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subterranean gallery of the Rue Saint-Denis. Instead of the ancient stone, instead of the antique architecture, haughty and royal even in the sewer, with pavement and string courses of granite and mortar costing eight hundred livres the fathom, he would have felt under his hand contemporary cheapness, economical expedients, porous stone filled with mortar on a concrete foundation, which costs two hundred francs the metre, and the bourgeoise masonry known as à petits matériaux—small stuff; but of all this he knew nothing.

He advanced with anxiety, but with calmness, seeing nothing, knowing nothing, buried in chance, that is to say, engulfed in providence.

By degrees, we will admit, a certain horror seized upon him. The gloom which enveloped him penetrated his spirit. He walked in an enigma. This aqueduct of the sewer is formidable; it interlaces in a dizzy fashion. It is a melancholy thing to be caught in this Paris of shadows. Jean Valjean was obliged to find and even to invent his route without seeing it. In this unknown, every step that he risked might be his last. How was he to get out? should he find an issue? should he find it in time? would that colossal subterranean sponge with its stone cavities, allow itself to be penetrated and pierced? should he there encounter some unexpected knot in the darkness? should he arrive at the inextricable and the impassable? would Marius die there of hemorrhage and he of hunger? should they end by both getting lost, and by furnishing two skeletons in a nook of that night? He did not know. He put all these questions to himself without replying to them. The intestines of Paris form a precipice. Like the prophet, he was in the belly of the monster.

All at once, he had a surprise. At the most unforeseen moment, and without having ceased to walk in a straight line, he perceived that he was no longer ascending; the water of the rivulet was beating against his heels, instead of meeting him at his toes. The sewer was now descending. Why? Was he about to arrive suddenly at the Seine? This danger was a great one, but the peril of retreating was still greater. He continued to advance.

It was not towards the Seine that he was proceeding. The ridge which the soil of Paris forms on its right bank empties one of its watersheds into the Seine and the other into the Grand Sewer. The crest of this ridge which determines the division of the waters describes a very capricious line. The culminating point, which is the point of separation of the currents, is in the Sainte-Avoye sewer, beyond the Rue Michel-le-Comte, in the sewer of the Louvre, near the boulevards, and in the Montmartre sewer, near the Halles. It was this culminating point that Jean Valjean had reached. He was directing his course towards the belt sewer; he was on the right path. But he did not know it.

Every time that he encountered a branch, he felt of its angles, and if he found that the opening which presented itself was smaller than the passage in which he was, he did not enter but continued his route, rightly judging that every narrower way must needs terminate in a blind alley, and could only lead him further from his goal, that is to say, the outlet. Thus he avoided the quadruple trap which was set for him in the darkness by the four labyrinths which we have just enumerated.

At a certain moment, he perceived that he was emerging from beneath the Paris which was petrified by the uprising, where the barricades had suppressed circulation, and that he was entering beneath the living and normal Paris. Overhead he suddenly heard a noise as of thunder, distant but continuous. It was the rumbling of vehicles.

He had been walking for about half an hour, at least according to the calculation which he made in his own mind, and he had not yet thought of rest; he had merely changed the hand with which he was holding Marius. The darkness was more profound than ever, but its very depth reassured him.

All at once, he saw his shadow in front of him. It was outlined on a faint, almost indistinct reddish glow, which vaguely empurpled the flooring vault underfoot, and the vault overhead, and gilded to his right and to his left the two viscous walls of the passage. Stupefied, he turned round.

Behind him, in the portion of the passage which he had just passed through, at a distance which appeared to him immense, piercing the dense obscurity, flamed a sort of horrible star which had the air of surveying him.

It was the gloomy star of the police which was rising in the sewer.

In the rear of that star eight or ten forms were moving about in a confused way, black, upright, indistinct, horrible.





CHAPTER II—EXPLANATION

On the day of the sixth of June, a battue of the sewers had been ordered. It was feared that the vanquished might have taken to them for refuge, and Prefect Gisquet was to search occult Paris while General Bugeaud swept public Paris; a double and connected operation which exacted a double strategy on the part of the public force, represented above by the army and below by the police. Three squads of agents and sewermen explored the subterranean drain of Paris, the first on the right bank, the second on the left bank, the third in the city. The agents of police were armed with carabines, with bludgeons, swords and poignards.

That which was directed at Jean Valjean at that moment, was the lantern of the patrol of the right bank.

This patrol had just visited the curving gallery and the three blind alleys which lie beneath the Rue du Cadran. While they were passing their lantern through the depths of these blind alleys, Jean Valjean had encountered on his path the entrance to the gallery, had perceived that it was narrower than the principal passage and had not penetrated thither. He had passed on. The police, on emerging from the gallery du Cadran, had fancied that they heard the sound of footsteps in the direction of the belt sewer. They were, in fact, the steps of Jean Valjean. The sergeant in command of the patrol had raised his lantern, and the squad had begun to gaze into the mist in the direction whence the sound proceeded.

This was an indescribable moment for Jean Valjean.

Happily, if he saw the lantern well, the lantern saw him but ill. It was light and he was shadow. He was very far off, and mingled with the darkness of the place. He hugged the wall and halted. Moreover, he did not understand what it was that was moving behind him. The lack of sleep and food, and his emotions had caused him also to pass into the state of a visionary. He beheld a gleam, and around that gleam, forms. What was it? He did not comprehend.

Jean Valjean having paused, the sound ceased.

The men of the patrol listened, and heard nothing, they looked and saw nothing. They held a consultation.

There existed at that epoch at this point of the Montmartre sewer a sort of crossroads called de service, which was afterwards suppressed, on account of the little interior lake which formed there, swallowing up the torrent of rain in heavy storms. The patrol could form a cluster in this open space. Jean Valjean saw these spectres form a sort of circle. These bull-dogs’ heads approached each other closely and whispered together.

The result of this council held by the watch dogs was, that they had been mistaken, that there had been no noise, that it was useless to get entangled in the belt sewer, that it would only be a waste of time, but that they ought to hasten towards Saint-Merry; that if there was anything to do, and any “bousingot” to track out, it was in that quarter.

From time to time, parties re-sole their old insults. In 1832, the word bousingot formed the interim between the word jacobin, which had become obsolete, and the word demagogue which has since rendered such excellent service.

The sergeant gave orders to turn to the left, towards the watershed of the Seine.

If it had occurred to them to separate into two squads, and to go in both directions, Jean Valjean would have been captured. All hung on that thread. It is probable that the instructions of the prefecture, foreseeing a possibility of combat and insurgents in force, had forbidden the patrol to part company. The patrol resumed its march, leaving Jean Valjean behind it. Of all this movement, Jean Valjean perceived nothing, except the eclipse of the lantern which suddenly wheeled round.

Before taking his departure, the sergeant, in order to acquit his policeman’s conscience, discharged his gun in the direction of Jean Valjean. The detonation rolled from echo to echo in the crypt, like the rumbling of that titanic entrail. A bit of plaster which fell into the stream and splashed up the water a few paces away from Jean Valjean, warned him that the ball had struck the arch over his head.

Slow and measured steps resounded for some time on the timber work, gradually dying away as they retreated to a greater distance; the group of black forms vanished, a glimmer of light oscillated and floated, communicating to the vault a reddish glow which grew fainter, then disappeared; the silence became profound once more, the obscurity became complete, blindness and deafness resumed possession of the shadows; and Jean Valjean, not daring to stir as yet, remained for a long time leaning with his back against the wall, with straining ears, and dilated pupils, watching the disappearance of that phantom patrol.





CHAPTER III—THE “SPUN” MAN

This justice must be rendered to the police of that period, that even in the most serious public junctures, it imperturbably fulfilled its duties connected with the sewers and surveillance. A revolt was, in its eyes, no pretext for allowing malefactors to take the bit in their own mouths, and for neglecting society for the reason that the government was in peril. The ordinary service was performed correctly in company with the extraordinary service, and was not troubled by the latter. In the midst of an incalculable political event already begun, under the pressure of a possible revolution, a police agent, “spun” a thief without allowing himself to be distracted by insurrection and barricades.

It was something precisely parallel which took place on the afternoon of the 6th of June on the banks of the Seine, on the slope of the right shore, a little beyond the Pont des Invalides.

There is no longer any bank there now. The aspect of the locality has changed.

On that bank, two men, separated by a certain distance, seemed to be watching each other while mutually avoiding each other. The one who was in advance was trying to get away, the one in the rear was trying to overtake the other.

It was like a game of checkers played at a distance and in silence. Neither seemed to be in any hurry, and both walked slowly, as though each of them feared by too much haste to make his partner redouble his pace.

One would have said that it was an appetite following its prey, and purposely without wearing the air of doing so. The prey was crafty and on its guard.

The proper relations between the hunted pole-cat and the hunting dog were observed. The one who was seeking to escape had an insignificant mien and not an impressive appearance; the one who was seeking to seize him was rude of aspect, and must have been rude to encounter.

The first, conscious that he was the more feeble, avoided the second; but he avoided him in a manner which was deeply furious; any one who could have observed him would have discerned in his eyes the sombre hostility of flight, and all

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