The Hand in the Dark by Arthur J. Rees (amazing books to read txt) π
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"How did you spend last night?" he asked abruptly.
"I do not understand you." There was the shadow of fear in the girl's dark eyes as she answered.
"I will put it more plainly then. How did you occupy the time between your arrival at the moat-house and bedtime?"
"I spent it with my mother in her rooms."
"Were you there all the time?"
It seemed to Caldew that the elder woman's attitude was that of a listener. Though she still kept her face buried in her hands, her frame slightly moved, as though she were listening to catch the reply.
"Yes." The word was spoken hurriedly, almost defiantly, but the girl's eyes wavered and fell under Merrington's direct glance.
"May I take it, then, that you were in your mother's room at the time Mrs. Heredith was murdered?"
This time Hazel did not reply audibly, but a faint movement of her head indicated an affirmative.
"What would you say if your mother admits that you left her room before the murder was committed, and that she did not see you until afterwards?"
It was a clever trap, Caldew reluctantly conceded, this idea of playing off the mother and daughter against each other, but one that he would have hesitated to use. The effect was instantaneous. Before the girl could frame her frightened lips in reply, her mother lifted her head sharply.
"I didn't say so! Don't answer him, Hazel, don't tell him. Oh!" Too late the wretched woman realized that she had betrayed her daughter, and she sank into a stupefied silence.
"Your mother has let the cat out of the bag," said Merrington to the girl, in a bantering tone. "Come, now," he added, changing swiftly into his most truculent mood. "We may as well have the truth, first as last. You were seen last night going up the hall in the direction of the left wing just before the murder was committed. Do you admit it?"
"I do." The admission was made in a low but calm tone.
"Then your last answer was untrue. What were you doing in the hall at that time?"
Hazel, staring straight in front of her, did not reply, but her quickly moving breast betrayed her agitation.
"Did you hear me? I asked what were you doing in the hall last night."
"I shall not tell you."
"Did you go upstairs?"
"I shall not tell you."
These replies were given with a firm readiness which was in striking contrast to her previous hesitation. She was like a person who had been forced on to a dangerous path she feared to tread, and had summoned fortitude to walk it bravely to the end.
"Of course you realize the position in which you place yourself by your silence?" The quiet gravity with which Merrington put this question was, similarly, in the strangest contrast to his former hectoring style. "It is my duty to warn you that you are placing yourself in a grave situation. Once more, will you answer my questions?"
"I will not." The answer was accompanied by a gesture which contained something of the carelessness of despair.
"Then you must abide the consequences." He turned to Captain Stanhill and Caldew. "It will be necessary to search the housekeeper's rooms. Lumbe, you remain here and take charge of these two women. Do not allow either of them to leave the room on any pretext. You had better keep the door locked until we return."
He strode out of the room followed by Captain Stanhill and Caldew, to the manifest trepidation of two maidservants outside, who had plainly no business there. It was apparent that Milly Saker had been talking, and that strange rumours were agitating the moat-house underworld.
"Where are the housekeeper's rooms?" said Merrington, abruptly accosting one of the fluttered girls. "Come now, don't stand gaping at me like a fool, but take us there directly."
The terrified girl went quickly ahead along a corridor leading from the main hall. Turning down a narrower passage near the end she paused outside a closed door and said:
"This is the housekeeper's room, sir."
"Stop a minute," said Merrington. "Does the housekeeper occupy only one room?"
"No, sir, there are two. A sitting-room, with a bedroom opening off it."
"She has no other room in any other part of the house?"
"Oh, no, sir."
"That will do. You may go."
The maid needed no second bidding, but scuttled back towards the corridor like a scared hen making for cover. Merrington flung open the door in front of him and entered.
The room was well and simply furnished in the style of the house, but the personal belongings and the bindings of some books suggested a mind not out of harmony with the refinement of its surroundings. Merrington, with a swift and comprehensive glance around him, began to upset the neat arrangement and feminine order of the apartment with a thorough and systematic search.
Caldew watched him for a moment, and then walked across to the door of the inner room and entered it. The bedroom was large and airy, and the appointments struck the note of dainty simplicity. Caldew was quick to notice a girl's hat, with a veil attached, cast carelessly on the toilet-table.
He made a circuit round the bed and approached the table to look at the hat. A tight knot and a slight tear in the gossamer indicated that it had been discarded very hastily, and Caldew wondered whether Hazel had it on, waiting for an opportunity to slip away from the moat-house, when he had knocked at the door to summon her to the library.
As he put the hat down his eye fell on a pincushion by the mirror, and he gave a start of surprise. In the midst of hatpins at various angles he saw the little brooch which had disappeared from the death-chamber. The stone with the greenish reflection shone clearly against the blue and gold shot-silk of the pincushion; the portion of the clasp which was visible revealed the beginning of the scratched inscription of "Semper Fidelis." The absence of any attempt to conceal the brooch was proof that its owner was under the delusion that nobody had seen it lying in the death-chamber. Caldew felt a thrill of professional vanity at the success of his ruse.
His own name uttered in a peremptory shout from the next room caused him to pick up the brooch and hasten thither. The first sight that met his eye was the flushed triumphant face of Merrington bending over some articles on the table. Caldew's view of the objects was obscured by Captain Stanhill, who was also examining them, but he guessed by the attitude of both men that a valuable find had been made. He advanced eagerly to the table and saw, lying between them, a small revolver and a handkerchief. The white cambric of the handkerchief was stained crimson with blood.
The room was in great disorder. Superintendent Merrington, in the impetuosity of his search, had reduced the previous order to chaos in the course of a few minutes. Drawers had been opened and their contents strewn about the floor, rugs and cushions had been flung into a corner of the room, and the doors of a cabinet had been forced. Even the pictures on the wall had been disarranged, and some of the chairs were knocked over.
"Where did you find these things?" asked Caldew, picking up the revolver and examining it.
"In that gimcrack thing over there." Merrington pointed to a slight, elegant writing-table standing in a corner of the room. "Isn't it a typical female hiding-place? About as safe as burying your head in the sand. The drawer had been locked and the key taken away, but it was quite easy to open. The lock is a trumpery kind of thing, with the bolt shooting into the soft wood."
"I see that the revolver is still loaded in five chambers," said Caldew, as he put down the weapon.
"Yes, and the sixth has been recently discharged. We don't require much clearer evidence than that. And look at this handkerchief. The blood on it is hardly dry yet."
Caldew took the handkerchief in his hand. As Merrington remarked, the blood on it was hardly dry. It was a small linen square, destitute of feminine adornment except for a dainty "H R" worked in silk in one corner. The letters were barely visible in the blood with which the whole handkerchief was saturated.
"I wonder how she got the blood on the handkerchief?" said Caldew. "Did she try to stop the bleeding after shooting Mrs. Heredith?"
"It would be just like a woman to do so," grunted Merrington. "Women are fond of crying over spilt milkβespecially when they have spilt it themselves. However, that's neither here nor there. The point is that this is the girl's handkerchief, and this is the revolver with which she shot Mrs. Heredith."
"But what was her motive for committing such an atrocious crime?" asked Captain Stanhill in bewilderment.
"Jealousy," responded Merrington promptly. "I saw the possibility of that motive as soon as I heard Milly Saker's story, and learnt that Hazel Rath had lived for some years in the moat-house. Young Heredith and she must have been thrown together a lot before the war, and there was doubtless a flirtation between them which probably developed into an intrigue. There are all the materials at hand for itβa well-born idle young man, a girl educated above her station, a lonely country-house, and plenty of opportunity. I know the type of girl well. These half-educated protΓ©gΓ©es of great ladies grow up with all the whims and caprices of fine females, and their silly little heads are easily turned. Probably this girl imagined that young Heredith was so captivated by her pretty face that he would marry her. When she learnt that she had been dropped for somebody else she brooded in secret until her unbalanced nature led her to commit this terrible crime. Moreover, she is the daughter of a woman with a queer past, who has been living under an assumed name for the past fifteen years."
"Do you think mother and daughter have acted in collusion in this murder?" Caldew asked.
"That is a question I would not care to answer offhand," responded Merrington thoughtfully. "Undoubtedly the mother shielded the daughter and lied to save her, and she obviously knew that the girl was absent from her room at the time the murder was committed. How far this implies guilty knowledge, or the acts of an accomplice, we are not yet in a position to say. We will arrest the daughter, and detain the motherβfor the present, at all events. Whether we charge the mother as well as the daughter will depend on our subsequent investigations. It will be no novelty for the mother to be charged as accessory in a murder case," concluded Merrington, with a grim smile.
"We have no direct evidence that the girl went upstairs last night," said Caldew, with a reflective air. "Milly Saker did not see her going upstairs, and apparently nobody saw her coming away."
"No direct evidence, it is true. But the presumptive evidence is so strong that it is hardly needed. In the first place, Milly Saker saw her going down the hall in the direction of the left wing just before the murder was committed. Next dayβthis morningβthe housekeeper sent Milly Saker out of the way before she could be questioned by the police. That act suggests two inferences. First, Mrs. Rath, as she calls herself, had some inkling that Milly Saker saw her daughter in the hall on the previous night, and secondly, that Mrs. Rath feared, in the light of subsequent events, to let it be known that her daughter was seen walking down the hall before the murder was committed. From these inferences we may conclude that, even if the mother had no actual knowledge of the crime, she believed that her daughter was guilty. Her subsequent actions to-day confirm that theory in every respect. And, of course, the recovery of this revolver and the girl's handkerchief in her mother's rooms, where she slept last night, is the strongest possible proof that the girl shot Mrs. Heredith."
"Of course there can be no doubt of that. It would be impossible to find a stronger case of circumstantial evidence," said Caldew earnestly. "But here is a piece of direct evidence. Look here!" He produced the little brooch from his
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