Midnight by Octavus Roy Cohen (rosie project .TXT) 📕

the big cars as they crossed East End Avenue, and then the lights on the rear of the caboose, had warned him.

He stopped his car for perhaps fifteen seconds to make sure that the crossing was clear, then started on again, a bit shaken by the narrow escape. He bumped cautiously across the railroad tracks.

The rest of the journey was a nightmare. The suburb through which he was passing seemed to have congealed. Save for the corner lights, there was no sign of life. The roofs and sidewalks glistened with ice. Occasionally the car struck a bump and skidded dangerously. Spike had forgotten his passenger, forgotten the restaurant, the coffee, the weather itself. He only remembered that he was cold—almost unbearably cold.

Then he began taking note of the houses. There was No. 916. He looked ahead. These were houses of the poorer type, the homes of laborers situated on the outer edge of the suburb of East End. Funny—the handsomely dressed woman—such a poor neighborhood—

He came to a halt before a dilapidated bungalow which squatted darkly in the night. Stiff with cold, he reached his hand back to the door on the right of the car, and with difficulty opened it. Then he spoke:

"Here y'are, miss—No. 981!"

There was no answer. Spike repeated:

"Here y'are, miss."

Still no answer. Spike clambered stiffly from the car, circled to the curb, and stuck his head in the door.

"Here, miss—"

Spike stepped back. Then he again put his head inside the cab.

"Well, I'll be—"

The thing was impossible, and yet it was true. Spike gazed at the seat.
The woman had disappeared!

The thing was absurd; impossible. He had seen her get into the cab at the Union Station. There, in the front of the car, was her suit-case; but she had gone—disappeared completely, vanished without leaving a sign.

Momentarily forgetful of the cold, Spike found a match and lighted it. Holding it cupped in his hands, he peered within the cab. Then he recoiled with a cry of horror.

For, huddled on the floor, he discerned the body of a man!

CHAPTER II THE SUIT-CASE IS OPENED

The barren trees which lined the broad deserted thoroughfare jutted starkly into the night, waving their menacing, ice-crusted arms. The December gale, sweeping westward, shrieked through the glistening branches. It shrieked warning and horror, howled and sighed, sighed and howled.

Spike Walters felt suddenly ill. He forgot the cold, and was conscious of a fear which acted like a temporary anesthesia. For a few seconds he stood staring, until the match which he held burned out and scorched the flesh of his fingers. His jaw dropped, his eyes widened. He opened his lips and tried to speak, but closed them again without having uttered a sound save a choking gasp. He tried again, feeling an urge for speech—something, anything, to make him believe that he was here, alive—that the horror within the cab was real. This time he uttered an "Oh, my God!"

The words seemed to vitalize him. He fumbled for another match, found it, and lighted it within the cab. It seemed to have the radiance of an incandescent.

Spike had hoped that his first impression would prove to be a mere figment of his imagination; but now there was no doubting. There, sprawled in an ugly, inhuman heap on the floor, head resting against the cushioned seat of the cab, was the figure of a man. There was no doubt that he was dead. Even Spike, young, optimistic, and unversed in the ways of death as he was, knew that he was alone with a corpse.

And as he gazed, a strange courage came to him. He found himself emboldened to investigate. He was shivering while he did so, shivering with fear and with the terrific cold of the night. He could not quite bring himself to touch the body, but he did not need to move it to see that murder had been done.

The clothes told him instantly that the man was of high social station. They were obviously expensive clothes, probably tailor-made. The big coat, open at the top, was flung back. Beneath, Spike discerned a gray tweed—and on the breast of the gray tweed was a splotch, a dark, ugly thing which appeared black and was not black. Spike shuddered. He had never liked the sight of blood.

The match spluttered and went out. Spike looked around. He felt hopelessly alone. Not a pedestrian; not a light. The houses, set well back from the street, were dark, forbiddingly dark.

He saw a street-car rattle past, bound on the final run of the night for the car-sheds at East End. Then he was alone again—alone and frightened.

He felt the necessity for action. He must do something—something, but what? What was there to do?

A great fear gripped him. He was with the body. The body was in his cab.
He would be arrested for the murder of the man!

Of course he knew he didn't do it. The woman had committed the murder.

Spike swore. He had almost forgotten the woman. Where was she? How had she managed to leave the taxicab? When had the man, who now lay sprawled in the cab, entered it?

He had driven straight from the Union Station to the address given by the woman—straight down East End Avenue, turning neither to right nor left. The utter impossibilty of the situation robbed it of some of its stark horror. And yet—

Spike knew that he must do something. He tried to think connectedly, and found it a difficult task. Near him loomed the shadow which was No. 981 East End Avenue—the address given by the woman when she entered the cab. He might go in there and report the circumstances. Some one there would know who she was, and—but he hesitated.

Perhaps this thing had been prearranged. Perhaps they would get him—for what he didn't know. When a man—a young man—comes face to face with murder for the first time, making its acquaintance on a freezing December midnight and in a lonely spot, he is not to be blamed if his mental equilibrium is destroyed.

Wild plans chased each other through his brain. He might dump the body by the roadside and run back to town. That was absurd on the face of it, for he would be convicting himself when the body was found. It would be traced to him in some way—he knew that. He was already determined to keep away from No. 981 East End Avenue. There was something sinister in the unfriendly shadow of the rambling house. He might call the police.

That was it—he would call the police. But how? Go into a house near by, wake the residents, telephone headquarters that a murder had been done? Alarm the neighborhood, and identify himself with the crime? Spike was afraid, frankly and boyishly afraid—afraid of the present, and more afraid of the future.

And yet he knew that he must get in touch with the police, else the police would eventually get in touch with him. He thought then of taking the body in to headquarters; but he feared that his cab might be stopped en route to the city and the body discovered. They would never believe, then, that he had been bound for headquarters.

Almost before he knew that he had arrived at a decision, Spike had groped his way across the icy street and pressed the bell-button on the front door of the least unprepossessing house on the block.

For a long time there was no answer. Finally a light shone in the hall, and the skinny figure of a man, shivering violently despite the blanket-robe which enfolded him, appeared in the hallway. He flashed on the porch light from inside and peered through the glass door. Apparently reassured, he cracked the door slightly.

"Yes. What do you want?"

At sound of a human voice, Spike instantly felt easier. The fact that he could converse, that he had shed his terrible loneliness, steadied him as nothing else could have done. He was surprised at his own calmness, at the fact that there was scarcely a quaver in the voice with which he answered the man.

"I'm Spike Walters," he said with surprising quietness. "I'm a driver for the Yellow and White Taxicab Company. My cab is No. 92,381. I have a man in my cab who has been badly injured. I want to telephone to the city."

The little householder opened the door wider, and Spike entered. Cold as the house was, from the standpoint of the man within, its hold-over warmth was a godsend to Spike's thoroughly chilled body.

The little man designated a telephone on the wall, then started nervously as central answered and Spike barked a single command into the transmitter:

"Police-station, please!"

"Police?"

"Never you mind, sir," Spike told the householder. "Hello! Police!" he called to the operator.

There was a pause, then Spike went on:

"This is Spike Walters—Yellow and White Taxi Company. I'm out at No. 981
East End Avenue. There's a dead man in my cab!"

The weary voice at the other end became suddenly alive.

"A dead man!"

"Yes."

"Who is he?"

"I don't know. That's why I called you."

"When did he die? How?"

Spike controlled himself with an effort.

"Don't you understand? He has been killed—"

"The devil you say!" replied the voice at headquarters, and the little householder chimed in with a frightened squeak.

"Yes," repeated Spike painstakingly. "The man is dead—killed. It is very peculiar. I can't explain over the phone. I called up to ask you what I shall do."

"Hold connection a minute!" Spike heard a hurried whispered conversation at the other end, then the voice barked back at him: "Stay where you are—couple of officers coming, and coming fast!"

It was Dan O'Leary, night desk sergeant, who was on duty at headquarters that night, and Sergeant Dan O'Leary was a good deal of an institution on the city's force. He hopped excitedly from his desk into the office of Eric Leverage, the chief of police.

Chief Leverage, a broad-shouldered, heavy-set, bushy-eyebrowed individual, looked up from the chess-board, annoyed at this interruption of a game which had been in progress since ten o'clock that night. O'Leary grabbed a salute from thin air.

"'Scuse my botherin' ye, chief, but there's hell to pay out at East End."

O'Leary was never long at coming to the point. Leverage looked up. So, too, did the boyish, clean-shaven young man with whom he was playing chess.

"An' knowin' that Mr. Carroll was playin' chess with ye, chief—an' him naturally interested in such things—I hopped right in."

"I'll say you did," commented the chief phlegmatically. "I have you there, Carroll—dead to rights!"

O'Leary was a trifle irritated at the cold reception accorded his news.

"Ye ain't after understanding" he said slowly. "It's murder that has been done this night."

"H-m!" Carroll's slow, pleasant drawl seemed to soothe O'Leary. "Murder?"

"You said it, Mr. Carroll."

Leverage had risen. It was plain to be seen from his manner that the chess-game was forgotten. Leverage was a policeman first and a chess-player second—a very poor second. His voice, surcharged with interest, cracked out into the room.

"Spill the dope, O'Leary!"

The night desk sergeant needed no further bidding. In a few graphic words he outlined his telephone conversation with Spike Walters.

Before he finished speaking, Leverage was slipping into his enormous overcoat. He nodded to Carroll.

"How about trotting out there with me, David?"

Carroll smiled agreeably.

"Thank goodness my new coupé has a heating device, chief!"

That was all. It wasn't David Carroll's way to talk much, or to show any untoward emotion. It was Carroll's very boyishness which was his greatest asset. He had a way of stepping into a case before the principals knew he was there, and of solving it in a manner which savored not at all of flamboyance. A quiet man was Carroll, and one whose deductive powers Eric Leverage fairly worshiped.

On the slippery, skiddy journey to East End the two men—professional policeman and amateur criminologist—did not talk much. A few comments regarding the sudden advent of fiercest winter; a remark, forcedly jocular, from the chief, that murderers might be considerate enough to pick better weather for the practice of their profession—and that was all. Thus far they knew nothing about the case, and they were both too well versed in criminology to attempt a discussion of something with which they were unfamiliar.

Spike Walters saw them coming—saw their headlights splitting the frigid night. He was at the curb to meet them