London Pride, Or, When the World Was Younger by M. E. Braddon (fiction books to read .TXT) 📕

moonlit garden, as the singers slowly retired, while Henri de Malfort illustrated that final couplet with Hyacinth's fan, as he sat beside her.

"Music, and moonlight, and a garden. You might fancy yourself amidst the grottoes and terraces of St. Germain."

"I note that whenever there is anything meritorious in our English life Malfort is reminded of France, and when he discovers any obnoxious feature in our manners or habits he expatiates on the vast difference between the two nations," said his lordship.

"Dear Fareham, I am a human being. When I am in England I remember all I loved in my own country. I must return to it before I shall understand the worth of all I leave here—and the understanding may be bitter. Call your singers back, and let us have those two last verses again. 'Tis a fine tune, and your fellows perform it with sweetness and brio."

The song was new. The victory which it celebrated was fresh in the minds of men. The disgrace of later Dutch experiences—the ships in the Nore ravaging and insulting—was yet to come. England still believed her floating castles invincible.

To Angela's mind the life at Chilton was full of change and joyous expectancy. No hour of the day but offered some variety of recreation, from battledore and shuttlecock in the plaisance to long days with the hounds or the hawks. Angela learnt to ride in less than a month, instructed by the stud-groom, a gentleman of considerable importance in the household; an old campaigner, who had groomed Fareham's horses after many a battle, and many a skirmish, and had suffered scant food and rough quarters without murmuring; and also with considerable assistance and counsel from Lord Fareham, and occasional lectures from Papillon, who was a Diana at ten years old, and rode with her father in the first flight. Angela was soon equal to accompanying her sister in the hunting-field, for Hyacinth liked following the chase after the French rather than the English fashion, affecting no ruder sport than to wait at an opening of the wood, or on the crest of a common, to see hounds and riders sweep by; or, favoured by chance now and then, to signal the villain's whereabouts by a lace handkerchief waved high above her head. This was how a beautiful lady who had hunted in the forests of St. Germain and Fontainebleau understood sport; and such performances as this Angela found easy and agreeable. They had many cavaliers who came to talk with them for a few minutes, to tell them what was doing or not doing yonder where the hounds were hidden in thicket or coppice; but Henri de Malfort was their most constant attendant. He rarely left them, and dawdled through the earlier half of an October day, walking his horse from point to point, or dismounting at sheltered corners to stand and talk at Lady Fareham's side, with a patience that made Angela wonder at the contrast between English headlong eagerness, crashing and splashing through hedge and brook, and French indifference.

"I have not Fareham's passion for mud," he explained to her, when she remarked upon his lack of interest in the chase, even when the music of the hounds was ringing through wood and valley, now close beside them, anon diminishing in the distance, thin in the thin air. "If he comes not home at dark plastered with mire from boots to eyebrows he will cry, like Alexander, 'I have lost a day.'"

Partridge-hawking in the wide fields between Chilton and Nettlebed was more to Malfort's taste, and it was a sport for which Lady Fareham expressed a certain enthusiasm, and for which she attired herself to the perfection of picturesque costume. Her hunting-coats were marvels of embroidery on atlas and smooth cloth; but her smartest velvet and brocade she kept for the sunny mornings, when, with hooded peregrine on wrist, she sallied forth intent on slaughter, Angela, Papillon, and De Malfort for her cortége, an easy-paced horse to amble over the grass with her, and the Dutch falconer to tell her the right moment at which to slip her falcon's hood.

The nuns at the Ursuline Convent would scarcely have recognised their quondam pupil in the girl on the grey palfrey, whose hair flew loose under a beaver hat, mingling its tresses with the long ostrich plume, whose trimly fitting jacket had a masculine air which only accentuated the womanliness of the fair face above it, and whose complexion, somewhat too colourless within the convent walls, now glowed with a carnation that brightened and darkened the large grey eyes into new beauty.

That open-air life was a revelation to the cloister-bred girl. Could this earth hold greater bliss than to roam at large over spacious gardens, to cross the river, sculling her boat with strong hands, with her niece Henriette, otherwise Papillon, sitting in the stern to steer, and scream instructions to the novice in navigation; and then to lose themselves in the woods on the further shore, to wander in a labyrinth of reddening beeches, and oaks on which the thick foliage still kept its dusky green; to emerge upon open lawns where the pale gold birches looked like fairy trees, and where amber and crimson toadstools shone like jewels on the skirts of the dense undergrowth of holly and hawthorn? The liberty of it all, the delicious feeling of freedom, the release from convent rules and convent hours, bells ringing for chapel, bells ringing for meals, bells ringing to mark the end of the brief recreation—a perpetual ringing and drilling which had made conventual life a dull machine, working always in the same grooves.

Oh, this liberty, this variety, this beauty in all things around and about her! How the young glad soul, newly escaped from prison, revelled and expatiated in its freedom! Papillon, who at ten years old, had skimmed the cream off all the simple pleasures, appointed herself her aunt's instructress in most things, and taught her to row, with some help from Lord Fareham, who was an expert waterman; and, at the same time, tried to teach her to despise the country, and all rustic pleasures, except hunting—although in her inmost heart the minx preferred the liberty of Oxfordshire woods to the splendour of Fareham House, where she was cooped in a nursery with her gouvernante for the greater part of her time, and was only exhibited like a doll to her mother's fine company, or seated upon a cushion to tinkle a saraband and display her precocious talent on the guitar, which she played almost as badly as Lady Fareham herself, at whose feeble endeavours even the courteous De Malfort laughed.

Never was sister kinder than Hyacinth, impelled by that impulsive sweetness which was her chief characteristic, and also, it might be, moved to lavish generosity by some scruples of conscience with regard to her grandmother's will. Her first business was to send for the best milliner in Oxford, a London Madam who had followed her court customers to the university town, and to order everything that was beautiful and seemly for a young person of quality.

"I implore you not to make me too fine, dearest," pleaded Angela, who was more horrified at the milliner's painted face and exuberant figure than charmed by the contents of the baskets which she had brought with her in the spacious leather coach—velvets and brocades, hoods and gloves, silk stockings, fans, perfumes and pulvilios, sweet-bags and scented boxes—all of which the woman spread out upon Lady Fareham's embroidered satin bed, for the young lady's admiration. "I pray you remember that I am accustomed to have only two gowns—a black and a grey. You will make me afraid of my image in the glass if you dress me like—like—"

She glanced from her sister's décolleté bodice to the far more appalling charms of the milliner, which a gauze kerchief rather emphasised than concealed, and could find no proper conclusion for her sentence.

"Nay, sweetheart, let not thy modesty take fright. Thou shalt be clad as demurely as the nun thou hast escaped being—

    'And sable stole of Cyprus lawn
    Over thy decent shoulders drawn.'

We will have no blacks, but as much decency as you choose. You will mark the distinction between my sister and your maids of honour, Mrs. Lewin. She is but a débutante in our modish world, and must be dressed as modestly as you can contrive, to be consistent with the fashion."

"Oh, my lady, I catch your ladyship's meaning, and your ladyship's instructions shall be carried out as far as can be without making a savage of the young lady. I know what some young ladies are when they first come to Court. I had fuss enough with Miss Hamilton before I could persuade her to have her bodice cut like a Christian. And even the beautiful Miss Brooks were all for high tuckers and modesty-pieces when I began to make for them; but they soon came round. And now with my Lady Denham it is always, 'Gud, Lewin, do you call that the right cut for a bosom? Udsbud, woman, you haven't made the curve half deep enough.' And with my Lady Chesterfield it is, 'Sure, if they say my legs are thick and ugly, I'll let them know my shoulders are worth looking at. Give me your scissors, creature,' and then with her own delicate hand she will scoop me a good inch off the satin, till I am fit to swoon at seeing the cold steel against her milk-white flesh."

Mrs. Lewin talked with but little interruption for the best part of an hour while measuring her new customer, showing her pattern-book, and exhibiting the ready-made wares she had brought, the greater number of which Hyacinth insisted on buying for Angela—who was horrified at the slanderous innuendoes that dropped in casual abundance from the painted lips of the milliner; horrified, too, that her sister could loll back in her armchair and laugh at the woman's coarse and malignant talk.

"Indeed, sister, you are far too generous, and you have overpowered me with gifts," she said, when the milliner had curtsied herself out of the room; "for I fear my own income will never pay for all these costly things. Three pounds, I think she said, was the price of the Mazarine hood alone—and there are stockings and gloves innumerable."

"Mon Ange, while you are with me your own income is but for charities and vails. I will have it spent for nothing else. You know how rich the Marquise has made me—while I believe Fareham is a kind of modern Croesus, though we do not boast of his wealth, for all that is most substantial in his fortune comes from his mother, whose father was a great merchant trading with Spain and the Indies, all through James's reign, and luckier in the hunt for gold than poor Raleigh. Never must you talk to me of obligation. Are we not sisters, and was it not a mere accident that made me the elder, and Madame de Montrond's protegée?"

"I have no words to thank you for so much kindness. I will only say I am so happy here that I could never have believed there was such full content on this sinful earth."

"Wait till we are in London, Angélique. Here we endure existence. It is only in London that we live."

"Nay, I believe the country will always please me better than the town. But, sister, do you not hate that Mrs. Lewin—that horrid painted face and evil tongue?"

"My dearest child, one hates a milliner for the spoiling of a bodice or the ill cut of a sleeve—not for her character. I believe Mrs. Lewin's is among the worst, and that she has had as many intrigues as Lady Castlemaine. As for her painting, doubtless she does that to remind her customers that she sells alabaster powder and ceruse."

"Nay, if she wants to disgust them with painted faces she has but to show her own."

"I grant she lays the stuff on badly. I hope, if I live to have as many wrinkles, I shall fill them better than she does. Yet who can tell what a hideous toad she might be in her natural skin? It may be Christian charity that induces her to paint, and so to spare us the sight of a monster. She will make thee a beauty, Ange, be sure of that. For satin or velvet, birthday or gala gowns, nobody can beat her. The wretch has had thousands of my money, so I ought to know. But for thy riding-habit and hawking-jacket we want the firmer grip of a man's hand. Those must be made by Roget."

"A Frenchman?"

"Yes, child. One only accepts British workmanship when a Parisian artist is not to be