Les Misérables by Victor Hugo (knowledgeable books to read txt) 📕
BOOK SEVENTH.--PARENTHESIS
I. The Convent as an Abstract IdeaII. The Convent as an Historical FactIII. On What Conditions One can respect the PastIV. The Convent from the Point of View of PrinciplesV. PrayerVI. The Absolute Goodness of PrayerVII. Precautions to be observed in BlameVIII. Faith, Law
BOOK EIGHTH.--CEMETERIES TAKE THAT WHICH IS COMMITTED THEM
I. Which treats of the Manner of entering a ConventII. Fauchelevent in the Presence of a DifficultyIII. Mother InnocenteIV. In which Jean Valjean has quite the Air of having readAustin CastillejoV. It is not Necessary to be Drunk in order to be ImmortalVI. Between Four PlanksVII. In which will be found the Origin of the Saying: Don'tlose the CardVIII. A Successful InterrogatoryIX. Cloister
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He remained for a time thoughtfully in this attitude, which would have been suggestive of something sinister for any one who had seen him thus in the dark, the only person awake in that house where all were sleeping. All of a sudden he stooped down, removed his shoes and placed them softly on the mat beside the bed; then he resumed his thoughtful attitude, and became motionless once more.
Throughout this hideous meditation, the thoughts which we have above indicated moved incessantly through his brain; entered, withdrew, re-entered, and in a manner oppressed him; and then he thought, also, without knowing why, and with the mechanical persistence of reverie, of a convict named Brevet, whom he had known in the galleys, and whose trousers had been upheld by a single suspender of knitted cotton. The checkered pattern of that suspender recurred incessantly to his mind.
He remained in this situation, and would have so remained indefinitely, even until daybreak, had not the clock struck one—the half or quarter hour. It seemed to him that that stroke said to him, “Come on!”
He rose to his feet, hesitated still another moment, and listened; all was quiet in the house; then he walked straight ahead, with short steps, to the window, of which he caught a glimpse. The night was not very dark; there was a full moon, across which coursed large clouds driven by the wind. This created, outdoors, alternate shadow and gleams of light, eclipses, then bright openings of the clouds; and indoors a sort of twilight. This twilight, sufficient to enable a person to see his way, intermittent on account of the clouds, resembled the sort of livid light which falls through an air-hole in a cellar, before which the passers-by come and go. On arriving at the window, Jean Valjean examined it. It had no grating; it opened in the garden and was fastened, according to the fashion of the country, only by a small pin. He opened it; but as a rush of cold and piercing air penetrated the room abruptly, he closed it again immediately. He scrutinized the garden with that attentive gaze which studies rather than looks. The garden was enclosed by a tolerably low white wall, easy to climb. Far away, at the extremity, he perceived tops of trees, spaced at regular intervals, which indicated that the wall separated the garden from an avenue or lane planted with trees.
Having taken this survey, he executed a movement like that of a man who has made up his mind, strode to his alcove, grasped his knapsack, opened it, fumbled in it, pulled out of it something which he placed on the bed, put his shoes into one of his pockets, shut the whole thing up again, threw the knapsack on his shoulders, put on his cap, drew the visor down over his eyes, felt for his cudgel, went and placed it in the angle of the window; then returned to the bed, and resolutely seized the object which he had deposited there. It resembled a short bar of iron, pointed like a pike at one end. It would have been difficult to distinguish in that darkness for what employment that bit of iron could have been designed. Perhaps it was a lever; possibly it was a club.
In the daytime it would have been possible to recognize it as nothing more than a miner’s candlestick. Convicts were, at that period, sometimes employed in quarrying stone from the lofty hills which environ Toulon, and it was not rare for them to have miners’ tools at their command. These miners’ candlesticks are of massive iron, terminated at the lower extremity by a point, by means of which they are stuck into the rock.
He took the candlestick in his right hand; holding his breath and trying to deaden the sound of his tread, he directed his steps to the door of the adjoining room, occupied by the Bishop, as we already know.
On arriving at this door, he found it ajar. The Bishop had not closed it.
CHAPTER XI—WHAT HE DOES
Jean Valjean listened. Not a sound.
He gave the door a push.
He pushed it gently with the tip of his finger, lightly, with the furtive and uneasy gentleness of a cat which is desirous of entering.
The door yielded to this pressure, and made an imperceptible and silent movement, which enlarged the opening a little.
He waited a moment; then gave the door a second and a bolder push.
It continued to yield in silence. The opening was now large enough to allow him to pass. But near the door there stood a little table, which formed an embarrassing angle with it, and barred the entrance.
Jean Valjean recognized the difficulty. It was necessary, at any cost, to enlarge the aperture still further.
He decided on his course of action, and gave the door a third push, more energetic than the two preceding. This time a badly oiled hinge suddenly emitted amid the silence a hoarse and prolonged cry.
Jean Valjean shuddered. The noise of the hinge rang in his ears with something of the piercing and formidable sound of the trump of the Day of Judgment.
In the fantastic exaggerations of the first moment he almost imagined that that hinge had just become animated, and had suddenly assumed a terrible life, and that it was barking like a dog to arouse every one, and warn and to wake those who were asleep. He halted, shuddering, bewildered, and fell back from the tips of his toes upon his heels. He heard the arteries in his temples beating like two forge hammers, and it seemed to him that his breath issued from his breast with the roar of the wind issuing from a cavern. It seemed impossible to him that the horrible clamor of that irritated hinge should not have disturbed the entire household, like the shock of an earthquake; the door, pushed by him, had taken the alarm, and had shouted; the old man would rise at once; the two old women would shriek out; people would come to their assistance; in less than a quarter of an hour the town would be in an uproar, and the gendarmerie on hand. For a moment he thought himself lost.
He remained where he was, petrified like the statue of salt, not daring to make a movement. Several minutes elapsed. The door had fallen wide open. He ventured to peep into the next room. Nothing had stirred there. He lent an ear. Nothing was moving in the house. The noise made by the rusty hinge had not awakened any one.
This first danger was past; but there still reigned a frightful tumult within him. Nevertheless, he did not retreat. Even when he had thought himself lost, he had not drawn back. His only thought now was to finish as soon as possible. He took a step and entered the room.
This room was in a state of perfect calm. Here and there vague and confused forms were distinguishable, which in the daylight were papers scattered on a table, open folios, volumes piled upon a stool, an armchair heaped with clothing, a prie-Dieu, and which at that hour were only shadowy corners and whitish spots. Jean Valjean advanced with precaution, taking care not to knock against the furniture. He could hear, at the extremity of the room, the even and tranquil breathing of the sleeping Bishop.
He suddenly came to a halt. He was near the bed. He had arrived there sooner than he had thought for.
Nature sometimes mingles her effects and her spectacles with our actions with sombre and intelligent appropriateness, as though she desired to make us reflect. For the last half-hour a large cloud had covered the heavens. At the moment when Jean Valjean paused in front of the bed, this cloud parted, as though on purpose, and a ray of light, traversing the long window, suddenly illuminated the Bishop’s pale face. He was sleeping peacefully. He lay in his bed almost completely dressed, on account of the cold of the Basses-Alps, in a garment of brown wool, which covered his arms to the wrists. His head was thrown back on the pillow, in the careless attitude of repose; his hand, adorned with the pastoral ring, and whence had fallen so many good deeds and so many holy actions, was hanging over the edge of the bed. His whole face was illumined with a vague expression of satisfaction, of hope, and of felicity. It was more than a smile, and almost a radiance. He bore upon his brow the indescribable reflection of a light which was invisible. The soul of the just contemplates in sleep a mysterious heaven.
A reflection of that heaven rested on the Bishop.
It was, at the same time, a luminous transparency, for that heaven was within him. That heaven was his conscience.
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At the moment when the ray of moonlight superposed itself, so to speak, upon that inward radiance, the sleeping Bishop seemed as in a glory. It remained, however, gentle and veiled in an ineffable half-light. That moon in the sky, that slumbering nature, that garden without a quiver, that house which was so calm, the hour, the moment, the silence, added some solemn and unspeakable quality to the venerable repose of this man, and enveloped in a sort of serene and majestic aureole that white hair, those closed eyes, that face in which all was hope and all was confidence, that head of an old man, and that slumber of an infant.
There was something almost divine in this man, who was thus august, without being himself aware of it.
Jean Valjean was in the shadow, and stood motionless, with his iron candlestick in his hand, frightened by this luminous old man. Never had he beheld anything like this. This confidence terrified him. The moral world has no grander spectacle than this: a troubled and uneasy conscience, which has arrived on the brink of an evil action, contemplating the slumber of the just.
That slumber in that isolation, and with a neighbor like himself, had about it something sublime, of which he was vaguely but imperiously conscious.
No one could have told what was passing within him, not even himself. In order to attempt to form an idea of it, it is necessary to think of the most violent of things in the presence of the most gentle. Even on his visage it would have been impossible to distinguish anything with certainty. It was a sort of haggard astonishment. He gazed at it, and that was all. But what was his thought? It would have been impossible to divine it. What was evident was, that he was touched and astounded. But what was the nature of this emotion?
His eye never quitted the old man. The only thing which was clearly to be inferred from his attitude and his physiognomy was a strange indecision. One would have said that he was hesitating between the two abysses,—the one in which one loses one’s self and that in which one saves one’s self. He seemed prepared to crush that skull or to kiss that hand.
At the expiration of a few minutes his left arm rose slowly towards his brow, and he took off his cap; then his arm fell back with the same deliberation, and Jean Valjean fell to meditating once more, his cap in his left hand, his club in his right hand, his hair bristling all over his savage head.
The Bishop continued to sleep in profound peace beneath that terrifying gaze.
The gleam of the moon rendered confusedly visible the crucifix over the chimney-piece, which seemed to be extending its arms to both of them, with a benediction for one and pardon for the other.
Suddenly Jean Valjean replaced his cap on his brow; then stepped rapidly past
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