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in a strange manner, it was possible to perceive the details of the place. But, indeed, at the moment they were not concerned with these; they had eyes only for the black-robed figure beside the tripod.

It was that of a man, who stood with his back towards them, and he chanted monotonously in a tongue unfamiliar to Sime. At certain points in his chant he would raise his arms in such a way that, clad in the black robe, he assumed the appearance of a gigantic bat. Each time that he acted thus the fire in the tripod, as if fanned into new life, would leap up, casting a hellish glare about the place. Then, as the chanter dropped his arms again, the flame would drop also.

A cloud of reddish vapour floated low in the apartment. There were a number of curiously-shaped vessels upon the floor, and against the farther wall, only rendered visible when the flames leapt high, was some motionless white object, apparently hung from the roof.

Dr. Cairn drew a hissing breath and grasped Sime's wrist.

"We are too late!" he said strangely.

He spoke at a moment when his companion, peering through the ruddy gloom of the place, had been endeavouring more clearly to perceive that ominous shape which hung, horrible, in the shadow. He spoke, too, at a moment when the man in the black robe, raised his arms—when, as if obedient to his will, the flames leapt up fitfully.

Although Sime could not be sure of what he saw, the recollection came to him of words recently spoken by Dr. Cairn. He remembered the story of Julian the Apostate, Julian the Emperor—the Necromancer.[137] He remembered what had been found in the Temple of the Moon after Julian's death. He remembered that Lady Lashmore—

And thereupon he experienced such a nausea that but for the fact that Dr. Cairn gripped him he must have fallen.

Tutored in a materialistic school, he could not even now admit that such monstrous things could be. With a necromantic operation taking place before his eyes; with the unholy perfume of the secret incense all but suffocating him; with the dreadful Oracle dully gleaming in the shadows of that temple of evil—his reason would not accept the evidences. Any man of the ancient world—of the middle ages—would have known that he looked upon a professed wizard, upon a magician, who, according to one of the most ancient formulæ known to mankind, was seeking to question the dead respecting the living.

But how many modern men are there capable of realising such a circumstance? How many who would accept the statement that such operations are still performed, not only in the East, but in Europe? How many who, witnessing this mass of Satan, would accept it for verity, would not deny the evidence of their very senses?

He could not believe such an orgie of wickedness possible. A Pagan emperor might have been capable of these things, but to-day—wondrous is our faith in the virtue of "to-day!"

"Am I mad?" he whispered hoarsely, "or—"

A thinly-veiled shape seemed to float out from that still form in the shadows; it assumed definite outlines; it became a woman, beautiful with a beauty that could only be described as awful.

She wore upon her brow the uraeus of Ancient Egyptian royalty; her sole garment was a robe of finest gauze. Like a cloud, like a vision, she floated into the light cast by the tripod.

A voice—a voice which seemed to come from a vast distance, from somewhere outside the mighty granite walls of that unholy place—spoke. The language[138] was unknown to Sime, but the fierce hand-grip upon his wrist grew fiercer. That dead tongue, that language unspoken since the dawn of Christianity, was known to the man who had been the companion of Sir Michael Ferrara.

In upon Sime swept a swift conviction—that one could not witness such a scene as this and live and move again amongst one's fellow-men! In a sort of frenzy, then, he wrenched himself free from the detaining hand, and launched a retort of modern science against the challenge of ancient sorcery.

Raising his Browning pistol, he fired—shot after shot—at that bat-like shape which stood between himself and the tripod!

A thousand frightful echoes filled the chamber with a demon mockery, boomed along those subterranean passages beneath, and bore the conflict of sound into the hidden places of the pyramid which had known not sound for untold generations.

"My God—!"

Vaguely he became aware that Dr. Cairn was seeking to drag him away. Through a cloud of smoke he saw the black-robed figure turn; dream fashion, he saw the pallid, glistening face of Antony Ferrara; the long, evil eyes, alight like the eyes of a serpent, were fixed upon him. He seemed to stand amid a chaos, in a mad world beyond the borders of reason, beyond the dominions of God. But to his stupefied mind one astounding fact found access.

He had fired at least seven shots at the black-robed figure, and it was not humanly possible that all could have gone wide of their mark.

Yet Antony Ferrara lived!

Utter darkness blotted out the evil vision. Then there was a white light ahead; and feeling that he was struggling for sanity, Sime managed to realise that Dr. Cairn, retreating along the passage, was crying to him, in a voice rising almost to a shriek, to run—run for his life—for his salvation!

"You should not have fired!" he seemed to hear.

Unconscious of any contact with the stones—although[139] afterwards he found his knees and shins to be bleeding—he was scrambling down that long, sloping shaft.

He had a vague impression that Dr. Cairn, descending beneath him, sometimes grasped his ankles and placed his feet into the footholes. A continuous roaring sound filled his ears, as if a great ocean were casting its storm waves against the structure around him. The place seemed to rock.

"Down flat!"

Some sense of reality was returning to him. Now he perceived that Dr. Cairn was urging him to crawl back along the short passage by which they had entered from the King's Chamber.

Heedless of hurt, he threw himself down and pressed on.

A blank, like the sleep of exhaustion which follows delirium, came. Then Sime found himself standing in the King's Chamber, Dr. Cairn, who held an electric lamp in his hand, beside him, and half supporting him.

The realities suddenly reasserting themselves,

"I have dropped my pistol!" muttered Sime.

He threw off the supporting arm, and turned to that corner behind the heap of débris where was the opening through which they had entered the Satanic temple.

No opening was visible!

"He has closed it!" cried Dr. Cairn. "There are six stone doors between here and the place above! If he had succeeded in shutting one of them before we—?"

"My God!" whispered Sime. "Let us get out! I am nearly at the end of my tether!"

Fear lends wings, and it was with something like the lightness of a bird that Sime descended the shaft. At the bottom—

"On to my shoulders!" he cried, looking up.

Dr. Cairn lowered himself to the foot of the shaft. "You go first," he said.

He was gasping, as if nearly suffocated, but retained a wonderful self-control. Once over into the Borderland, and bravery assumes a new guise; the courage[140] which can face physical danger undaunted, melts in the fires of the unknown.

Sime, his breath whistling sibilantly between his clenched teeth, hauled himself through the low passage, with incredible speed. The two worked their way arduously, up the long slope. They saw the blue sky above them....

"Something like a huge bat," said Robert Cairn, "crawled out upon the first stage. We both fired—"

Dr. Cairn raised his hand. He lay exhausted at the foot of the mound.

"He had lighted the incense," he replied, "and was reciting the secret ritual. I cannot explain. But your shots were wasted. We came too late—"

"Lady Lashmore—"

"Until the Pyramid of Méydûm is pulled down, stone by stone, the world will never know her fate! Sime and I have looked in at the gate of hell! Only the hand of God plucked us back! Look!"

He pointed to Sime. He lay, pallid, with closed eyes—and his hair was abundantly streaked with white!

[141]

CHAPTER XX THE INCENSE

To Robert Cairn it seemed that the boat-train would never reach Charing Cross. His restlessness was appalling. He perpetually glanced from his father, with whom he shared the compartment, to the flying landscape with its vistas of hop-poles; and Dr. Cairn, although he exhibited less anxiety, was, nevertheless, strung to highest tension.

That dash from Cairo homeward had been something of a fevered dream to both men. To learn, whilst one is searching for a malign and implacable enemy in Egypt, that that enemy, having secretly returned to London, is weaving his evil spells around "some we loved, the loveliest and the best," is to know the meaning of ordeal.

In pursuit of Antony Ferrara—the incarnation of an awful evil—Dr. Cairn had deserted his practice, had left England for Egypt. Now he was hurrying back again; for whilst he had sought in strange and dark places of that land of mystery for Antony Ferrara, the latter had been darkly active in London!

Again and again Robert Cairn read the letter which, surely as a royal command, had recalled them. It was from Myra Duquesne. One line in it had fallen upon them like a bomb, had altered all their plans, had shattered the one fragment of peace remaining to them.

In the eyes of Robert Cairn, the whole universe centred around Myra Duquesne; she was the one being in the world of whom he could not bear to think in conjunction with Antony Ferrara. Now he knew that Antony Ferrara was beside her, was, doubtless at this very moment, directing those Black Arts of which he was master, to the destruction of her mind and body—perhaps of her very soul.[142]

Again he drew the worn envelope from his pocket and read that ominous sentence, which, when his eyes had first fallen upon it, had blotted out the sunlight of Egypt.

"... And you will be surprised to hear that Antony is back in London ... and is a frequent visitor here. It is quite like old times...."

Raising his haggard eyes, Robert Cairn saw that his father was watching him.

"Keep calm, my boy," urged the doctor; "it can profit us nothing, it can profit Myra nothing, for you to shatter your nerves at a time when real trials are before you. You are inviting another breakdown. Oh! I know it is hard; but for everybody's sake try to keep yourself in hand."

"I am trying, sir," replied Robert hollowly.

Dr. Cairn nodded, drumming his fingers upon his knee.

"We must be diplomatic," he continued. "That James Saunderson proposed to return to London, I had no idea. I thought that Myra would be far outside the Black maelström in Scotland. Had I suspected that Saunderson would come to London, I should have made other arrangements."

"Of course, sir, I know that. But even so we could never have foreseen this."

Dr. Cairn shook his head.

"To think that whilst we have been scouring Egypt from Port Said to Assouan—he has been laughing at us in London!" he said. "Directly after the affair at Méydûm he must have left the country—how, Heaven only knows. That letter is three weeks old, now?"

Robert Cairn nodded. "What may have happened since—what may have happened!"

"You take too gloomy a view. James Saunderson is a Roman guardian. Even Antony Ferrara could make little headway there."

"But Myra says that—Ferrara is—a frequent visitor."

"And Saunderson," replied Dr. Cairn with a grim smile, "is a Scotchman! Rely upon his diplomacy, Rob. Myra will be safe enough."[143]

"God grant that she is!"

At that, silence fell between them, until punctually to time, the train slowed into Charing Cross. Inspired by a common anxiety, Dr. Cairn and his son were first among the passengers to pass the barrier. The car was waiting for them; and within five minutes of the arrival of the train they were whirling through London's traffic to the house of James Saunderson.

It lay in that quaint backwater, remote from motor-bus high-ways—Dulwich Common, and was a rambling red-tiled building which at some time had been a farmhouse. As the big car pulled up at the gate, Saunderson, a large-boned Scotchman, tawny-eyed, and with his grey hair worn long and untidily, came out to meet them. Myra Duquesne stood beside him. A quick blush coloured her face momentarily; then left it pale again.

Indeed, her pallor was alarming. As Robert Cairn, leaping from the car, seized both her hands and looked into her eyes, it seemed to him that the girl had almost an ethereal appearance. Something clutched at his heart, iced his blood; for Myra Duquesne seemed a creature scarcely belonging to the world of humanity—seemed already half

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