The Adventures of Gerard by Arthur Conan Doyle (most read books .txt) 📕

fighting and plunder. There was old Bouvet, for example—the one who was killed by the Prussians on the day that I won the Emperor's medal; if you took him away from the camp and the canteen, and spoke to him of books or of art, he would sit and stare at you. But the highest soldier is a man like myself who can understand the things of the mind and the soul. It is true that I was very young when I joined the army, and that the quarter-master was my only teacher, but if you go about the world with your eyes open you cannot help learning a great deal.

Thus I was able to admire the pictures in Venice, and to know the names of the great men, Michael Titiens, and Angelus, and the others, who had painted them. No one can say that Napoleon did not admire them also, for the very first thing which he did when he captured the town was to send the best of them to Paris. We all took what we could get, and I had two pictures for my share.

One of them, called “Nymphs Surprised,” I kept for myself, and the other, “Saint Barbara,” I sent as a present for my mother.

It must be confessed, however, that some of our men behaved very badly in this matter of the statues and the pictures. The people at Venice were very much attached to them, and as to the four bronze horses which stood over the gate of their great church, they loved them as dearly as if they had been their children. I have always been a judge of a horse, and I had a good look at these ones, but I could not see that there was much to be said for them. They were too coarse-limbed for light cavalry charges and they had not the weight for the gun-teams.

However, they were the only four horses, alive or dead, in the whole town, so it was not to be expected that the people would know any better. They wept bitterly when they were sent away, and ten French soldiers were found floating in the canals that night. As a punishment for these murders a great many more of their pictures were sent away, and the soldiers took to breaking the statues and firing their muskets at the stained-glass windows.

This made the people furious, and there was very bad feeling in the town. Many officers and men disappeared during that winter, and even their bodies were never found.

For myself I had plenty to do, and I never found the time heavy on my hands. In every country it has been my custom to try to learn the language. For this reason I always look round for some lady who will be kind enough to teach it to me, and then we practise it together. This is the most interesting way of picking it up, and before I was thirty I could speak nearly every tongue in Europe; but it must be confessed that what you learn is not of much use for the ordinary purposes of life. My business, for example, has usually been with soldiers and peasants, and what advantage is it to be able to say to them that I love only them, and that I will come back when the wars are over?

Never have I had so sweet a teacher as in Venice. Lucia was her first name, and her second—but a gentleman forgets second names. I can say this with all discretion, that she was of one of the senatorial families of Venice and that her grandfather had been Doge of the town.

She was of an exquisite beauty—and when I, Etienne Gerard, use such a word as “exquisite,” my friends, it has a meaning. I have judgment, I have memories, I have the means of comparison. Of all the women who have loved me there are not twenty to whom I could apply such a term as that. But I say again that Lucia was exquisite.

Of the dark type I do not recall her equal unless it were Dolores of Toledo. There was a little brunette whom I loved at Santarem when I was soldiering under Massena in Portugal—her name has escaped me. She was of a perfect beauty, but she had not the figure nor the grace of Lucia. There was Agnes also. I could not put one before the other, but I do none an injustice when I say that Lucia was the equal of the best.

It was over this matter of pictures that I had first met her, for her father owned a palace on the farther side of the Rialto Bridge upon the Grand Canal, and it was so packed with wall-paintings that Suchet sent a party of sappers to cut some of them out and send them to Paris.

I had gone down with them, and after I had seen Lucia in tears it appeared to me that the plaster would crack if it were taken from the support of the wall. I said so, and the sappers were withdrawn. After that I was the friend of the family, and many a flask of Chianti have I cracked with the father and many a sweet lesson have I had from the daughter. Some of our French officers married in Venice that winter, and I might have done the same, for I loved her with all my heart; but Etienne Gerard has his sword, his horse, his regiment, his mother, his Emperor, and his career. A debonair Hussar has room in his life for love, but none for a wife. So I thought then, my friends, but I did not see the lonely days when I should long to clasp those vanished hands, and turn my head away when I saw old comrades with their tall children standing round their chairs. This love which I had thought was a joke and a plaything—it is only now that I understand that it is the moulder of one's life, the most solemn and sacred of all things—Thank you, my friend, thank you! It is a good wine, and a second bottle cannot hurt.

And now I will tell you how my love for Lucia was the cause of one of the most terrible of all the wonderful adventures which have ever befallen me, and how it was that I came to lose the top of my right ear. You have often asked me why it was missing. To-night for the first time I will tell you.

Suchet's head-quarters at that time was the old palace of the Doge Dandolo, which stands on the lagoon not far from the place of San Marco. It was near the end of the winter, and I had returned one night from the Theatre Goldini, when I found a note from Lucia and a gondola waiting. She prayed me to come to her at once as she was in trouble. To a Frenchman and a soldier there was but one answer to such a note. In an instant I was in the boat and the gondolier was pushing out into the dark lagoon.

I remember that as I took my seat in the boat I was struck by the man's great size. He was not tall, but he was one of the broadest men that I have ever seen in my life. But the gondoliers of Venice are a strong breed, and powerful men are common enough among them. The fellow took his place behind me and began to row.

A good soldier in an enemy's country should everywhere and at all times be on the alert. It has been one of the rules of my life, and if I have lived to wear grey hairs it is because I have observed it. And yet upon that night I was as careless as a foolish young recruit who fears lest he should be thought to be afraid. My pistols I had left behind in my hurry. My sword was at my belt, but it is not always the most convenient of weapons.