Les MisĂ©rables by Victor Hugo (knowledgeable books to read txt) đ
BOOK SEVENTH.--PARENTHESIS
I. The Convent as an Abstract IdeaII. The Convent as an Historical FactIII. On What Conditions One can respect the PastIV. The Convent from the Point of View of PrinciplesV. PrayerVI. The Absolute Goodness of PrayerVII. Precautions to be observed in BlameVIII. Faith, Law
BOOK EIGHTH.--CEMETERIES TAKE THAT WHICH IS COMMITTED THEM
I. Which treats of the Manner of entering a ConventII. Fauchelevent in the Presence of a DifficultyIII. Mother InnocenteIV. In which Jean Valjean has quite the Air of having readAustin CastillejoV. It is not Necessary to be Drunk in order to be ImmortalVI. Between Four PlanksVII. In which will be found the Origin of the Saying: Don'tlose the CardVIII. A Successful InterrogatoryIX. Cloister
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There is such a thing as the sudden giving way of the inward subsoil. A despairing certainty does not make its way into a man without thrusting aside and breaking certain profound elements which, in some cases, are the very man himself. Grief, when it attains this shape, is a headlong flight of all the forces of the conscience. These are fatal crises. Few among us emerge from them still like ourselves and firm in duty. When the limit of endurance is overstepped, the most imperturbable virtue is disconcerted. Jean Valjean took the blotter again, and convinced himself afresh; he remained bowed and as though petrified and with staring eyes, over those four unobjectionable lines; and there arose within him such a cloud that one might have thought that everything in this soul was crumbling away.
He examined this revelation, athwart the exaggerations of reverie, with an apparent and terrifying calmness, for it is a fearful thing when a manâs calmness reaches the coldness of the statue.
He measured the terrible step which his destiny had taken without his having a suspicion of the fact; he recalled his fears of the preceding summer, so foolishly dissipated; he recognized the precipice, it was still the same; only, Jean Valjean was no longer on the brink, he was at the bottom of it.
The unprecedented and heart-rending thing about it was that he had fallen without perceiving it. All the light of his life had departed, while he still fancied that he beheld the sun.
His instinct did not hesitate. He put together certain circumstances, certain dates, certain blushes and certain pallors on Cosetteâs part, and he said to himself: âIt is he.â
The divination of despair is a sort of mysterious bow which never misses its aim. He struck Marius with his first conjecture. He did not know the name, but he found the man instantly. He distinctly perceived, in the background of the implacable conjuration of his memories, the unknown prowler of the Luxembourg, that wretched seeker of love adventures, that idler of romance, that idiot, that coward, for it is cowardly to come and make eyes at young girls who have beside them a father who loves them.
After he had thoroughly verified the fact that this young man was at the bottom of this situation, and that everything proceeded from that quarter, he, Jean Valjean, the regenerated man, the man who had so labored over his soul, the man who had made so many efforts to resolve all life, all misery, and all unhappiness into love, looked into his own breast and there beheld a spectre, Hate.
Great griefs contain something of dejection. They discourage one with existence. The man into whom they enter feels something within him withdraw from him. In his youth, their visits are lugubrious; later on they are sinister. Alas, if despair is a fearful thing when the blood is hot, when the hair is black, when the head is erect on the body like the flame on the torch, when the roll of destiny still retains its full thickness, when the heart, full of desirable love, still possesses beats which can be returned to it, when one has time for redress, when all women and all smiles and all the future and all the horizon are before one, when the force of life is complete, what is it in old age, when the years hasten on, growing ever paler, to that twilight hour when one begins to behold the stars of the tomb?
While he was meditating, Toussaint entered. Jean Valjean rose and asked her:â
âIn what quarter is it? Do you know?â
Toussaint was struck dumb, and could only answer him:â
âWhat is it, sir?â
Jean Valjean began again: âDid you not tell me that just now that there is fighting going on?â
âAh! yes, sir,â replied Toussaint. âIt is in the direction of Saint-Merry.â
There is a mechanical movement which comes to us, unconsciously, from the most profound depths of our thought. It was, no doubt, under the impulse of a movement of this sort, and of which he was hardly conscious, that Jean Valjean, five minutes later, found himself in the street.
Bareheaded, he sat upon the stone post at the door of his house. He seemed to be listening.
Night had come.
CHAPTER IIâTHE STREET URCHIN AN ENEMY OF LIGHT
How long did he remain thus? What was the ebb and flow of this tragic meditation? Did he straighten up? Did he remain bowed? Had he been bent to breaking? Could he still rise and regain his footing in his conscience upon something solid? He probably would not have been able to tell himself.
The street was deserted. A few uneasy bourgeois, who were rapidly returning home, hardly saw him. Each one for himself in times of peril. The lamp-lighter came as usual to light the lantern which was situated precisely opposite the door of No. 7, and then went away. Jean Valjean would not have appeared like a living man to any one who had examined him in that shadow. He sat there on the post of his door, motionless as a form of ice. There is congealment in despair. The alarm bells and a vague and stormy uproar were audible. In the midst of all these convulsions of the bell mingled with the revolt, the clock of Saint-Paul struck eleven, gravely and without haste; for the tocsin is man; the hour is God. The passage of the hour produced no effect on Jean Valjean; Jean Valjean did not stir. Still, at about that moment, a brusque report burst forth in the direction of the Halles, a second yet more violent followed; it was probably that attack on the barricade in the Rue de la Chanvrerie which we have just seen repulsed by Marius. At this double discharge, whose fury seemed augmented by the stupor of the night, Jean Valjean started; he rose, turning towards the quarter whence the noise proceeded; then he fell back upon the post again, folded his arms, and his head slowly sank on his bosom again.
He resumed his gloomy dialogue with himself.
All at once, he raised his eyes; some one was walking in the street, he heard steps near him. He looked, and by the light of the lanterns, in the direction of the street which ran into the Rue-aux-Archives, he perceived a young, livid, and beaming face.
Gavroche had just arrived in the Rue de lâHomme ArmĂ©.
Gavroche was staring into the air, apparently in search of something. He saw Jean Valjean perfectly well but he took no notice of him.
Gavroche after staring into the air, stared below; he raised himself on tiptoe, and felt of the doors and windows of the ground floor; they were all shut, bolted, and padlocked. After having authenticated the fronts of five or six barricaded houses in this manner, the urchin shrugged his shoulders, and took himself to task in these terms:â
âPardi!â
Then he began to stare into the air again.
Jean Valjean, who, an instant previously, in his then state of mind, would not have spoken to or even answered any one, felt irresistibly impelled to accost that child.
âWhat is the matter with you, my little fellow?â he said.
âThe matter with me is that I am hungry,â replied Gavroche frankly. And he added: âLittle fellow yourself.â
Jean Valjean fumbled in his fob and pulled out a five-franc piece.
But Gavroche, who was of the wagtail species, and who skipped vivaciously from one gesture to another, had just picked up a stone. He had caught sight of the lantern.
âSee here,â said he, âyou still have your lanterns here. You are disobeying the regulations, my friend. This is disorderly. Smash that for me.â
And he flung the stone at the lantern, whose broken glass fell with such a clatter that the bourgeois in hiding behind their curtains in the opposite house cried: âThere is âNinety-threeâ come again.â
The lantern oscillated violently, and went out. The street had suddenly become black.
âThatâs right, old street,â ejaculated Gavroche, âput on your night-cap.â
And turning to Jean Valjean:â
âWhat do you call that gigantic monument that you have there at the end of the street? Itâs the Archives, isnât it? I must crumble up those big stupids of pillars a bit and make a nice barricade out of them.â
Jean Valjean stepped up to Gavroche.
âPoor creature,â he said in a low tone, and speaking to himself, âhe is hungry.â
And he laid the hundred-sou piece in his hand.
Gavroche raised his face, astonished at the size of this sou; he stared at it in the darkness, and the whiteness of the big sou dazzled him. He knew five-franc pieces by hearsay; their reputation was agreeable to him; he was delighted to see one close to. He said:â
âLet us contemplate the tiger.â
He gazed at it for several minutes in ecstasy; then, turning to Jean Valjean, he held out the coin to him, and said majestically to him:â
âBourgeois, I prefer to smash lanterns. Take back your ferocious beast. You canât bribe me. That has got five claws; but it doesnât scratch me.â
âHave you a mother?â asked Jean Valjean.
Gavroche replied:â
âMore than you have, perhaps.â
âWell,â returned Jean Valjean, âkeep the money for your mother!â
Gavroche was touched. Moreover, he had just noticed that the man who was addressing him had no hat, and this inspired him with confidence.
âTruly,â said he, âso it wasnât to keep me from breaking the lanterns?â
âBreak whatever you please.â
âYouâre a fine man,â said Gavroche.
And he put the five-franc piece into one of his pockets.
His confidence having increased, he added:â
âDo you belong in this street?â
âYes, why?â
âCan you tell me where No. 7 is?â
âWhat do you want with No. 7?â
Here the child paused, he feared that he had said too much; he thrust his nails energetically into his hair and contented himself with replying:â
âAh! Here it is.â
An idea flashed through Jean Valjeanâs mind. Anguish does have these gleams. He said to the lad:â
âAre you the person who is bringing a letter that I am expecting?â
âYou?â said Gavroche. âYou are not a woman.â
âThe letter is for Mademoiselle Cosette, is it not?â
âCosette,â muttered Gavroche. âYes, I believe that is the queer name.â
âWell,â resumed Jean Valjean, âI am the person to whom you are to deliver the letter. Give it here.â
âIn that case, you must know that I was sent from the barricade.â
âOf course,â said Jean Valjean.
Gavroche engulfed his hand in another of his pockets and drew out a paper folded in four.
Then he made the military salute.
âRespect for despatches,â said he. âIt comes from the Provisional Government.â
âGive it to me,â said Jean Valjean.
Gavroche held the paper elevated above his head.
âDonât go and fancy itâs a love letter. It is for a woman, but itâs for the people. We men fight and we respect the fair sex. We are not as they are in fine society, where there are lions who send chickens55 to camels.â
âGive it to me.â
âAfter all,â continued Gavroche, âyou have the air of an honest man.â
âGive it to me quick.â
âCatch hold of it.â
And he handed the paper to Jean Valjean.
âAnd make haste, Monsieur Whatâs-your-name, for Mamselle Cosette is waiting.â
Gavroche was satisfied with himself for having produced this remark.
Jean Valjean began again:â
âIs it to Saint-Merry that the answer is to be sent?â
âThere you are making some of those bits of pastry vulgarly called brioches [blunders]. This letter comes from the barricade of the Rue de la Chanvrerie, and Iâm going back there. Good evening, citizen.â
That said, Gavroche took himself off, or, to describe it more exactly, fluttered away in the direction whence he had come with a flight like that of an escaped bird. He plunged back into the gloom as though he made a hole in it, with the rigid rapidity of a projectile; the alley of lâHomme ArmĂ© became silent and solitary
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