The Magic City by E. Nesbit (free e reader .txt) 📕

these dreadful words he flung off her arm and rushed out of the room, banging the door after him—on purpose.

Well, she found him in the boot-cupboard, among the gaiters and goloshes and cricket-stumps and old rackets, and they kissed and cried and hugged each other, and he said he was sorry he had been naughty. But in his heart that was the only thing he was sorry for. He was sorry that he had made Helen unhappy. He still hated 'that man,' and most of all he hated Lucy.

He had to be polite to that man. His sister was very fond of that man, and this made Philip hate him still more, while at the same time it made him careful not to show how he hated him. Also it made him feel that hating that man was not quite fair to his sister, whom he loved. But there were no feelings of that kind to come in the way of the detestation he felt for Lucy. Helen had told him that Lucy had fair hair and wore it in two plaits; and he pictured her to himself as a fat, stumpy little girl, exactly like the little girl in the story of[9] 'The Sugar Bread' in the old oblong 'Shock-Headed Peter' book that had belonged to Helen when she was little.

Helen was quite happy. She divided her love between the boy she loved and the man she was going to marry, and she believed that they were both as happy as she was. The man, whose name was Peter Graham, was happy enough; the boy, who was Philip, was amused—for she kept him so—but under the amusement he was miserable.

And the wedding-day came and went. And Philip travelled on a very hot afternoon by strange trains and a strange carriage to a strange house, where he was welcomed by a strange nurse and—Lucy.

'You won't mind going to stay at Peter's beautiful house without me, will you, dear?' Helen had asked. 'Every one will be kind to you, and you'll have Lucy to play with.'

And Philip said he didn't mind. What else could he say, without being naughty and making Helen cry again?

Lucy was not a bit like the Sugar-Bread child. She had fair hair, it is true, and it was plaited in two braids, but they were very long and straight; she herself was long and lean and had a freckled face and bright, jolly eyes.

'I'm so glad you've come,' she said, meeting[10] him on the steps of the most beautiful house he had ever seen; 'we can play all sort of things now that you can't play when you're only one. I'm an only child,' she added, with a sort of melancholy pride. Then she laughed. '"Only" rhymes with "lonely," doesn't it?' she said.

'I don't know,' said Philip, with deliberate falseness, for he knew quite well.

He said no more.

Lucy tried two or three other beginnings of conversation, but Philip contradicted everything she said.

'I'm afraid he's very very stupid,' she said to her nurse, an extremely trained nurse, who firmly agreed with her. And when her aunt came to see her next day, Lucy said that the little new boy was stupid, and disagreeable as well as stupid, and Philip confirmed this opinion of his behaviour to such a degree that the aunt, who was young and affectionate, had Lucy's clothes packed at once and carried her off for a few days' visit.

So Philip and the nurse were left at the Grange. There was nobody else in the house but servants. And now Philip began to know what loneliness meant. The letters and the picture post-cards which his sister sent every day from the odd towns on the continent of Europe, which she visited on her honeymoon,[11] did not cheer the boy. They merely exasperated him, reminding him of the time when she was all his own, and was too near to him to need to send him post-cards and letters.

The extremely trained nurse, who wore a grey uniform and white cap and apron, disapproved of Philip to the depths of her well-disciplined nature. 'Cantankerous little pig,' she called him to herself.

To the housekeeper she said, 'He is an unusually difficult and disagreeable child. I should imagine that his education has been much neglected. He wants a tight hand.'

She did not use a tight hand to him, however. She treated him with an indifference more annoying than tyranny. He had immense liberty of a desolate, empty sort. The great house was his to go to and fro in. But he was not allowed to touch anything in it. The garden was his—to wander through, but he must not pluck flowers or fruit. He had no lessons, it is true; but, then, he had no games either. There was a nursery, but he was not imprisoned in it—was not even encouraged to spend his time there. He was sent out for walks, and alone, for the park was large and safe. And the nursery was the room of all that great house that attracted him most, for it was full of toys of the most fascinating kind.[12] A rocking-horse as big as a pony, the finest dolls' house you ever saw, boxes of tea-things, boxes of bricks—both the wooden and the terra-cotta sorts—puzzle maps, dominoes, chessmen, draughts, every kind of toy or game that you have ever had or ever wished to have.

And Pip was not allowed to play with any of them.

'You mustn't touch anything, if you please,' the nurse said, with that icy politeness which goes with a uniform. 'The toys are Miss Lucy's. No; I couldn't be responsible for giving you permission to play with them. No; I couldn't think of troubling Miss Lucy by writing to ask her if you may play with them. No; I couldn't take upon myself to give you Miss Lucy's address.'

For Philip's boredom and his desire had humbled him even to the asking for this.

For two whole days he lived at the Grange, hating it and every one in it; for the servants took their cue from the nurse, and the child felt that in the whole house he had not a friend. Somehow he had got the idea firmly in his head that this was a time when Helen was not to be bothered about anything; so he wrote to her that he was quite well, thank you, and the park was very pretty and Lucy had lots of nice toys. He felt very brave and[13] noble, and like a martyr. And he set his teeth to bear it all. It was like spending a few days at the dentist's.

And then suddenly everything changed. The nurse got a telegram. A brother who had been thought to be drowned at sea had abruptly come home. She must go to see him. 'If it costs me the situation,' she said to the housekeeper, who answered:

'Oh, well—go, then. I'll be responsible for the boy—sulky little brat.'

And the nurse went. In a happy bustle she packed her boxes and went. At the last moment Philip, on the doorstep watching her climb into the dog-cart, suddenly sprang forward.

'Oh, Nurse!' he cried, blundering against the almost moving wheel, and it was the first time he had called her by any name. 'Nurse, do—do say I may take Lucy's toys to play with; it is so lonely here. I may, mayn't I? I may take them?'

Perhaps the nurse's heart was softened by her own happiness and the thought of the brother who was not drowned. Perhaps she was only in such a hurry that she did not know what she was saying. At any rate, when Philip said for the third time, 'May I take them?' she hastily answered:[14]

'Bless the child! Take anything you like. Mind the wheel, for goodness' sake. Good-bye, everybody!' waved her hand to the servants assembled at the top of the wide steps, and was whirled off to joyous reunion with the undrowned brother.

Philip drew a deep breath of satisfaction, went straight up to the nursery, took out all the toys, and examined every single one of them. It took him all the afternoon.

The next day he looked at all the things again and longed to make something with them. He was accustomed to the joy that comes of making things. He and Helen had built many a city for the dream island out of his own two boxes of bricks and certain other things in the house—her Japanese cabinet, the dominoes and chessmen, cardboard boxes, books, the lids of kettles and teapots. But they had never had enough bricks. Lucy had enough bricks for anything.

He began to build a city on the nursery table. But to build with bricks alone is poor work when you have been used to building with all sorts of other things.

'It looks like a factory,' said Philip discontentedly. He swept the building down and replaced the bricks in their different boxes.

'There must be something downstairs that[15] would come in useful,' he told himself, 'and she did say, "Take what you like."'

By armfuls, two and three at a time, he carried down the boxes of bricks and the boxes of blocks, the draughts, the chessmen, and the box of dominoes. He took them into the long drawing-room where the crystal chandeliers were, and the chairs covered in brown holland—and the many long, light windows, and the cabinets and tables covered with the most interesting things.

He cleared a big writing-table of such useless and unimportant objects as blotting-pad, silver inkstand, and red-backed books, and there was a clear space for his city.

He began to build.

A bronze Egyptian god on a black and gold cabinet seemed to be looking at him from across the room.

'All right,' said Philip. 'I'll build you a temple. You wait a bit.'

The bronze god waited and the temple grew, and two silver candlesticks, topped by chessmen, served admirably as pillars for the portico. He made a journey to the nursery to fetch the Noah's Ark animals—the pair of elephants, each standing on a brick, flanked the entrance. It looked splendid, like an Assyrian temple in the pictures Helen had[16] shown him. But the bricks, wherever he built with them alone, looked mean, and like factories or workhouses. Bricks alone always do.

Philip explored again. He found the library. He made several journeys. He brought up twenty-seven volumes bound in white vellum with marbled boards, a set of Shakespeare, ten volumes in green morocco. These made pillars and cloisters, dark, mysterious, and attractive. More Noah's Ark animals added an Egyptian-looking finish to the building.

'Lor', ain't it pretty!' said the parlour-maid, who came to call him to tea. 'You are clever with your fingers, Master Philip, I will say that for you. But you'll catch it, taking all them things.'

'That grey nurse said I might,' said Philip, 'and it doesn't hurt things building with them. My sister and I always did it at home,' he added, looking confidingly at the parlour-maid. She had praised his building. And it was the first time he had mentioned his sister to any one in that house.

'Well, it's as good as a peep-show,' said the parlour-maid; 'it's just like them picture post-cards my brother in India sends me. All them pillars and domes and things—and the animals too. I don't know how you fare to think of such things, that I don't.'[17]