Marzio's Crucifix, and Zoroaster by F. Marion Crawford (easy readers txt) 📕

cold, damp vault with a lantern—the white face of the murdered man. No, he shrank from thinking of it. It was too horrible to be thought of until it should be absolutely necessary. But the place was a good one.

And then when Paolo was buried deep under the damp stones, who would be the first to ask for him? For two or three days no one would be much surprised if he did not come to the house. Marzio would say that he had met him in the street, and that Paolo had excused himself for not coming, on the ground of extreme pressure of work. But the Cardinal, whom he served as secretary, would ask for the missing man. He would be the first. The Cardinal would be told that Paolo had not slept at home, in his lodging high up in the old palace, and he would send at once to Marzio's house to know where his secretary was. Well, he might send, Marzio would answer that he did not know, and the matter would end there.

It would be hard to sit calmly at the bench all day with Gianbattista at his side. He would probably look very often at the iron-bound box. Gianbattista would notice that, and in time he would grow curious, and perhaps explore the cellar. It would be a miserable ending to such a drama to betray himself by his own weakness after it was all done, and Paolo was gone for ever—a termination unworthy of Marzio, the strong-minded freethinker. To kill a priest, and then be as nervous and conscious as a boy in a scrape! The chiseller tried to laugh aloud in his old way, but the effort was ineffectual, and ended in a painful twisting of the lips, accompanied by a glance at the corner. It would not do; he was weak, and was forced to submit to the humiliation of acknowledging the fact to himself. With a bitter scorn of his incapacity, he began to wonder whether he could ever get so far as to kill Paolo in the first instance. He foresaw that if he did kill him, he could never get rid of him afterwards.

Where do people go when they die? The question rose suddenly in the mind of the unbeliever, and seemed to demand an answer. He had answered often enough over a pint of wine at the inn, with Gaspare Carnesecchi the lawyer and the rest of his friends. Nowhere. That was the answer, clear enough. When a man dies he goes to the ground, as a slaughtered ox to the butcher's stall, or a dead horse to the knacker's. That is the end of him, and it is of no use asking any more questions. You might as well ask what becomes of the pins that are lost by myriads of millions, to the weight of many tons in a year. You might as well inquire what becomes of anything that is old, or worn out, or broken. A man is like anything else, an agglomeration of matter, capable of a few more tricks than a monkey, and capable of a few less than a priest. He dies, and is swallowed up by the earth and gives no more trouble. These were the answers Marzio was accustomed to give to the question, "Where do people go to when they die?" Hitherto they had satisfied him, as they appear to satisfy a very small minority of idiots.

But what would became of Paolo when Marzio had killed him? Well, in time his body would become earth, that was all. There was something else, however. Marzio was conscious to certainty that Paolo would in some way or other be at his elbow ever afterwards, just as he seemed to feel his presence this afternoon in the workshop. What sort of presence would it be? Marzio could not tell, but he knew he should feel it. It did not matter whether it were real to others or not, it would be too real to him. He could never get rid of the sensation; it would haunt him and oppress him for the rest of his life, and he should have no peace.

How could it, if it were not a real thing? Even the priests said that the spirits of dead men did not come back to earth; how much more impossible must it be in Marzio's view, since he denied that man had a soul. It would then only be the effect of his imagination recalling constantly the past deed, and a thing which only existed in imagination did not exist at all. If it did not exist, it could not be feared by a sensible man. Consequently there was nothing to fear.

The conclusion contradicted the given facts from which he had argued, and the chiseller was puzzled. For the first time his method of reasoning did not satisfy him, and he tried to find out the cause. Was it, he asked to himself, because there lingered in his mind some early tradition of the wickedness of doing murder? Since there was no soul, there was no absolute right and wrong, and everything must be decided by the standard of expediency. It was a mistake to allow people to murder each other openly, of course, because people of less intellectual capacity would take upon themselves to judge such cases in their own way. But provided that public morality, the darling of the real freethinker, were not scandalised, there would be no inherent wrong in doing away with Paolo. On the contrary, his death would be a benefit to the community at large, and an advantage to Marzio in particular. Not a pecuniary advantage either, for in Marzio's strange system there would have been an immorality in murdering Paolo for his money if he had ever had any, though it seemed right enough to kill him for an idea. That is, to a great extent, the code of those persons who believe in nothing but what they call great ideas. The individuals who murdered the Czar would doubtless have scrupled to rob a gentleman in the street of ten francs. The same reasoning developed itself in Marzio's brain. If his brothel had been rich, it would have been a crime to murder him for his wealth. It was no crime to murder him for an idea. Marzio said to himself that to get rid of Paolo would be to emancipate himself and his family from the rule and interference of a priest, and that such a proceeding was only the illustration on a small scale of what he desired for his country; consequently it was just, and therefore it ought to be done.

Unfortunately for his logic, the continuity of his deductions was blocked by a consideration which he had not anticipated. That consideration could only be described as fear for the future, and it had been forcibly thrust upon him by the fright he had received while he was examining the hole in the floor. In order to neutralise it, Marzio had tried the experiment of braving what he considered to be a momentary terror by obstinately studying the details of the plan he intended to execute. To his surprise he found that he returned to the same conclusion as before. He came back to that unaccountable fear of the future as surely as a body thrown upwards falls again to the earth. He went over it all in his mind again, twice, three times, twenty times. As often as he reached the stage at which he imagined Paolo dead, hidden, and buried in a cellar, the same shiver passed through him as he glanced involuntarily behind him. Why? What power could a dead body possibly exercise over a living man in the full possession of his senses?

Here was something which Marzio could not understand, but of which he was made aware by his own feelings. The difficulty only increased in magnitude as he faced it, considered it, and tried to view it from all its horrible aspects. But he could not overcome it. He might laugh at the existence of the soul and jest about the future state after death; he could not escape from the future in this life if he did the deed he contemplated. He should see the dead man's face by day and night as long as he lived.

This forced conclusion was in logical accordance with his original nature and developed character, for it was the result of that economical, cautious disposition which foresees the consequences of action and guides itself accordingly. Even in the moment when he had nearly killed Paolo that morning he had not been free from this tendency. In the instant when he had raised the tool to strike he had thought of the means of disposing of the body and of hindering suspicion. The panorama of coming circumstances had presented itself to his mind with the rapidity of a flash of lightning, but in that infinitesimal duration of time Paolo had turned round, and the opportunity was gone. His mind had worked quickly, but it had not gone to the end of its reasoning. Now in the solitude of his studio he had found leisure to follow out the results to the last link of the chain. He saw clearly that even if he eluded discovery after the crime, he could never escape from the horror of his dead brother's presence.

He laid the silver figure of the Christ straight before him upon the leathern pad, and looked intently at it, while his hands played idly with the tools upon the table. His deep-set, heavy eyes gazed fixedly at the wonderful face, with an expression which had not yet been there. There was no longer any smile upon his thin lips, and his dark emaciated features were restful and quiet, almost solemn in their repose.

"I am glad I did not do it," he said aloud after some minutes.

Still he gazed at his work, and the impression stole over him that but for a slight thing he might yet have killed his brother. If he had left the figure more securely propped upon the pad, it could not have slipped upon the bench; it could not have made that small distinct sound just as he was examining the place which was to have been his brother's grave; he would not have been suddenly frightened; he would not have gone over the matter in his mind as he had done, from the point of view of a future fear; he would have waited anxiously for another opportunity, and when it presented itself he would have struck the blow, and Paolo would have been dead, if not to-day, to-morrow. There would have been a search which might or might not have resulted in the discovery of the body. Then there would have been, the heartrending grief of his wife, of Lucia, and the black suspicious looks of Gianbattista. The young man had heard him express a wish that Paolo might disappear. His home would have been a hell, instead of being emancipated from tyranny as he had at first imagined. Discovery and conviction would have come at last, the galleys for life for himself, dishonour and contempt for his family.

He remembered Paolo's words as he stood contemplating the crucifix just before that moment which had nearly been his last. Qui propter nos homines et propter nostram salutem—"Who for us men and for our salvation came down from Heaven." In a strange revulsion of feeling Marzio applied the words to himself, with an odd simplicity that was at once pathetic and startling.

"If Christ had not died," he said to himself, "I should not have made this crucifix. If I had not made it, it would not have frightened me. I should have killed my brother. It has saved me. 'For us men and for our salvation'—those are the words—for my salvation, it is very strange. Poor Paolo! If he knew to what he owed his life he would be pleased. Who can believe such things? Who would have believed this if I had told it? And yet it is true."

For some minutes still he gazed at the figure. Then he shook himself as though to rouse his mind from a trance, and took up his tools. He did not glance behind him again, and, for the time at least, his nervous dislike of the box in the corner seemed to have ceased. He laboured with patient care, touching and re-touching, believing that each tap of the hammer should be the last, and yet not wholly satisfied.

The light waned, and he took down the curtain to admit the last glows of the evening. He could do no more, art itself could have done no more to beautify and perfect the masterpiece that lay upon the cushion before him. The many hours he