The Cloister and the Hearth by Charles Reade (most interesting books to read .TXT) 📕

“Oh, I see no odds in them.”

“Of course not. We painters are no match for boors. We are glass, they are stone. We can't stand the worry, worry, worry of little minds; and it is not for the good of mankind we should be exposed to it. It is hard enough, Heaven knows, to design and paint a masterpiece, without having gnats and flies stinging us to death into the bargain.”

Exasperated as Gerard was by his father's threat of violence, he listened to these friendly voices telling him the prudent course was rebellion. But though he listened, he was not convinced.

“I do not fear my father's violence,” he said, “but I do fear his anger. When it came to the point he would not imprison me. I would marry Margaret to-morrow if that was my only fear. No; he would disown me. I should take Margaret from her father, and give her a poor husband, who would never thrive, weighed down by his parent's curse. Madam! I sometimes think if I could marry her secretly, and then take her away to some country where my craft is better paid than in this; and after a year or two, when the storm had blown over, you know, could come back with money in my purse, and say, 'My dear parents, we do not seek your substance, we but ask you to love us once more as you used, and as we have never ceased to love you'—but, alas! I shall be told these are the dreams of an inexperienced young man.”

The old lady's eyes sparkled.

“It is no dream, but a piece of wonderful common-sense in a boy; it remains to be seen whether you have spirit to carry out your own thought. There is a country, Gerard, where certain fortune awaits you at this moment. Here the arts freeze, but there they flourish, as they never yet flourished in any age or land.”

“It is Italy!” cried Gerard. “It is Italy!”

“Ay, Italy! where painters are honoured like princes, and scribes are paid three hundred crowns for copying a single manuscript. Know you not that his Holiness the Pope has written to every land for skilful scribes to copy the hundreds of precious manuscripts that are pouring into that favoured land from Constantinople, whence learning and learned men are driven by the barbarian Turks?”

“Nay, I know not that; but it has been the dream and hope of my life to visit Italy, the queen of all the arts; oh, madam! But the journey, and we are all so poor.”

“Find you the heart to go, I'll find the means. I know where to lay my hand on ten golden angels: they will take you to Rome: and the girl with you, if she loves you as she ought.”

They sat till midnight over this theme. And, after that day, Gerard recovered his spirits, and seemed to carry a secret talisman against all the gibes and the harsh words that flew about his ears at home.

Besides the money she procured him for the journey, Margaret Van Eyck gave him money's worth. Said she, “I will tell you secrets that I learned from masters that are gone from me, and have left no fellow behind. Even the Italians know them not; and what I tell you now in Tergou you shall sell here in Florence. Note my brother Jan's pictures: time, which fades all other paintings, leaves his colours bright as the day they left the easel. The reason is, he did nothing blindly, in a hurry. He trusted to no hireling to grind his colours; he did it himself, or saw it done. His panel was prepared and prepared again—I will show you how—a year before he laid his colour on. Most of them are quite content to have their work sucked up and lost, sooner than not be in a hurry. Bad painters are always in a hurry. Above all, Gerard, I warn you use but little oil, and never boil it: boiling it melts that vegetable dross into its heart which it is our business to clear away; for impure oil is death to colour. No; take your oil and pour it into a bottle with water. In a day or two the water will turn muddy: that is muck from the oil. Pour the dirty water carefully away and add fresh. When that is poured away, you will fancy the oil is clear. You're mistaken. Reicht, fetch me that!” Reicht brought a glass trough with a glass lid fitting tight. “When your oil has been washed in bottle, put it into this trough with water, and put the trough in the sun all day. You will soon see the water turbid again. But mark, you must not carry this game too far, or the sun will turn your oil to varnish. When it is as clear as crystal, not too luscious, drain carefully, and cork it up tight. Grind your own prime colours, and lay them on with this oil, and they shall live. Hubert would put sand or salt in the water to clear the oil quicker. But Jan used to say, 'Water will do it best; give water time.' Jan Van Eyck was never in a hurry, and that is why the world will not forget him in a hurry.”

This and several other receipts, quae nunc perscribere longum est, Margaret gave him with sparkling eyes, and Gerard received them like a legacy from Heaven, so interesting are some things that read uninteresting. Thus provided with money and knowledge, Gerard decided to marry and fly with his wife to Italy. Nothing remained now but to inform Margaret Brandt of his resolution, and to publish the banns as quietly as possible. He went to Sevenbergen earlier than usual on both these errands. He began with Margaret; told her of the Dame Van Eyck's goodness, and the resolution he had come to at last, and invited her co-operation.

She refused it plump.

“No, Gerard; you and I have never spoken of your family, but when you come to marriage—” She stopped, then began again. “I do think your father has no ill-will to me more than to another. He told Peter Buyskens as much, and Peter told me. But so long as he is bent on your being a priest (you ought have told me this instead of I you), I could not marry you, Gerard, dearly as I love you.”

Gerard strove in vain to shake this resolution. He found it very easy to make her cry, but impossible to make her yield. Then Gerard was impatient and unjust.

“Very well!” he cried; “then you are on their side, and you will drive me to be a priest, for this must end one way or another. My parents hate me in earnest, but my lover only loves me in jest.”

And with this wild, bitter speech, he flung away home again, and left Margaret weeping.

When a man misbehaves, the effect is curious on a girl who loves him sincerely. It makes her pity him. This, to some of us males, seems anything but logical. The fault is in our own eye; the logic is too swift for us. The girl argues thus:—“How unhappy, how vexed, how poor he must be to misbehave! Poor thing!”

Margaret was full of this sweet womanly pity, when, to her great surprise, scarce an hour and a half after he left her, Gerard came running back to her with the fragments of a picture in his hand, and panting with anger and grief.

“There, Margaret! see! see! the wretches! Look at their