The Cloister and the Hearth by Charles Reade (most interesting books to read .TXT) π
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- Author: Charles Reade
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And by severe subdivision of his time and thoughts, by unceasing prayers and manual labour, he did in about three months succeed in benumbing the earthly half of his heart.
But lo! within a day or two of this first symptom of mental peace returning slowly, there descended upon his mind a horrible despondency.
Words cannot utter it, for words never yet painted a likeness of despair. Voices seemed to whisper in his ear, βKill thyself! kill! kill! kill!β
And he longed to obey the voices, for life was intolerable.
He wrestled with his dark enemy with prayers and tears; he prayed God but to vary his temptation. βOh let mine enemy have power to scourge me with red-hot whips, to tear me leagues and leagues over rugged places by the hair of my head, as he has served many a holy hermit, that yet baffled him at last; to fly on me like a raging lion; to gnaw me with a serpent's fangs; any pain, any terror, but this horrible gloom of the soul that shuts me from all light of Thee and of the saints.β
And now a freezing thought crossed him. What if the triumphs of the powers of darkness over Christian souls in desert places had been suppressed, and only their defeats recorded, or at least in full; for dark hints were scattered about antiquity that now first began to grin at him with terrible meaning.
βTHEY WANDERED IN THE DESERT AND PERISHED BY SERPENTS,β said an ancient father of hermits that went into solitude, βand were seen no more.β And another at a more recent epoch wrote: Vertuntur ad melancholiam: βthey turn to gloomy madness.β These two statements, were they not one? for the ancient fathers never spoke with regret of the death of the body. No, the hermits so lost were perished souls, and the serpents were diabolical (2) thoughts, the natural brood of solitude.
St. Jerome went into the desert with three companions; one fled in the first year, two died; how? The single one that lasted was a gigantic soul with an iron body.
The cotemporary who related this made no comment, expressed no wonder, What, then, if here was a glimpse of the true proportion in every age, and many souls had always been lost in solitude for one gigantic mind and iron body that survived this terrible ordeal.
The darkened recluse now cast his despairing eyes over antiquity to see what weapons the Christian arsenal contained that might befriend him. The greatest of all was prayer. Alas! it was a part of his malady to be unable to pray with true fervour. The very system of mechanical supplication he had for months carried out so severely by rule had rather checked than fostered his power of originating true prayer.
He prayed louder than ever, but the heart hung back cold and gloomy, and let the words go up alone.
βPoor wingless prayers,β he cried, βyou will not get half-way to heaven.β
A fiend of this complexion had been driven out of King Saul by music.
Clement took up the hermit's psaltery, and with much trouble mended the strings and tuned it.
No, he could not play it. His soul was so out of tune. The sounds jarred on it, and made him almost mad.
βAh, wretched me!β he cried; βSaul had a saint to play to him. He was not alone with the spirits of darkness; but here is no sweet bard of Israel to play to me; I, lonely, with crushed heart, on which a black fiend sitteth mountain high, must make the music to uplift that heart to heaven; it may not be.β And he grovelled on the earth weeping and tearing his hair.
VERTEBATUR AD MELANCHOLIAM.
(1) It requires nowadays a strong effort of the imagination to realize the effect on poor people who had never seen them before of such sentences as this βBlessed are the poorβ etc. (2) The primitive writer was so interpreted by others besides Clement; and in particular by Peter of Blois, a divine of the twelfth century, whose comment is noteworthy, as he himself was a forty-year hermit.CHAPTER XCIII
One day as he lay there sighing and groaning, prayerless, tuneless, hopeless, a thought flashed into his mind. What he had done for the poor and the wayfarer, he would do for himself. He would fill his den of despair with the name of God and the magic words of holy writ, and the pious, prayerful consolations of the Church.
Then, like Christian at Apollyon's feet, he reached his hand suddenly out and caught, not his sword, for he had none, but peaceful labour's humbler weapon, his chisel, and worked with it as if his soul depended on his arm.
They say that Michael Angelo in the next generation used to carve statues, not like our timid sculptors, by modelling the work in clay, and then setting a mechanic to chisel it, but would seize the block, conceive the image, and at once, with mallet and steel, make the marble chips fly like mad about him, and the mass sprout into form. Even so Clement drew no lines to guide his hand. He went to his memory for the gracious words, and then dashed at his work and eagerly graved them in the soft stone, between working and fighting.
He begged his visitors for candle ends, and rancid oil.
βAnything is good enough for me,β he said, βif 'twill but burn.β So at night the cave glowed afar off like a blacksmith's forge, through the window and the gaping chinks of the rude stone door, and the rustics beholding crossed themselves and suspected deviltries, and within the holy talismans, one after another, came upon the walls, and the sparks and the chips flew day and night, night and day, as the soldier of Solitude and of the Church plied, with sighs and groans, his bloodless weapon, between working and fighting.
Kyrie Eleison.
Christe Eleison.
{ton Satanan suntripson upo tous pothas ymwn}(1)
Sursum Corda.(2)
Deus Refugium nostrum et virtus.(3)
Agnus Dei, qui tollis peccata mundi miserere mihi.(4)
Sancta Trinitas unus Deus, miserere nobis.(5)
Ab infestationibus Daemonum, a ventura ira, a damnatione perpetua. Libera nos Domine.(6)
Deus, qui miro ordine Angelorum ministeria, etc, (the whole collect).(7)
Quem quaerimus adjutorem nisi te Domine qui pro peccatis nostris juste irascaris? (8)
Sancte Deus, Sancte fortis, Sancte et misericors Salvator, amarae morti ne tradas nos.
And underneath the great crucifix, which was fastened to the wall, he graved this from Augustine:
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