The Blind Spot by Homer Eon Flint and Austin Hall (ebook reader 8 inch .txt) 📕

always talked over his ideas with me, and although I couldn't always follow his thoughts it seemed to help him to express them to another—it made some things come more clearly to him.”

Flint was a great admirer of H. G. Wells (this little grandmother-schoolteacher told me) and had probably read all his works up to the time when he (Flint) died in 1924. He had read Doyle and Haggard, but: “Wells was his favourite—the real thinker.”

Flint found a fellow-thinker in Austin Hall, whom he met in San Jose, California, while working at a shop where shoes were repaired electrically—“a rather new concept at the time.” Hall, learning that Flint lived in the same city, sought him out, and they became fast friends. Each stimulated the other. As Hall told me twenty years ago of the origin of THE BLIND SPOT:

“One day after we had lunched together, I held my finger up in front of one of my eyes and said: 'Homer, couldn't a story be written about that blind spot in the eye?' Not much was said about it at the time, but four days later, again at lunch, I outlined the whole story to him. I wrote the first eighteen chapters; Homer took up the tale as 'Hobart Fenton' and wrote the chapters about the house of miracles, the living death, the rousing of Aradna's mind, and so forth, up to 'The Man from Space,' where once again I took over.”

To THE BLIND SPOT Hall contributed a great knowledge of history and anthropology, while Flint's fortes were physics and medicine. Both had a great fund of philosophy at their command.

When I met Hall (about four years older than Flint) he was in his fifties: a devil-may-care old codger (old to a fifteen-year-old, that is) full of good humour and indulgence for a youthful admirer who had journeyed far to meet him. He casually referred to his 600 published stories, and I carried away the impression of one who resembled both in output and in looks that other fiction-factory of the time, Edgar Wallace.

Finally: Several years ago, before I knew anything about the present volume, I had an unusual experience. (At that time I had no reason to think THE BLIND SPOT would ever become available as a book, for the location of the heirs proved a Herculean task by itself; publishers had long wanted to present this amazing novel but could not do so until I located Mrs. Mae Hall and Mrs. Mabel Flindt.) While, unfortunately, I did not take careful notes at the time, the gist of the occurrence was this:

I visited a friend whose hobby (besides reading fantasy) was the occult, who volunteered to entertain me with automatic writing and the ouija-board. Now, I share Lovecraft's scepticism towards the supernatural, regarding it as at best a means of amusement. When the question arose of what spirits we should try to lure to our planchette, the names of Lovecraft, Merritt, Hall, and Flint popped into my pixilated mind. So I set my fingers on the wooden heart and, since my host was also a Flint admirer, we asked about Flint's fatal accident. The ouija spelled out:

N-O A-C-C-I-D-E-N-T—R-O-B-B-E-R-Y

There followed something about being held up by a hitch-hiker. Then Hall (or at least some energy-source other than my own conscious mind) came through too, and when I asked if he had left any work behind he replied:

Y-E-S—T-H-E L-A-S-T G-O-D-L-I-N-G

Later I asked his son about this (without revealing the title) and Javen Hall told me of the story his father had been plotting when he died: THE HIDDEN EMPIRE, or THE CHILD OF THE SOUTHWIND. Whatever was pushing the planchette failed to inform me that when I found Austin Hall's son and widow, they would put into my hands an unknown, unpublished fantasy novel by Hall: THE HOUSE OF DAWN! Some day it may appear in print.

Meanwhile you are getting understandably impatient to explore that unknown realm of the Blind Spot. Be on your way, and bon voyage!

FORREST J ACKERMAN, Beverley Hills, Calif.