A Terrible Secret by May Agnes Fleming (motivational novels TXT) 📕

Mrs. Rogers and the upper berth, and Mr. Stuart meditatively turns to his own. He is thinking, that all things considered, it is just as well this particularly fascinating companionship, ends in a manner to-morrow.

To-morrow comes. It is Miss Beatrix Stuart's birthday. The great party is to be to-night. They shake hands and part with Mrs. Rogers on the pier. Charley hails a hack and assists his cousin in, and they are whirled off to the palatial avenue up-town.

The house is a stately brown-stone front, of course, and on a sunny corner. Edith leans back, quite silent, her heart beating as she looks. The whirl, the crash, the rush of New York streets stun her, the stateliness of the Stuart mansion awes her. She is very pale, her lips are set together. She turns to Charley suddenly, and holds out her hands to him as a helpless child might.

"I feel lost already, and--and ever so little afraid. How big and grand it looks. Don't desert me, Charley. I feel as though I were astray in a strange land."

He squeezes the little hand, he whispers something reassuring, and life and color come back to her face.

"Make your mind easy, Dithy," is what he says. "Like Mrs. Micawber, 'I'll never desert you.'"

He rings the door bell sharply, a smart-looking young woman admits them, and Edith goes with him into a splendid and spacious apartment, where three people sit at breakfast. Perhaps it is the garish sunshine, sparkling on so much cut glass and silver, that dazzles Edith's eyes, but for a minute she can see nothing. Then the mist clears away, the trio have risen--a pompous-looking old gentleman in a shining bald head and expansive white vest, a pallid, feeble-looking elderly lady in a lace cap, and a tall, stylish girl, with Charley's eyes and hair, in violet ribbons and white cashmere. The bald gentlemen shakes hands with her, and welcomes her in a husky baritone; the faded, elderly lady, and stylish young lady kiss her, and say some very pleasant and gracious words. As in a dream Edith sees and hears all--as in a dream she is led off by Beatrix.

"I shall take you to your room myself. I only hope you may like it. The furniture and arrangement are my taste, every bit. Oh you dear darling!" cries Miss Stuart, stopping in the passage to give Edith a hug. "You don't know how frightened I've been that you wouldn't come. I'm in love with you already! And what a heroine you are--a real Grace--what's-her-name--saving Charley's life and all that. And best of all, you're in time for the ball--which is a rhyme, though I didn't mean it." She laughs and suddenly gives Edith another hug. "You pretty creature!" she says; "I'd no idea you were half so good-looking. I asked Charley, but you might as well ask a lamp-post as Charley. Here is your room--how do you like it?"

She would have been difficult to please indeed, if she had not liked it. To Edith's inexperienced eyes, it is a glowing nest of amber silk curtains, yellowish Brussells carpet, tinted walls, pretty pictures, gilt frames, mirrors, ornaments, and dainty French bed.

"Do you like it? But I see by your face you do. I'm so glad. This is my room adjoining, and here's your bath. Now lay off your things and come down to breakfast."

Still in a dream Edith obeys. She descends to breakfast in her gray travelling suit, looking pale, and not at all brilliant. Miss Stuart, who has had her doubts, that this country cousin may prove a rival, is reassured. She takes her breakfast, and then Beatrix conducts her over the house--a wonder of splendor, of velvet carpets, magnificent upholstering, lace drapings, gilding and ormolu. But her face keeps its pale, grave look. Trixy wonders if she is not a stupid little body after all. Last of all they reach the sacred privacy of Trixy's own room, and there she displays her ball dress. She expiates on its make and its merits, in professional language, and with a volubility that makes Edith's head swim.

"It is made with a court train, trimmed with a deep flounce, waved in the lower edge, and this flounce is trimmed with four narrow flounces, edged with narrow point lace. The sides are _en revers_, with sashes tied in butterfly bow in the centre of the back, below the puffing of the skirt near the waist. The front of the skirt is trimmed to correspond with the train, the short apron, flounced and trimmed with point lace, gathered up at the sides, under the _revers_ on the train. The waist is high in the shoulders, V shaped in front and back, with small flowing sleeves, finished with plaitings of white silk tulle. And now," cries Trixy, breathless and triumphant, "if _that_ doesn't fetch the baronet, you may tell me what will! The pearls are superb--here they are. Pearls are _en regle_ for weddings only, but how was poor pa to know that? Arn't they lovely?"

They lie in their cloudy luster, necklet, earrings, bracelet.

"Lovely!" Edith repeats; "lovely indeed. Beatrix, what a fortunate girl you are."

There is a touch of envy in her tone. Beatrix laughs, and gives her a third hug.

"Why? Because I have pearls? Bless you! they're nothing. You'll have diamonds beyond counting yourself, one of those days. You'll marry rich, of course--brunettes are all the style now, and you're sure to look lovely by gaslight. What are you going to wear to-night?"

"I'm like Flora McFlimsey," Edith laughs; "I have nothing to wear. There is a white Swiss muslin in my trunk, but it will look wofully rustic and dowdy, I'm afraid, in your gorgeous drawing-rooms."

"Nonsense! Plain Swiss is always in taste for girls of eighteen. I wore it greatly my first season. Do you know I feel awfully old, Edith--twenty-one to-night! I _must_ do something toward settling before the year ends. Let us see the white Swiss. Now there is a lovely amber tissue I have--it isn't my color. I never wore it but once, and it would suit you exactly. Lucy, my maid, is a perfect dress-maker, and could alter it to fit you easily before--Now, Edith! you're not angry?"

For the color has risen suddenly all over Edith's proud, pale face.

"You have made a mistake, Miss Stuart, that is all--meant kindly, I am sure. If my white muslin is admissible, I will wear it; if not, I can keep to my room. But neither now, nor at any future time, can I accept--charity."

Trixy gives a little shriek at the word, and inflicts a fourth hug on Edith. She is the soul of easy good-nature herself, and ready to take anything and everything that is offered her, from a husband to a bouquet.

"Bless the child!" she exclaims. "Charity! As if any one ever thought of such a thing. It's just like me, however, to make a mess of it. I mean well, but somehow I always _do_ make a mess of it. And my prophetic soul tells me, the case of Sir Victor Catheron will be no exception to the rest."

The day wears on. Edith drives down town, shopping with Madame and Mademoiselle Stuart; she returns, and dines in state with the family. The big, brown house is lit up from basement to attic, and presently they all adjourn to their rooms to dress.

"Don't ask me to appear while you are receiving your guests," Edith says. "I'll step in unobserved, when everybody has come."

She declines all offers of assistance, and dresses herself. It is a simple toilet surely--the crisp white muslin, out of which the polished shoulders rise; a little gold chain and cross, once her mother's; earrings and bracelet of gold and coral, also once her mother's; and her rich, abundant, blackish-brown hair, gathered back in a graceful way peculiar to herself. She looks very pretty, and she knows it. Presently sails in Miss Stuart, resplendent in the pink silk and pearls, the "court train" trailing two or three yards behind her, her light hair "done up" in a pyramid wonderful to behold, and loaded with camelias.

"How do I look, Dithy? This strawberry-ice pink is awfully becoming to me, isn't it? And you--why, you look lovely--lovely! I'd no idea you made up so handsomely. Ah! we blondes have no chance by gaslight, against you brunettes."

She sweeps downstairs in her rose-colored splendor, and Edith is alone. She sits by the open window, and looks out at the night life of the great city. Carriage after carriage roll up to the door, and somehow, in the midst of all this life, and brightness, and bustle, a strange feeling of loneliness and isolation comes over her. Is it the old chronic discontent cropping up again? If it were only not improper for Charley to come up here and sit beside her, and smoke, in the sweet spring dusk, and be sarcastic as usual, what a comfort it would be just now! Somehow--"how it comes let doctors tell"--that restless familiar of hers is laid when _he_ is by her side--never lonely, never discontented then. As she thinks this, innocently enough, despite all her worldly wisdom, there is a tap at the door, and Lucy, the maid, comes smilingly in, holding an exquisite bouquet, all pink and white roses, in her hand.

"Mr. Charles' compliments, please, miss, and he's waiting for you at the foot of the stairs, when you're ready, miss, for the ball-room."

She starts and colors with pleasure.

"Thank you, Lucy!" she says, taking the bouquet. "Tell Mr. Stuart I will be down in a moment."

The girl leaves the room.

With a smile on her face it is just as well "Mr. Charles" does not see, she stands looking at her roses; then she buries her face, almost as bright, in their dewy sweetness.

"Dear, thoughtful Charley!" she whispers gratefully. "What would ever have become of me but for him?"

She selects one or two bits of scarlet blossom and green spray, and artistically twists them in the rich waves of her hair. She takes one last glance at her own pretty image in the mirror, sees that fan, lace-handkerchief, and adornment generally, are in their places, and then trips away and goes down.

In elegant evening costume, looking unutterably handsome and well-dressed, Mr. Charles Stuart stands at the foot of the grand stairway, waiting. He looks at her as she stands in the full glare of the gasaliers.

"White muslin, gold and coral, pink roses, and no chignon. My dear Miss Darrell, taking you as a whole, I think I have seen worse-looking young women in my life."

He draws her hand through his arm, with this enthusiastic remark, and Edith finds herself in a blaze of light and a crowd of brilliantly dressed people. Three long drawing-rooms are thrown open, _en suite_; beyond is the ball-room, with its waxed flows and invisible musicians. Flowers, gaslight, jewels, handsome women, and gallant men are everywhere; the band is crashing out a pulse-tingling waltz, and still Edith hears and sees, and moves in a dream.

"Come," Charley says. His arm is around her waist, and they whirl away among the waltzers. Edith waltzes well, so does Charley. She feels as though she were floating on air, not on earth. Then it is over, and she is being introduced to people, to resplendent young ladies and almost equally resplendent young gentlemen. Charley resigns her to one of these latter, and she glides through a mazurka. That too ends, and as it grows rather warm, her partner leads her away to a cool music-room,