyous time last night. I sang the whole of _Maliela_, and a lot of _Thais_. I don't know what all. Novelli's a marvel; the best accompanist I've found yet. But, oh, my darling, I did feel such a pig about it."

He was back in his own chair by now and his sister breathed a little more freely.

"Pig?" he asked.

"Oh, because you weren't there," said Paula. "Because I didn't sing before, when you asked me to."

"Dearest!" John remonstrated,--pleased though with the apology, you could see with half an eye,--"it was inexcusable of me to have asked you. It was a dull crowd from a musical point of view. The only thing I minded was having, myself, put you into a position where you had to refuse. I am glad you were able to make it up to yourself after."

"That was not why I didn't," Paula said. She always spoke rather deliberately and never interrupted any one. "I mean it wasn't because the others weren't especially musical. But I couldn't have sung without asking Novelli to play. And he couldn't have refused--being new and a little on trial you know. And that drawing-room piano, so badly out of tune, would have been terrible for him. There's no knowing what he mightn't have done."

John's face beamed triumph. "I might have known you had an unselfish reason for it," he said. He didn't look at his sister but, of course, the words slanted her way.

It was perfectly characteristic of Miss Wollaston that she did not, however, make any immediate attempt to set herself right. She attended first very competently to all of Paula's wants in the way of breakfast and saw her fairly launched on her chilled grapefruit. Then she said, "A man is coming to tune the piano this morning."

It was more than a statement of fact. Indeed I despair of conveying to you all the implications and moral reflections which Miss Wollaston contrived to pack into that simple sentence.

The drawing-room piano was what an artillerist would speak of as one of the sensitive points along the family front. It had been a present to the Wollaston household from the eldest of John's brothers, the unmarried one Miss Wollaston had kept house for so many years before he died; the last present, it turned out, he ever made to anybody. Partly perhaps, because it was a sacred object, the Wollaston children took to treating it rather irreverently. The "Circassian grand" was one of its nicknames and the "Siamese Elephant" another. It did glare in the otherwise